Tag Archives: dewdrop

Kinkai wakashū 546

Love and tales.[i]

わかれにしむかしは露かあさぢ原跡なき野べにあきかぜぞふく

wakarenishi
mukashi wa tsuyu ka
asajiwara
ato naki nobe ni
akikaze zo fuku
Since they were parted,
Were those ancient times dewdrop brief?
Across the cogon grass
Upon the trackless plain
The autumn wind is blowing!

546


[i] The ‘tale’ here is the Song of Everlasting Woe about the doomed love between Yang Guifei and Emperor Xuanzong

Nishinomiya uta’awase 10

Round Ten

Left

秋はぎの下葉の露にあらねども消えぬばかりぞ人は恋しき

akihagi no
shitaba no tsuyu ni
aranedomo
kienu bakari zo
hito wa koishiki
Upon the autumn bush clover’s
Underleaves a dewdrop
I am not, yet
Simply will I fade away
So much do I love him!

Taiyu no Suke
19

Right

わすられて年ふる里の浅茅生に誰がためしける萩の錦ぞ

wasurarete
toshi furu sato no
asajū ni
ta ga tame shikeru
hagi no nishiki zo
All forgotten
Through the passing years, at my home
Among the tangled mugwort,
For whose sake is spread
The bush clover’s brocade?

The Daughter of His Excellency, the Head

20

I feel that the poem of the Left is conspicuously poetic, saying ‘Simply will I fade away / So much do I love him!’ while the poem of the Right’s ‘Through the passing years, at my home / Among the tangled mugwort, / For whose sake is spread / The bush clover’s brocade?’ makes me want to ask the bush clover the same question! The pull my heart in more than one direction, so here, too, I feel it’s not possible to decide on a winner or loser.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 27

Round Three

Left (Tie)

おきあかしくまなき月をながむれば野原の草の露もかくれず

oki’akashi
kumanaki tsuki o
nagamureba
nohara no kusa no
tsuyu mo kakurezu
Lying awake ‘til dawn, and
Upon the cloudless moon
A’gazing—
Upon the grasses o’er the plain
Not a single dewdrop is concealed.

Mikawa
53

Right

月をみて心をこよひつくすかなくまなき空は又もこそあれ

tsuki o mite
kokoro o koyoi
tsukusu kana
kumanaki sora wa
mata mo koso are
Seeing the moon,
Tonight, my heart
Exhausts!
The cloudless skies
Once more are such!

Lord Kinshige
54

The Left’s ‘lying awake ‘til dawn, gazing’ suggests that the poet is at their own residence, but then it finally turns out that they are on the plain – what to make of this? It’s also the case that the moon doesn’t necessarily always appear over the plains. This poem should really have included a clearer reason for the poet’s journey. As for the Right, while it isn’t bad, the final line certainly regrettable, so this round is a tie.

SGSIS XVIII: 1240

Among poems composed with a character from the Tang poem ‘Looking at my life, ‘tis but a rootless grass upon the shore’ as its initial sound.[1]

つゆをのみくさばのうへとおもひしはときまつほどのいのちなりけり

tsuyu o nomi
kusaba no ue to
omoishi wa
toki matsu hodo no
inochi narikeri
Simply as a dewdrop,
Resting atop a blade of grass—
So I did think;
Such a short thing
Is life.

Izumi Shikibu

A kuzushiji version of the poem's text.
Created with Soan.

[1] The kanshi in question appears in Wakan rōeishū (II: 789): 観身岸額離根草 論命江頭不繋舟 ‘Thinking on my life, ‘tis but a rootless grass upon the shore; / Thinking on my fate, ‘tis as uncertain as an unmoored boat upon the bank.’  If read as Japanese, this poem would be: mi o kanzureba kishi no hitai ni ne o hanaretaru kusa / mei o ronzureba e no hotori ni tsunagazaru fune. Izumi Shikibu’s poem links with the initial tsu of tsunagazaru, beginning as it does with tsuyu ‘dew’.

Mandaishū XVIII: 3559

Among poems composed with a character from the Tang poem ‘Looking at my life, ‘tis but a rootless grass upon the shore’ as its initial sound.[1]

つゆを見てくさばのうへとおもひしはときまつほどのいのちなりけり

tsuyu o mite
kusaba no ue to
omoishi wa
toki matsu hodo no
inochi narikeri
As a dewdrop it appears
Resting atop a blade of grass—
So I did think;
Such a short thing
Is life.

Izumi Shikibu

A kuzushiji version of the poem's text.
Created with Soan.

[1] The kanshi in question appears in Wakan rōeishū (II: 789): 観身岸額離根草 論命江頭不繋舟 ‘Thinking on my life, ‘tis but a rootless grass upon the shore; / Thinking on my fate, ‘tis as uncertain as an unmoored boat upon the bank.’  If read as Japanese, this poem would be: mi o kanzureba kishi no hitai ni ne o hanaretaru kusa / mei o ronzureba e no hotori ni tsunagazaru fune. Izumi Shikibu’s poem links with the initial tsu of tsunagazaru, beginning as it does with tsuyu ‘dew’.

Teiji-in uta’awase 33

Left

つゆばかりたのみおかなんことのはにしばしもとまるいのちありやと

tsuyu bakari
tanomi okanan
koto no ha ni
shibashi mo tomaru
inochi ari ya to
Dewdrop fragile
Is my trust that dripping
On the leaves, your words
A little longer might hold
My life here, perhaps…

66

Right

はるさめのよにふるそらもおもほえずくもゐながらにひとこふるみは

harusame no
yo ni furu sora mo
omohoezu
kumoi nagara ni
hito kouru mi wa
Spring showers
Fall from night time skies—living on
Is not for me, I think, for
Beyond the clouds lies
The one I love…

67

Uda-in uta’awase 7

Kerria

Left

はなをらでわれぞややまふきのはなるつゆをたまにてけたじとおもへば

hana orade
ware zo ya yamau
ki no ha naru
tsuyu o tama nite
ketaji to omoeba
Leave the blossom unplucked, and
As it is, I will, that
From the tree’s leaves
The dewdrop gems
Will not disappear, or so I wish…

Sadafun

13

Right (Win)

いづこともわかずはるさめふりやまふきのはなべてももえにけるかな

izuko to mo
wakazu harusame
furiyamau
ki no ha nabete mo
moenikeru kana
Everywhere
Without exception, springtime showers
Have ceased to fall, so
All the leaves upon the trees
Have budded!

14