Tag Archives: Arashi

Eien narabō uta’awase 21

Round Seven

Left

秋の夜はながゐのうらにとまりしてのどかにてらすありあけの月

aki no yo wa
nagai no ura ni
tomarishite
nodoka ni terasu
ariake no tsuki
Autumn nights
Are long at Nagai Bay
Lodging, and
Gently shining
The dawntime moon.

Lady Kazusa
41

Right (Win)

秋の夜のくもふきはらふあらしこそ月みるひとのこころなりけれ

aki no yo no
kumo fuki’harau
arashi koso
tsuki miru hito no
kokoro narikere
On an autumn night
The clouds a’blowing away,
The storm wind, truly,
As someone gazing upon the moon
Has the selfsame heart!

Lady Shikibu
42

The poem of the Left certainly imagines the scene just as it is. With that being said, however, the dawntime moon is not present long enough. The Right’s poem simply sounds like one composed by Atsutaka for the ‘Poetry Match held at the Residence of the Former Captain of the Outer Palace Guards, Left Division’.[i] Thus, it’s impossible for me to determine a winner or loser.

It’s a poem which we see in the Poetry Match at Lord Moroyori’s Residence.

冬のよの雲ふきはらふ木枯や月見る人の心なるらむ

fuyu no yo no
kumo fuki’harau
kogarashi ya
tsuki miru hito no
kokoro naruramu
On a winter’s night
The clouds a’blowing away,
The bitter wind, indeed,
As someone gazing upon the moon
The same heart seems to have![ii]

In the poem of the Left, is it the moon or the poet who is lodging at Nagai Bay? If it’s the moon, then ‘lodging’ is erroneous; if it’s the poet, then ‘gently shining’ doesn’t work. In addition to this vagueness, I do also question whether ‘dawntime’ sounds appropriate. As for the Right’s poem, ‘as someone gazing at the moon / Has the selfsame heart!’ is an elegant conception, and the diction is also smooth. It reminds me of an earlier work by someone else. Thus, it wins.


[i] This match has a several different titles, Mototoshi refers to here as both: Zen sa-hyōe no kami no ie no uta’awase 前左兵衛督家歌合 and also Moriyori-kyō no ie uta’awase 師頼卿家歌合, but it is also known as the ‘Poetry Match held by the Late Master of the of the Crown Prince’s Household’ (Ko-tōgū daibu ie uta’awase 故東宮大夫家歌合) and the ‘Poetry held by Moroyori, Captain of the Outer Palace Guards, Right Division’ (U-hyōe no kami moroyori uta’awase 右兵衛督師頼歌合): the text of this match is no longer extant, but it is known to have taken place in the winter Tennin 天仁 2 (1109). Fujiwara no Kiyosuke notes that it was judged by Toshiyori, but Mototoshi disagreed with his assessments and submitted at set of judgements of his own in appeal (Fujioka 1995, 212).

[ii] This poem is included in Shoku shikashū (VI: 293), attributed to Moroyori, with the headnote, ‘Composed on the moon in winter’.

Entō ōn’uta’awase 38

Round Thirty-Eight

Left

今更にふしもさだめぬ鹿の音よ木葉の数のつもるよごとに

ima sara ni
fushi mo sadamenu
shika no ne yo
ko no ha no kazu no
tsumoru goto ni
At around this time,
With his bedding undecided,
The stag bells out!
Just as the leaves’ from on the trees numbers
Do mount up…

Shō
75

Right (Win)

木葉ちる夜半の嵐の月影に心すみてや鹿も鳴くらん

ko no ha chiru
yowa no arashi no
tsukikage ni
kokoro sumite ya
shika mo nakuran
Leaves scatter from the trees
In the midnight storm
In the moonlight
From his wild and earthy thoughts
Does the stag, too, cry out?

Nagatsuna
76

The Left’s ‘just as the leaves from on the trees numbers do mount up’ at night and so forth, appears to be a novel style, yet the Right poem sounds more gorgeous, so it wins.

Naidaijin-ke uta’awase 01

Showers

Round One

Left (Win – Both judges)

終夜嵐の音にたぐひつつ木の葉とともに降るしぐれかな

yomosugara
arashi no oto ni
taguitsutsu
ko no ha to tomo ni
furu shigure kana
All night long
The sound of storm winds
Is laced
With that of leaves and
Falling showers!

Lady Settsu, in service to the Empress
1

Right

おぼつかないかにしぐるる空なればうらごの山のかたみなせなる

obotsukana
ika ni shigururu
sora nareba
urago no yama no
kataminase naru
How puzzling it is!
What sort of shower
From the skies is it that
Makes Urago Mountain
Show such a thing?

Lord Toshiyori
2

Toshiyori states: While the conception and diction of the first poem are not that unusual, it appears to have no errors to indicate. The second poem’s choice of diction—using ‘show such a thing’—is vague: I wonder if when composing about this mountain that’s what one does? Nevertheless, the assembled company have stated that ‘Urago Mountain’ feels unpoetic as a piece of diction, and thus I make the Left the winner.

Mototoshi states: I feel that ‘With that of leaves and / Falling showers!’ is a moving and charming conception, but find it impossible to understand why Urago Mountain should ‘show such a thing’ in the poem of the Right! I have to say that the Left is superior.