Tag Archives: akatsuki

GSIS XII: 701

Composed when the Naka Chancellor [Fujiwara no Michitaka] returned from another woman’s residence with the dawn, but rather than coming in, remained outside and went back to his own house.

暁のつゆはまくらにおきけるを草葉のうへとなにおもひけん

akatuki no
tuyu Fa makura ni
okikeru wo
kusaba no uFe to
nani omoFiken
At the dawning
Dewdrops upon my pillow
Have fallen, but
Resting atop a blade of grass—
Is that what you think of me? [1]

The Kō Handmaid

A kuzushiji version of the poem's text.
Created with Soan.

[1] An allusive variation on Izumi shikibu-shū 304/Mandaishū XVIII: 3559.

SKKS X: 924

For the Hundred Poem Sequences Commemorating the Reign of Former Emperor Horikawa.

やまぢにてそほちにけりな白露のあかつきおきの木木のしづくに

yamaji nite
sōchinikeri na
shiratsuyu no
akatsuki oki no
kigi no shizuku ni
On a mountain path
How damp have I become!
Silver dewdrops
Fall with the dawn
In droplets from the trees…

Supernumerary Middle Counsellor Kunizane

A kuzushiji version of the poem's text.
Created with Soan.

San’i minamoto no hirotsune ason uta’awase 14

First snow seen at dawn (暁見初雪)

Left

鏡山あか月方に見わたせばあまぎりあひて初雪ぞふる

kagamiyama
akatsukikata ni
miwataseba
amagiri aite
hatsuyuki zo furu
When Mirror Mountain
At the edge of dawn
I do survey
Blended with the misting rain is
The first fall of snow.

Fujiwara no Akinobu, Secretary of Music
27

Right

あさぼらけまだふみ分けぬ初雪にいづれを道とわきぞかねつる

asaborake
mada fumiwakenu
hatsuyuki ni
izure o michi to
waki zo kanetsuru
By dawn’s first light
As yet no feet have marked
This first fall of snow;
How long can the path
Remain untrodden?

Akichika, Ranked without office
28

Minbukyō yukihira uta’awase 8

Left (Win)
ほかにまた待つ人あれや時鳥心長閑かに声の聞えぬ

Foka ni mata
matu Fito are ya
Fototogisu
kokoro nodoka ni
kowe no kikoenu
Is there any other who still
Awaits as I,
O, cuckoo?
Heart at peace with
Your song unheard…

15

Right
二声と聞かでややまむ時鳥暁近くなりもしぬらむ

Futakowe to
kikade ya yamamu
Fototogisu
akatuki tikaku
nari mo sinuramu
Will your twin cries
Cease before they’re heard,
O, cuckoos?
With approaching dawn
It seems they die…

16

Rokujō sai’in uta’awase 9

Snipe

Left (Tie)
たれか又暁ごとに夢さめて羽掻く鴫の声を聞くらむ

tareka mata
akatuki goto ni
yume samete
Fane kaku sigi no
kowe wo kikuramu
Who is it that yet
With every single dawn
Awakens from her dreams, and
The wing-beating snipes’
Cries does hear?

Koma
小馬
17

Right
我ならで誰か聞くらむ暁の羽掻く鴫の数を尽くして

ware narade
tare ka kikuramu
akatuki no
Fane kaku sigi no
kazu wo tukusite
If not I, then
Who is it that will hear?
With the dawn
The snipes’ wing-beats
Coming to an end…

Saemon
左衛門
18

Love VI: 22

Left.
独のみ寢屋の板間もあはずして雨も涙も所せきまで

hitori nomi
neya no itama mo
awazushite
ame mo namida mo
tokoroseki made
All alone, and
The boards above my bedchamber
Fail to come together;
Until with raindrops and tears both
I am excessively…

Lord Ari’ie.
943

Right (Win).
深き夜の寢覺に何を思けむ窓打ちてすさむ暁の雨

fukaki yo no
nezame ni nani o
omoikemu
mado uchisusamu
akatsuki no ame
Late within the night,
I start awake; what
Was in my thoughts?
Beating against my window is
The dawntime rain.

Jakuren.
944

The Right state: we cannot grasp the sense of the Left’s use of ‘until’ (made). The Left state: the Right’s poem is certainly not easy to understand on hearing.

In judgement: is not the use of ‘until’ (made) simply because it is appropriate to conclude a poem with that syllable? I can see nothing problematic with the use of ‘beating against my window’ (mado uchisusamu) in the Right’s poem. Thus, I make the Right the winner.