New Year Archery
雲のうへや春のはじめの梓弓ゐまちの月にいづるもろ人
| kumo no ue ya haru no hajime no azusayumi imachi no tsuki ni izuru morobito | Above the clouds, At the start of spring, With catalpa bows Beneath the eighteenth night’s moon Emerge the crowds! |
New Year Archery (From the Fifty Poem Sequence on Six Topics (Contd.), 28th day of the First Month, Bun’ei 6 [2.3.1269].
梓弓はるの雲井に引きつれていそがすいての心をぞしる
| azusayumi haru no kumoi ni hikitsurete isogasu ite no kokoro o zo shiru | Catalpa bows Beneath the clouds of spring All drawn; Hurried to the shooting By the knowing of their hearts! |
Sent to someone in a year when the court had held New Year Archery.
あづさ弓こころいるまに山里のはなみにはゆく人もあらじな
| azusayumi kokoro iru ma ni yamazato no hanami ni wa yuku hito mo araji na | While a catalpa bow Within their hearts they hold and shoot, To my mountain retreat Blossom viewing coming Will there be no folk at all, most like! |
Composed when I saw a single pine tree on the rocky shore when I had gone on a pilgrimage.
あづさ弓いそべにたてるひとつ松あなつれづれげ友なしにして
| azusayumi isobe ni tateru hitotsu matsu ana tsurezurege tomo nashi nishite | A catalpa bow, Standing on the stoney shore, A single pine— How lonely it seems, Without any friend at all… |
696

Round Thirty-Four
Left
もののふもあはれとおもへあづさ弓ひきのの夜半のさをしかの声
| mononofu mo aware to omoe azusayumi hikino no yowa no saoshika no koe | Let even a warrior Feel pity! A catalpa bow drawn On Hiki Plain at a midnight Stag’s call. |
The Former Minister of the Centre
67
Right (Win)
つれもなきつまをやたのむ秋風の身にさむき夜は鹿も鳴くなり
| tsure mo naki tsuma o ya tanomu akikaze no mi ni samuki yo wa shika mo nakunari | Is it his heartless Bride he seeks? The autumn wind Chills the bones at night As the stag, too, does cry.[1] |
Kozaishō
68
The Left’s poem seems to have no faults worth mentioning, but the Right’s poem is composed with the poem ‘The autumn wind / Chills my bones / As cold as / The woman I hope for / In the dark, night after night’ in mind and seems particularly pleasant, so it wins.


[1] An allusive variation on: Topic unknown. 秋風の身にさむければつれもなき人をぞたのむくるる夜ごとに aki kaze no / mi ni samukereba / tsuremonaki / hito o zo tanomu / kururu yo goto ni ‘The autumn wind / Chills my bones / As cold as / The woman I hope for / In the dark, night after night.’ Dharma Master Sosei (KKS XII: 555)
Taiwan Cherry
あづさゆみ春の山べにけぶりたちもゆともみえぬひざくらのはな
| azusayumi haru no yamabe ni keburi tachi moyu tomo mienu hizakura no hana | A catalpa bow: From the mountainside in springtime Smoke rising— Doesn’t it appear to be burning with Fiery cherry blossoms. |
6[i]
The Japanese name for this breed of cherry is hizakura (‘fire cherry’)—hence the imagery used in the poem.
[i] This poem is included in Kokin rokujō (4234), attributed to Ōchikōchi no Mitsune with the headnote ‘Taiwan Cherry’.