Tag Archives: aki

Sumiyoshi-sha uta’awase kaō ni-nen 57

Round Seven

Left (Tie)

わがさかりやよいづかたへゆきにけむしらぬおきなにみをばゆづりて

wa ga sakari
yayo izukata e
yukinikemu
shiranu okina ni
mi oba yuzurite
My glory days,
O, where have they
Gone?
An unfamiliar old man
Has taken my place…

Lord Kiyosuke
113

Right

いかなればわがひとつらのかかるらむうらやましきはあきのかりがね

ika nareba
wa ga hitotsura no
kakaruramu
urayamashiki wa
aki no kari ga ne
What has happened, that
My brothers, one and all,
Should go so far?
How I envy
The cries of autumn geese…

Lord Sanetsuna
114

Both of these poems of the Left and Right are, once again, suited to their poets. The Left appears to have a charming conception, looking back on more prosperous times which have now gone—just as anyone would. This is certainly something to resent and yet, in his glory days he was a man of high renown, or someone with great responsibilities among lower officialdom, or even in the Inner Palace Guards or Great Council of State—to hear a man recollecting this and asking ‘where have my glory days gone’—speaking of such things sounds charming, in the end. Truly charming. The poem of the Right finds fault with ‘What has happened, that /My brothers, one and all’ and the poet says ‘How I envy / The cries of autumn geese’. The line of geese in the autumn appears unmistakably to refer to the ordering of brothers—perhaps that order has been disrupted? If so, this, too, is extremely charming. To the extent that these, too, express the writer’s troubles, for the moment, I make them a tie.

Sumiyoshi-sha uta’awase kaō ni-nen 52

Round Two

Left (Tie)

すみよしときこゆるさとにいとはずはおきどころなきみをやどさばや

sumiyoshi to
kikoyuru sato ni
itowazu wa
okidokoro naki
mi o yadosaba ya
A pleasant place to live is Sumiyoshi’s
Estate, or so I’ve heard, but
If it provide no comfort, then
My restless
Self might it attract…

Lord Kinshige
103

Right

すぎていにしあきにおくれてしもがるるきくやわがみのたぐひなるらむ

sugite inishi
aki ni okurete
shimogaruru
kiku ya wa ga mi no
tagui naruramu
Past and gone is
Autumn, but lingering,
Frost-burned
Chrysanthemums—is my sorry self
Just like them, I wonder?

Enjitsu
104

Neither the poem of the Left, nor of the Right, sound as if they have any particular faults. Nevertheless, in the case of such poems the assessment varies depending upon the speaker. While the poem of the Left is, indeed, pitiful, it also sounds a bit crude. It would be elegant, I think, if it were a woman’s poem. As for the Right’s poem, if we take it as an expression of grief over orphanhood, then in the final analysis it’s charming as it matches the conception of a scion of a noble house picturing himself as the monarch of the flowers. Then again, we do have the poem by the Enkyū Third Prince:

うゑおきしきみもなきよにとしへたる花は我が身のここちこそすれ

ueokishi
kimi mo naki yo ni
toshi hetaru
hana wa wa ga mi no
kokochi koso sure
You planted them here,
My Lord, though gone from this world,
These many years past—
The flowers and my sorry self
Both feel the same…[1]

This would seem to be in the same vein. Given that the speaker of both poems is unclear, for the moment, these tie.


[1] Composed when viewing the blossom at the Enshūji and recalling former Emperor Gosanjō (KYS IX: 518).

Yasuakira shinnō tachihaki no jin uta’awase 06

Geese

Left (Tie)

あきのそらかりのなきくるくもゐをばよそなるひとのふみとこそみれ

aki no sora
kari no nakikuru
kumoi oba
yoso naru hito no
fumi to koso mire
In the autumn skies
Geese call
Beyond the clouds,
To someone so far away
A letter, they do seem.

Fujiwara no Akane
(Arimasa in  a certain text)
11

Right

 

まだきかぬみみにやあるらむはつかりのおとだにもせぬあきはきにしを

mada kikanu
mimi ni ya aruramu
hatsukari no
oto dani mo senu
aki wa kinishi o
I have yet to hear
Them with my ears, it seems—
The first geese
Have made not a sound, but
Autumn has come…

Miharu no Miyakoe
12

Yasuakira shinnō tachihaki no jin uta’awase 05

Autumn Moon

Left (Tie)

しらつゆのそこにひかりはやどれどもとまらでぞゆくあきのつきかげ

shiratsuyu no
soko ni hikari wa
yadoredomo
tomarade zo yuku
aki no tsukikage
At silver dewdrops
Base its light
Does lodge, yet
Never stays, but departs—
The autumn moonlight.

Fujiwara no Kakena
9

Right

あきのつきこのしたなべてあかければこのもかのものかげだにもせず

aki no tsuki
ko no shita nabete
akakereba
kono mo kano mo no
kage dani mo sezu
When the autumn moon
Aligns beneath the trees
So bright,
Each and every one
Casts no shadow at all.

Miyaji no Sukeon
10

Yasuakira shinnō tachihaki no jin uta’awase 04

Pine crickets

Left (Win)

いまこむとたれたのめけむあきのよをあかしかねつつまつむしのなく

ima komu to
tare tanomekemu
aki no yo o
akashikanetsutsu
matsumushi no naku
‘I’m coming now’—
Who might I trust to say that,
On an autumn night
Ever unable to greet the dawn
The pine crickets cry.

Tachibana no Yasūdoki
7

Right

あききてはほどへにけるをあやしくもわがまつむしのおとづれもせぬ

aki kite wa
hodo henikeru o
ayashiku mo
wa ga matsumushi no
otozure mo senu
Autumn comes, and
Time has passed, but
How strange it is
I pine for the crickets
That never come to call.

Minamoto no Satake
8

Yasuakira shinnō tachihaki no jin uta’awase 03

Maidenflowers

Left

あきかぜはふかずもあらなむをみなへししるもしらぬもおもふこころは

akikaze wa
fukazu mo aranamu
ominaeshi
shiru mo shiranu mo
omou kokoro wa
Even should the autumn breeze
Fail to blow,
O, maidenflower, still
Those who know you and know you not,
Would hold you in their hearts…

Taira no Yasū
5

Right (Win)

をみなへしおひたるのべにふきかかるあきののかぜにみをやそへまし

ominaeshi
oitaru nobe ni
fukikakaru
aki no nokaze ni
mi o ya soemashi
Maidenflowers
Growing in the meadows
Brushed by the blowing
Autumn wind o’er the fields—
O, how I wish it trailed over me, too…

Tomo no Tadanori
(or in some texts Toshizane)
6