Tag Archives: brushwood

Eien narabō uta’awase 01

Topics

CherryCuckoosMoonSnowFelicitations

Poets

LeftRight
Lord Dainagon [Kōkaku]Lord Chūnagon [Kyōen]
Lord SaburōUshigimi
Retired from the world on Mount Uji [Eien]Senior Assistant Minister Past Lecturer [Kakuyo]
Cell of the Fragrant Elephant [Shin’ei]Cell of the Everlasting Truth [Tanshū]
Controller’s Graduate [Shinkei]Kerin’in Graduate [Yūzen]
Cell of Fragrant Cloud [Shōchō]Cell of Compassionate Light [Sōen]
Lady KazusaLady Shikibu

Judge

Mototoshi

Former Director of the Bureau of Carpentry, Toshiyori[i]

Cherry

Round One

Left

みやまにはしひがかざをれはやけれどふもとのはなはことしさくめり

miyama ni wa
shii ga kaza’ore
hayakeredo
fumoto no hana wa
kotoshi sakumeri
Deep within the mountains,
Brushwood is broken by the wind
So swiftly, yet
In the foothills the blossom
Will bloom this year, it seems.[ii]

Lord Dainagon
1

Right

ちるはなをさそふとみつるはる風のうはのそらにもすててけるかな

chiru hana o
sasou to mitsuru
harukaze no
uwa no sora ni mo
sutetekeru kana
The scattered blossoms
Look to be beckoned by
The spring breezes,
Even high up in the skies
To be abandoned!

Lord Chūnagon
2

I would say there’s no reason to say that the poem of the Left is superb, yet it does have a little bit of interest. The poem of the Right’s ‘Even high up in the skies /To be abandoned!’ completely fails to exceed vulgar diction. Thus, I make the Left the winner.

The poem of the Left’s ‘Brushwood is broken by the wind’ and so forth cannot be called ordinary and is an extremely charming use of diction. However, if the branches are broken and lost, then it would appear difficult for them to bloom, yet the addition of ‘yet’ to ‘swiftly’ gives the impression that there are branches remaining, thus following this with ‘Will bloom this year, it seems’ appears clumsy.

The poem of the Right has nothing remarkable about it, and no particular errors. Even so, because except in exceptional circumstances, the Left must win the first round, I make the Left the winner.


[i] This match was initially judged by Fujiwara no Mototoshi, but at some point after this, one of the participants, Sōen, submitted an ‘Appeal’ (chinjō) claiming these were unfair, and Toshiyori was asked to re-judge the match. The result is that there are two manuscript traditions for this event, one with Mototoshi’s judgements and one with Toshiyori’s. I am including both sets of judgements here.

[ii] The end of winter-beginning of the Twelfth Month. みやまにははやまのあらしあらげなりしひのかざをれいくそかかれり miyama ni wa / hayama no arashi / aragenari / shii no kaza’ore / ikuso kakareri ‘Deep within the mountains / Across the timber slopes the storm wind / Rages; / Brushwood is broken by the wind / O’er countless tens of trees.’ Sone no Yoshitada (Yoshitada-shū 342)

Sumiyoshi-sha uta’awase kaō ni-nen 49

Round Twenty-Four

Left (Win)

かぜのおとにわきぞかねましまつがねのまくらにもらぬしぐれなりせば

kaze no oto ni
waki zo kanemashi
matsu ga ne no
makura ni moranu
shigure nariseba
The gusts of wind
I cannot tell apart from
The rustle of the pines roots
For my pillow should no drips
From the shower fall…

Lord Sanefusa
97

Right

たびのいほはあらしにたぐふよこしぐれしばのかこひにとまらざりけり

tabi no io wa
arashi ni taguu
yoko shigure
shiba no kakoi ni
tomarazarikeri
My traveller’s hut
Is lashed by the storm wind’s
Sideways showers—
The brushwood walls
Halt it not at all.

Lord Yorimasa
98

The conception and configuration of the poem of the Left, starting ‘I cannot tell apart from / The rustle of the pines’ and continuing ‘For my pillow should no drips / From the shower fall’ is, once again, truly exceptional! As for the poem of the Right, while it appears to have a charming style and use of diction, even if it is the case that ‘sideways showers’ are a genuine phenomenon, it fails to sound particularly elegant, doesn’t it. In addition, the latter section of the poem, ‘the brushwood walls’, feels slightly lacking in conception. Thus, I make the Left the winner.

Sumiyoshi-sha uta’awase kaō ni-nen 42

Round Seventeen

Left (Win)

こよひしもあやにくにふるしぐれかなまばらにさせるしばのいほりに

koyoi shimo
ayaniku ni furu
shigure kana
mabara ni saseru
shiba no iori ni
Of all nights
How unfortunate it is that falls
A shower!
Upon my crudely erected
Brushwood hut!

Lord Kinshige
83

Right

くさまくらつゆけきたびのくれはとりあやにくにまたしぐれふるなり

kusamakura
tsuyukeki tabi no
kurehatori
akaniku ni mata
shigure furu nari
My grassy pillow is
Dew-drenched on my travels
At Kurehatori—the weaver’s town!
How warped that still
A shower falls here!

Enjitsu
84

Both Left and Right have their showers falling unfortunately, and the poem of the Right starts with ‘Kurehatori’ and continues with ‘warped’ which sounds charming, but to mention ‘dew-drenched travels’ and follow this with Kurehatori give a somewhat unexpected impression. The Left lacks anything as individual as Kurehatori’s warp, but ‘crudely erected’ is a direct description and, thus I could make the Left the winner.

Sumiyoshi-sha uta’awase kaō ni-nen 39

Round Fourteen

Left

こころあれやかきなくらしそはつしぐれまださしはてずしばのかりいほ

kokoro are ya
kaki na kurashi so
hatsushigure
mada sashihatezu
shiba no kari’io
Have some sympathy,
And bring no darkness,
O, first shower!
For I have yet to finish putting up
My crude brushwood hut…

Lord Suetsune
77

Right (Win)

すみよしのまつがしたねのたびまくらしぐれもかぜにききまがへつつ

sumiyoshi no
matsu ga shita ne no
tabimakura
shigure mo kaze ni
kikimagaetsutsu
At Sumiyoshi
Beneath the pines, their roots are
My journey-pillow, as
The shower, too, with the gusting wind
I hear blending together.

Takanobu
78

The Left’s latter section, which states that the poet has ‘yet to finish putting up’ his hut, has a truly charming configuration as a poem on the conception of travel, but the phrase ‘have some sympathy’ does not appear to be a conception which has prior precedent. It could be a way of expressing the emotion through the shower. As for the Right, while I do question the sound of ‘journey-pillow’, it is the case that in Cathay-style poems this appears, but what are we do to about the fact that this is not ‘pillow on my journey’, I wonder? The sequencing of ‘the shower, too, with the wind’ is pleasant, isn’t it. Thus, I make the Right the winner.

SKKS VI: 688

Composed on the conception of hawking.

かりくらしかたののましば折敷きてよどのかはせの月をみるかな

karikurashi
katano no mashiba
orishikite
yodo no kawase no
tsuki o miru kana
While hunting night has fallen, so
In Katano brushwood
I’ll break and spread around, then
In the Yodo’s rapids
I’ll gaze upon the moon!

Kinhira, Middle Captain of the Inner Palace Guards, Left Division

A kuzushiji version of the poem's text.
Created with Soan.