The Right state: what is the Left’s poem about? In appeal: it reflects Changkang, who, feeling a woman living next door was beautiful, painted her and was then able to meet her. The Left state: the Right’s poem has no faults to mention.
In judgement: I, too, was unsure of the meaning of ‘my unquiet heart filled with feelings upon her’ (mune yasukaranu omoi woba hito no ue ni zo), and after reading the Left’s response, I am still unclear. In general, in these cases it is customary to cite the source of such things, and to hear of such wide reading is interesting indeed, but this is simply, ‘it reflects Changkang, who, feeling a woman living next door was beautiful, painted her and was then able to meet her’, so it would be difficult to locate within the usual Three Histories; furthermore, I have no recollection of a person named in this Chinese manner, and so an ignorant old man like myself can only ask, who is this Nagayasu? More importantly, though, I do not feel the conception of this poem is particularly well-matched to the topic. The Right’s ‘a lady painted in a picture’ (e ni kaku imo) is a little over-explicit, but ‘how lacking are’ (makoto sukunaki) would seem to be in the style of the Kazan Archbishop, and as I feel this is easier to understand than Nagayasu, I make the Right the winner.
In judgement: the Left’s poem, with ‘all unknowing of my feelings comes a bell cricket’s cry’ (kokoro mo shiranu matsumushi no koe) is fine. The Right, with ‘is all seeming done, as autumn does wear on’ (aki no keshiki ya fukenuran), is too, so both Left and Right do truly move the heart, do they not? I have no way of distinguishing superior from inferior here, so thus must make the round a tie.