Category Archives: Poetry Competitions

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 31

Round Thirty-One

Left

むらさきに色もかはらずあけ衣我がくろかみの白く成るまで

murasaki ni
iro mo kawarazu
akegoromo
wa ga kurokami no
shirokunaru made
To violet
Hues will never change
My robes of red
Until my tresses of black
Have turned grey…

Masashige
61

Right (Win)

世をもいとふ世にも我が身のいとはれてはなれがたきぞあやしかりける

yo o mo itou
yo ni mo wa ga mi no
itowarete
hanaregataki zo
ayashikarikeri
By this world that I hate so
My sorry self in turn
Is hated, so
That it is so hard to leave
Is a strange thing, indeed.

Kūnin
62

The Left isn’t bad, but as for the Right, well, it truly is a strange thing, isn’t it.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 30

Round Thirty

Personal Grievances

Left (Tie)

としをへて梅も桜もさくものを我が身のはるにまちぞかねぬる

toshi o hete
ume mo sakura mo
saku mono o
wa ga mi no haru ni
machi zo kanenuru
The years go by and
The plum and cherry, too,
Burst into bloom, yet
For the springtime of my sorry self
It is so hard to have waited!

Kiyosuke
59

Right

数ならで年へぬる身は今さらに世をうしとだにおもはざりけり

kazu narade
toshi henuru mi wa
ima sara ni
yo o ushi to dani
omowazarikeri
Innumerable are
The years I’ve passed, but
Right now, that
The world is a cruel place, even
I do not think.

Shun’e
60

Both of these have no faults to point out, but also no superlative parts either.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 29

Round Twenty-Nine

Left (Win)

君やあらぬ我が身やあらぬおぼつかなたのめしことのみなかはりぬる

kimi ya aranu
wa ga mi ya aranu
obotsukana
tanomeshi koto no
mina kawarinuru
Aren’t you who you once were?
Aren’t I who I was then?
How strange that
All we trusted in
Has changed.

Shun’e
57

Right

恋ひしなん命ぞをしきつれもなき人にしも身をかへんねたさに

koishinan
inochi zo oshiki
tsure mo naki
hito ni shimo mi o
kaen netasa ni
That I would die of love
Makes me regret my life!
But for that cruel
Girl should I
Exchange myself—exasperating!

Yorisuke

58

I feel the left is old-fashioned, isn’t it? And yet, it is not without feeling. The Right does not have a poor conception, but its diction is insufficient.

Teiji’in tenjōbito uta’awase 02

Left

あかずしてわかれにしかばあまのがはこひしきせのみおもほゆるかな

akazushite
wakarenishikaba
ama no gawa
koishiki se nomi
omohoyuru kana
Unsatisfied
Have they parted, so
At the River of Heaven’s
Rapids, their loving meeting alone
Does fill their thoughts!

3

Right (Win)

たなばたのまれにあふよのしののめのみえぬばかりぞきりはふらまし

tanabata no
mare ni au yo no
shinonome no
mienu bakari zo
kiri wa furamashi
The Weaver Maid
Has but a rare night’s meeting, so
At the edge of dawn
That it simply not be seen
She wishes for the fog to fall.

4

Teiji’in tenjōbito uta’awase 01

Among the courtiers in service to His Majesty, former Emperor Uda, it was possible to pick out those who had some sensitivity and those who did not, so in a certain year, when the kōshin rite came around on the 7th day of the Seventh Month, those gentlemen who were thought to have this sensitivity spent the day composing poems on the topic of ‘feelings after meeting at Tanabata’ which were divided into teams and matched.

Left

としごとにこりずやあるらんたなばたのあひてこひしきわかれのみする

toshigoto ni
korizu ya aruran
tanabata no
aite koishiki
wakare nomi suru
Every single year
Does she never learn, I wonder?
The Weaver Maid
Meets and then with love
Does simply part.

1

Right (Win)

おもひやる心のそらにしらるればたなばたつめのわかれかなしな

omoiyaru
kokoro no sora ni
shirarureba
tanabatatsume no
wakare kanashiki
Yearning fills
The heavens of her heart—
How well she knows it, for
The Weaver Maid’s
Parting is so sad.

