Tag Archives: ages

Dairi uta’awase – Tentoku yo nen 05

Round Five

Cherries

Left (Win)

あだなりとつねはしりにきさくらばなをしむほどだにのどけからなん

adanari to
tsune wa shiriniki
sakurabana
oshimu hodo dani
nodokekaranan
That ‘tis fleeting
Ever have I known of
The cherry blossom, but
Even when filled with regret
They seem to ease my heart.

Asatada
10[i]

Right

よとともにちらずもあらなむさくら花あかぬ心はいつかたゆべき

yo to tomo ni
chirazu mo aranamu
sakurabana
akanu kokoro wa
itsu ka tayubeki
Through all the passing ages
I would that you not scatter,
O, cherry blossom!
Never sated, when might my heart,
Ever get its fill of you?

Motozane[ii]
11[iii]

The Left’s poem expresses the truth of things and has no faults to mention. Its diction is not that good, but it sounds honest. The Right’s poem concluding emotions fail to match reality, which means the poem’s overall quality is inferior. Thus, the Left wins.


[i] Two different variants of this poem occur in other collections: A poem from the Palace Poetry Match held in Tentoku 4. あだなりとつねはしりにきさくらばなをらむほどだにのどけからなん adanari to / tsune wa shiriniki / sakurabana / oramu hodo dani / nodokekaranan ‘That ‘tis fleeting / Ever have I known of / The cherry blossom, but / Even when plucking them, / They seem to ease my heart.’ Middle Counsellor Asatada (Mandaishū II: 272); and: Cherries, from the Palace Poetry Match held in Tentoku 4. あだなりとかねてしりにきさくら花をしむほどだにのどけかるらん adanari to / kanete shiriniki / sakurabana / oshimu hodo dani / nodokekaruran ‘That ‘tis fleeting / Did I know before of / The cherry blossom, but / Even when filled with regret / They seem to ease my heart.’ Middle Counsellor Asatada (Shoku senzaishū II: 140)

[ii] The text of the match reads ‘Motosuke’ here, but as he did not take part in this event, I have corrected this to ‘Motozane’ (Hagitani and Taniyama 1965, 81).

[iii] This poem is included in Goshūishū (I: 138), with the headnote ‘From the Tentoku 4 Poetry Match’, although here it is attributed to Kanemori.

Kinkai wakashū 692

Poems for folding screens.

とよ国のきくのそままつおいにけりしらずいく代の年かへにけむ

toyokuni no
kiku no somamatsu
oinikeri
shirazu ikuyo no
toshi ka henikemu
In the land of Toyo
The timber pines at Kiku
Have grown old;
I know not how many ages and
Years they have passed through…[i]

692


[i] See: 豊洲 聞浜松 心裳 何妹 相云始 toyokuni no / kiku no hamamatsu / nemokoro ni / nani shika imo ni / ai’iisomekemu ‘As in the land of Toyo / At Kiku the beach-pines, / Sweetly, / Why has my darling / Begun to meet and talk with me?’ Kakinomoto no Hitomaro Collection (Man’yōshū XII: 3130)

Kinkai wakashū 667

あひおひの袖のふれにしやどの竹よよはへにけりわがともとして

ai’oi no
sode no furenishi
yado no take
yoyo wa henikeri
wa ga tomo toshite
Growing together,
Brushing my sleeves,
The bamboo at my house
Has passed through the ages—
My friend, it is.[i]

667


[i] See: 晋騎兵参軍王子猷 栽称此君 唐太子賓客白楽天 愛為吾友 shin no kihei sangun ōshi iu / uete kono kimi to shōsu / tō no Taishi hinkaku hakurakuten / aishite wa ga tomo to su ‘In Chin times, Administrator for Cavalry Wang Tzu-yu / Planted it and called it “This Gentleman.” / In T’ang times, Adviser to the Heir Apparent Po Lo-t’ien / loved it as being “my friend.”’ (Rimer and Chaves 1997, 132) Fujiwara no Atsumochi (Wakan rōeishū II: 432); and: When His Majesty was yet a prince and had paid a visit to the Toba Palace to converse the Hachijō’in Princess, Her Highness recited, ‘The bamboo has been my friend these many years,’ so His Majesty composed a poem [along with others present]. わが友と君がみかきのくれ竹は千代にいく世のかげをそふらん wa ga tomo to / kimi ga migaki no / kuretake wa / chiyo ni ikuyo no / kage o souran ‘As “my friend” does / My Lady see, by her fence / Black bamboo— / Its thousand knots o’er how many ages / To her will show their shape?’ Master of the Dowager Empress Household Office, Toshinari (Senzaishū X: 608).

Kinkai wakashū 663

For a painting on a sliding door where there was a pine growing on the crags.

岩のうへにおふる小松の年もへぬいく千代までと契り置きけん

iwa no ue ni
ouru komatsu no
toshi mo henu
ikuyo made to
chigiri okiken
Atop the crag
Growing, a pine seedling: that
‘Twould pass through the years,
Until it reach however many ages—
It seems a vow was made.

663

Kinkai wakashū 631

The moon above the shrine.[i]

月のすむ北野のみやの小松原いく代をかけて神さびにけん

tsuki no sumu
kitano no miya no
komatsubara
ikuyo o kakete
kamisabiniken
So clear the moon above
Kitano Shrine’s[ii]
Dwarf pine groves—
Through how many ages
Might they have been venerated?[iii]

631


[i] The topic here, ‘the moon over the shrine’ (shatō no tsuki 社頭月) was a standard one which could be applied to any poem on this theme, but poets usually had a specific shrine in mind when using it—that is, their poems were intended to describe a specific scene rather than a generic one. Sometimes the context would be supplied by the time and place in which the poem was composed: for example, this is one of the topics used in the Sumiyoshi-sha uta’awase kaō ni-nen (‘Sumiyoshi Shrine Poetry Match – Kaō 2’) held in 1170, so all the poems on it can be understood as describing the moon over Sumiyoshi Grand Shrine. Alternatively, the poet could refer to the shrine in the poem itself, as Sanetomo does here.

[ii] This is Kitano Tenmangū 北野天満宮 in the north of Kyoto, dedicated to Sugawara no Michizane 菅原道真 (845-903), as the deity of learning, Tenman Tenjin 天満天神.

[iii] See: 和我伊能知乎 奈我刀能之麻能 小松原 伊久与乎倍弖加 可武佐備和多流 wa ga inochi / nagato no shima no / komatsubara / ikuyo o hete ka / kamusabiwataru ‘My life! / Upon the isle of Nagato / The dwarf pine groves / Have through how many ages passed? / Ever venerable…’ (Man’yōshū XV: 3621)

MYS XV: 3621

和我伊能知乎 奈我刀能之麻能 小松原 伊久与乎倍弖加 可武佐備和多流

わがいのちを ながとのしまの こまつばら いくよをへてか かむさびわたる

wa ga inocti
nagato no sima no
komatubara
ikuyo wo pete ka
kamusabiwataru
My life!
Upon the isle of Nagato
The dwarf pine groves
Have through how many ages passed?
Ever venerable…

Anonymous