Tag Archives: ancient home

Sumiyoshi-sha uta’awase kaō ni-nen 44

Round Nineteen

Left (Win)

くさまくらおなじたびねのそでにまたよはのしぐれもやどはかりけり

kusamakura
onaji tabine no
sode ni mata
yowa no shigure mo
yado wa karikeri
Needing a grassy pillow
When travelling just the same as I, dozing
I find my sleeves drenched even more,
For the midnight shower, too,
Has found lodging.

Kojijū
87

Right

いほりさすやまぢはすぎぬはつしぐれふるさとまでやめぐりゆくらむ

iori sasu
yamaji wa suginu
hatsushigure
furusato made ya
meguriyukuramu
I put up my hut
Upon the mountain path that you passed by,
O, first shower!
As far as my ancient home
I wonder, will you make your way?

Lord Sanemori
88

The poem of the Left, saying ‘When travelling just the same as I dozing, / I find my sleeves drenched even more’ and then following this with ‘For the midnight shower, too, / Has found lodging’, has an extremely charming conception and configuration. In addition to the poem of the Right also having a charming conception, it begins with ‘O, first shower!’ and then continues, ‘As far as my ancient home’, which is an effective use of diction. Nevertheless, the conception of the Left’s poem is even better and it wins.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 37

Scarlet Leaves

Round One

Left (Win)

山姫やきてふる郷へ帰るらんにしきとみゆる衣手の杜

yamahime ya
kite furusato e
kaeruran
nishiki to miyuru
koromode no mori
Does the mountain princess
Wear it, when to her ancient home
Returning?
As brocade does seem
The sacred grove at Koromode…

Lord Shige’ie

73

Right

色色の木木のにしきを立田川ひとつはたにもおりながすかな

iroiro no
kigi no nishiki o
tatsutagawa
hitotsu hata ni mo
orinagasu kana
Many hued is
The trees brocade that
The Tatsuta River’s
Loom into one
Does weave and float along!

Shun’e
74

The Left’s ‘mountain princess’ is normally used, but where is the ‘ancient estate’? As for the Right, when the trees’ brocade is scattered, only then, indeed, can it be woven and made to flow along by a river. A long time ago there was a poem composed which, indeed, began, ‘The scarlet leaves in such confusion / Drift’ and then continued, ‘Were I to ford across, this brocade / Would be split in two, I’d say…’[1] Furthermore, what are we to make of ‘Tatsuta River’s / Loom into one’? There should be reference to a location which has some connection with looms, but to simply shoehorn in ‘Tatsuta River’s / Loom into one’ smacks of pleasing oneself. There is the earlier poem ‘Without a loom / Are brocade’,[2] too. The way in which this poem is constructed is charming, but these features are difficult to ignore, so thus the Left should win, I think.


[1] The poem is Kokinshū V: 283, with the headnote, ‘Topic unknown’. It is officially anonymous, but is accompanied by an endnote stating ‘It is said by some that this poem was composed by the Nara Emperor.’

[2] Topic unknown. から衣たつたの山のもみぢばははた物もなき錦なりけり karakoromo / Tatsuta no yama no / momijiba wa / hatamono mo naki / nishiki narikeri ‘A Cathay robe— / Tatsuta Mountain’s / Scarlet leaves, / Without a loom / Are brocade.’ Anonymous (GSS VII: 386)

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 07

Round Seven

Left (Win)

萩がはな分けゆく程は古郷へかへらぬ人もにしきをぞきる

hagi ga hana
wakeyuku hodo wa
furusato e
kaeranu hito mo
nishiki o zo kiru
When through the bush-clover blooms
He forges his way,
To his ancient home
Never to return—that man, too,
Wears a fine brocade!

Minamoto no Arifusa, Minor Captain in the Inner Palace Guards, Right Division

13

Right

声たてて鳴くむしよりも女郎花いはぬ色こそ身にはしみけれ

koe tatete
naku mushi yori mo
ominaeshi
iwanu iro koso
mi ni wa shimikere
They lift their songs in
Plaintive cries, but far more than the insects
‘Tis the maidenflower’s
Wordless hue that truly
Pierce my soul!

Junior Assistant Minister of Central Affairs Sadanaga
14

The Left is well-composed, but what is the Right’s ‘wordless hue’? Are we supposed to imagine that the expression means ‘silent yellow’? This is difficult to grasp, isn’t it. Whatever way you look at it, the Left seems to win.

SKKS IV: 393

On flowering grasses before the moon, when he presented a Fifty Poem Sequence.

ふるさとのもとあらのこはぎさきしよりよなよな庭の月ぞうつろふ

furusato no
motoara no kohagi
sakishi yori
yonayona niwa no
tsuki zo utsurou
At my ancient home
Since the sparse bush clover
Bloomed,
Night after night upon the garden
Shines the moon![i]

The Regent and Palace Minister

A kuzushiji version of the poem's text.
Created with Soan.

[i] An allusive variation on KKS XIV: 694.

Teiji-in uta’awase 03

Left (Win)

きつつのみなくうぐひすのふるさとはちりにしむめのはなにざりける

kitsutsu nomi
naku uguisu no
furusato wa
chirinishi mume no
hana ni zarikeru
Ever coming, simply
To sing—the warbler’s
Ancient home
The scattered plum
Blossoms is not.

Mitsune

5[i]

Right

みちよへてなるてふももはことしよりはなさくはるにあひぞしにける

michiyo hete
naru chō momo wa
kotoshi yori
hana saku haru ni
ai zo shinikeru
Three thousand generations enduring,
They say, are the peaches:
From this year
Blossom blooming spring
Have they encountered.

Korenori

6[ii]

This poem says ‘generation’ when it should be composed about a year—it loses.


[i] This poem is included in Shinchokusenshū (I: 36), attributed to Sakanoue no Korenori, with the headnote, ‘From Former Emperor Uda’s Poetry Contest’.

[ii] A minor variant of this poem, which changes the first phrase to ‘For three thousand years’ (michi tose ni), is included in Shūishū (V: 288), attributed to Mitsune, with the headnote ‘From Former Emperor Uda’s Poetry Contest’.

Kanpyō no ōntoki kisai no miya uta’awase 25

Left

古郷をおもひやれども郭公こぞのごとくになれぞなくなる[1]

furusato o
omoiyaredomo
hototogisu
kozo no gotoku ni
nare zo nakunaru
My ancient home
Lingers fondly in my thoughts, yet
The cuckoo
Just as last year
Sings as he was accustomed to do!

49

Right

夏の夜の霜やおけるとみるまでに荒れたる宿を照す月かげ

natsu no yo no
shimo ya okeru to
miru made ni
aretaru yado o
terasu tsukikage
Upon a summer night
That frost has fallen
It does appear at
A ruined dwelling where
The moonlight shines.

50[2]


[1] The concluding two lines of this poem are missing from the contest’s text, but have been supplied by later scholarship.

[2] Kokin rokujō I: 286/A minor variant of this poem is included in Mandaishū (III: 730), with the headnote ‘A poem from the Poetry Contest in One Hundred Rounds held by the Tōin Empress’ なつのよもしもやおけると見るまでにあれたるやどをてらすつきかな natsu no yo no / shimo ya okeru to / miru made ni / aretaru yado o / terasu tsuki kana ‘Upon a summer night / That frost has fallen / It does appear at / A ruined dwelling where / The moon does shine!’