Summer II: 18

Left.

むぐらはふ賤が垣根も色はへて光ことなる夕顔の花

mugurawau
shizu ga kakine mo
irowaete
hikari kotonaru
yūgao no hana
Creeping from the matted growth
The peasant’s fence
Shines with the fair hues
Of a special light:
Moonflower blooms.

Lord Ari’ie.

275

Right.

たそがれにまがひて咲ける花の名をゝちかた人や問はば答へむ

tasogare ni
magaite sakeru
hana no na o
ochikata hito ya
towaba kotaemu
In the dusk
Entangled, blooming;
The flowers’ name
A distant stranger
Were I to ask, would he reply?

Lord Takanobu.

276

The Right wonder whether the expression ‘shine with fair hues’ (irowayu) is quite proper. The Left complain that ‘in the poem “distant stranger/will I raise my voice” there is no mention of moonflowers.

Shunzei states, ‘In the Left’s poem, it might be acceptable to talk of the “fence’s hue” (kakine no iro), but “shines with the fair hues” (irowaete)is undesirable. As for the Right’s poem, the response to the “distant stranger” in the original poem contains the phrase ‘when in Spring’ (haru sareba). It is certainly not a reference to moonflowers. In Genji, the Prince sees some white blossoms, and mentions the “distant strangers”; his bodyguard hears and understands, saying, “Those are called moonflowers,” and this is no mistake, however, to refer to Genji so obliquely is poor. It does the work a disservice. Still, with the Left’s “shines with fair hues” it is difficult to determine a winner. A tie it is!”

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