Left
たれか又暁ごとに夢さめて羽掻く鴫の声を聞くらむ
| tareka mata akatuki goto ni yume samete Fane kaku sigi no kowe wo kikuramu |
Who is it that yet With every single dawn Awakens from her dreams, and The wing-beating snipes’ Cries does hear? |
Koma
小馬
17
Right
我ならで誰か聞くらむ暁の羽掻く鴫の数を尽くして
| ware narade tare ka kikuramu akatuki no Fane kaku sigi no kazu wo tukusite |
If not I, then Who is it that will hear? With the dawn The snipes’ wing-beats Coming to an end… |
Saemon
左衛門
18
照る月を昼かと見れば暁に羽核搔く鴫もあらじとそ思ふ
| teru tuki wo Firu ka to mireba akatuki ni Fane kaku sigi mo arazi to zo omoFu |
The shining moon Makes it seem like noon, so With the dawn, Beating their wings, even the snipe Have gone, I feel. |
Ki no Tsurayuki
紀貫之
In Kanpyō-Shōhō 2 [750], on the 24th day of the Third Month, it would be near to the beginning of summer in the Fourth Month, so he composed these two poems when, on the evening of the 23rd day, he suddenly thought of a cuckoo calling at dawn.
常人も起きつつ聞くぞ霍公鳥この暁に来鳴く初声
| tunepito mo okitutu kiku zo pototogisu kono akatoki ni kinaku patugowe |
The folk of this world Remain awake and listen for The cuckoo With the dawn today To arrive and give his first call. |
Ōtomo no Yakamochi
Left (Win).
あか月にあらぬ別も今はとて我が世ふくれば添ふ思ひかな
| akatsuki ni aranu wakare mo ima wa tote wa ga yo fukureba sou omoi kana |
At dawn This parting is not; Now it is When my life reaches twilight – I think… |
Lord Sada’ie.
851
Right.
翁さび身は惜しからぬ戀衣今はと濡れん人なとがめそ
| okina sabi mi wa oshikaranu koigoromo ima wa to nuren hito na togame so |
Feeling like an ancient, But I regret it not! My loving clothes: Now’s the time to dampen them But blame me not! |
Jakuren.
852
The Right state: the Left’s poem has no faults to mention. The Left state: we wonder about the appropriateness of ‘now’s the time to dampen them’ (ima wa to nuren).
In judgement: ‘Feeling like an ancient’ (okina sabi) ‘now’s the time to dampen them’ (ima wa to nuren) does not sound like it fits formally with ‘but I regret it not!’ (mi wa oshikaranu). The Left, in addition to sounding like it has no faults, has ‘this parting is not; now it is’ (aranu wakare mo ima wa tote), which certainly sounds right. It is superior.
Topic unknown.
風わたる軒端の梅に鴬の鳴きてこつたふ春の曙
| kaze wataru nokiba no mume ni uguFisu no nakite ko tutaFu Faru no akebono |
Breeze brushed, Upon the plum beneath my eaves The bush-warbler’s Song tells me this: it is The dawn in springtime. |
Provisional Major Councillor Sane’ie (1145-1193)
権大納言実家
Topic unknown.
梅が枝の花にこつたふ鶯の声さへにほふ春の曙
| mume ga e no Fana ni ko tutaFu uguFisu no kowe saFe niFoFu Faru no akebono |
A branch of plum Blossom tells me this: The bush-warbler’s Very voice does shine at The dawn in springtime. |
Cloistered Prince Shukaku
花盛り心も空にあくがれておきゐてぞ見る春の曙
| hana sakari kokoro mo sora ni akugarete oki’ite zo miru haru no akebono |
The blossoms are profuse, and My heart to the skies Is drawn, Resting my gaze This spring dawn. |
憂きことのまぎるる年もなけれども眺められける春の曙
| uki koto no magiruru toshi mo nakeredomo nagamerarekeru haru no akebono |
With sad events Occupied this year Is not, yet, What I have gazed upon is The dawn in spring. |
Composed when he had gone to the Uji River.
朝ぼらけ宇治の川ぎり絶々にあらはれ渡る瀬々の網代木
| asaborake udi no kaFagiri taedae ni araFarewataru sese no aziroki |
At the dawn The mists across Uji River Fade in and out Drifting across The fishing nets in the rapids. |
Middle Councillor [Fujiwara no] Sadayori (995-1045)
中納言定頼
病葉の風のづてにも知らせばや思ひを須磨の暁の夢
| wakuraba no kaze no zute ni mo shiraseba ya omoi o suma no akatsuki no yume |
Fresh leaves Whispered by the wind Do, perhaps, reveal My love, at Suma In a dream at dawn. |
Fujiwara no Yoshitsune