Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 18

Round Six

Left

草枯のふしどさびしく成りゆけばしかこそ妻もこひしかるらめ

kusakare no
fushido sabishiku
nariyukeba
shika koso tsuma mo
koishikarurame
Among the withered grasses
He lies down, yet into lonely sadness
Does he sink, so
The stag his mate
Seems to long for all the more…

Suketaka
35

Right (Win)

さをしかの声しきるなりみよしののいさかた山に妻やこもれる

saoshika no
koe shikiru nari
miyoshino no
isakatayama ni
tsuma ya komoreru
The stag’s
Bell rends my heart—
In fair Yoshino
On Mount Isakata
Is his mate secluded.

Tōren
36

I don’t believe I have heard a prior instance of the Right’s ‘Isakata Mountain’, have I? In addition, there doesn’t seem to be any reason for its use here. In general, it’s preferable to compose using terms which are familiar. As for the Left’s poem, it sounds as if the stag only cares for his mate when the grasses are withered, but implying that grass only withers in the Ninth and Tenth Months is at variance with the actual period when it happens, isn’t it? Moreover, it is dubious to compose pivoting around the topic—and doing this has been stated to be undesirable in poetry matches. Indeed, I recall that in the Poetry Match at the Palace in the Fields, when someone composed pivoting on ‘maidenflower’, the judge criticized it, saying, ‘it is mangling the words of our land to compose in this manner.’ Thus, although the poem does have a freshness about it, the Right must win, I think.

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