2

Teiji’in tenjōbito uta’awase

This is a small-scale contest containing only twenty-six poems. It was held on the 7th day of the Seventh Month, Engi 16 [8.8.916] (Hagitani 1957, 205), when the kōshin rite fell on that day, meaning that those participating had to stay up throughout the night. As the name of the contest suggests, the poets were courtiers in the service of former Emperor Uda, although their names have not been recorded; nor has the identity of the judge, but given the context, it seems likely that this will have been Uda himself. The 7th day of the Seventh Month was when Tanabata, the meeting between the celestial lovers, the Weaver Maid and the Herd Boy, was celebrated, and so it is unsurprising that the topic set for the match was ‘feelings after meeting at Tanabata’.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 28

Round Twenty-Eight

Left

わぎもこをかたまつよひの秋風はをぎのうはばをよきてふかなん

wagimoko o
kata matsu yoi no
akikaze wa
ogi no uwaba o
yokite fukanan
For my darling girl
I wait filled with longing, tonight
I would the autumn wind
The cogon grass fronds
Pass by in its blowing!

Shun’e
55

Right (Win)

朝夕におつる涙や恋草のしげみにすがる露と成るらん

asayū ni
otsuru namida ya
koigusa no
shigemi ni sugaru
tsuyu to naruran
Morn and eve
My falling tears to
Love’s grasses
Lush do cling and
Turn to dewdrops.

Atsuyori
56

The Right poem’s use of diction and expression has nothing wrong with it and is entirely appropriate.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 27

Round Twenty-Seven

Left

我が恋はすさの入江のこもり江のおもひこめても年をふるかな

wa ga koi wa
susa no irie no
komorie no
omoikomete mo
toshi o furu kana
My love is as
Susa Inlet’s
Hidden creeks:
Ever filling my thoughts
As the years pass by!

Masashige
53

Right (Win)

わが恋はおとなし河の浪なれやおもひかくれどきく人もなし

wa ga koi wa
otonashigawa no
nami nare ya
omoikakuredo
kiku hito mo nashi
Is my love
As the River Silent’s
Waves?
Passion fills me, yet
She never listens at all…

Atsuyori
54

The Right’s conception and diction are suitable and the overall impression is not bad at all.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 26

Round Twenty-Six

Left

恋ひしなんいのちを誰にゆづりおきてつれなき人のはてをみせまし

koishinan
inochi o tare ni
yuzuri’okite
tsurenaki hito no
hate o misemashi
Likely dying of love,
My life, to whom should I
Consign?
That cruel girl’s
Ending—would that show it to her?

Shun’e

51

Right (Win)

つれもなき人はおもひもすてられでうき身のみこそなげまほしけれ

tsure mo naki
hito wa omoi mo
suterarede
ukimi no mi koso
nagemahoshikere
So cruel is
That girl, but my passion for her
I cannot abandon;
It is my pitiful self that
I would wish to throw away!

Kenshō

52

The Left isn’t bad, but it’s a bit cliched. As for the Right, having both ‘abandon’ and ‘throw away’ could be a fault and yet the conception of one ‘abandoning passion’ is different. Whichever way you look at it, it wins.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 25

Round Twenty-Five

Left

恋ひしなん後は煙とのぼりなばたなびく雲をそれとだにみよ

koishinan
nochi wa keburi to
noborinaba
tanabiku kumo o
sore to dani miyo
I shall die of love for you, and
After as smoke
Shall rise, then
The trailing clouds
Behold and think of me!

Iemoto
49

Right

我が身だに思ふにたがふ物なればことわりなりや人のつらきは

wa ga mi dani
omou ni tagau
mono nareba
kotowarinari ya
hito no tsuraki wa
My sorry self
Differs from what I had thought
So I suppose
It’s natural, isn’t it—
That she should be so cruel…

Moromitsu
50

The Right made me feel that’s how it is. It’s charming.