Tag Archives: furusato

Eien narabō uta’awase 19

Round Five

Left

あきのよのふけゆくかぜにくもはれてはなだのそらにすめるつきかげ

aki no yo no
fukeyuku kaze ni
kumo harete
hanada no sora ni
sumeru tsukikage
As the autumn night
Wears on, the wind
Clears away the cloud, and
From the pale indigo sky
Comes clear moonlight.

Controller’s Graduate
37

Right

ふるさとのときぞともなきさびしさもなぐさむばかりすめる月かな

furusato no
toki zo tomonaki
sabishisa mo
nagusamu bakari
sumeru tsuki kana
In the ancient capital
Timeless is
The lonely sadness
Consoled only
By the clear, bright moon!

Kerin’in Graduate
38

The Left’s poem is a transparent copy of an older work. That poem is:

天の原四方のむら雲吹きはらひみどりの空にすめる月影

ama no hara
yomo no muragumo
fukiharai
midori no sora ni
sumeru tsukikage
Across the plain of Heaven
All the crowding clouds
Are blown away, and
From the sky so green
Comes clear moonlight.[i]

I don’t feel this is in any way different. As for the Right’s poem, while it is not the case that it is entirely without conception, it lacks any exemplary elements, so I don’t see how I can possibly recommend either of these.

The Left’s poem isn’t bad, but it should be revised to use ‘sky so green’, because using ‘pale indigo sky’ is vague. To decide in favour of it I would need there to be a prior poem as precedent. The Right’s poem is not particularly exemplary, but it does sound as if there are times like that. In the absence of a precedent for the Left, the poem of the Right wins.


[i] The source of this poem is unknown.

Entō ōn’uta’awase 28

Round Twenty-Eight

Left

故郷の萩の下葉も色づきぬ露のみふかき秋のうらみに

furusato no
hagi no shitaba mo
irozukinu
tsuyu nomi fukaki
aki no urami ni
In this old, familiar place
The bush clover’s underleaves, too,
Have changed their hue—
Only the dew is deep
As autumn’s misery…[1]

Dōchin
55

Right (Win)

白露の玉ぬきみだる萩が枝に涙かずそふ秋の夕暮

shiratsuyu no
tama nukimidaru
hagi ga e ni
namida kazusou
aki no yūgure
Silver dewdrop
Pearls are strung in tangles on
The bush clover’s branches—
Innumerable tears added
On an autumn evening…

Dharma Master Nyokan
56

Left and Right both have a refined style, yet the Right has a better tone and sounds elegant. Thus, it wins.


[1] An allusive variation on: 比日之 暁露丹 吾屋前之 芽子乃下葉者 色付尓家里 kono koro no / akatoki tsuyu ni / wa ga yado no / hagi no shitaba wa / irozukinikeri ‘Around thus time near / Dawn, the dewfall on / My dwelling’s / Bush clover underleaves / Has changed their hue!’ Anonymous (MYS X: 2182)

Tōin senzai awase 06

Left — Maidenflowers

うつろへるところありともをみなへしのべのふるさとわすれざらなむ

utsuroeru
tokoro ari tomo
ominaeshi
nobe no furusato
wasurezaranamu
Faded
Spots they have, yet,
Maidenflowers
At an old estate among the fields
Never will I forget!

7

Right

あきののにあだなのみたつをみなへし花さかぬまはしる人ぞなき

aki no no ni
adana nomi tatsu
ominaeshi
hana sakanu ma wa
shiru hito zo naki
In the autumn plains
Faithless rumours, alone, arise
Of my maidenflower—
But while she is not in bloom,
There’s no one knows, at all!

8

Sumiyoshi-sha uta’awase kaō ni-nen 44

Round Nineteen

Left (Win)

くさまくらおなじたびねのそでにまたよはのしぐれもやどはかりけり

kusamakura
onaji tabine no
sode ni mata
yowa no shigure mo
yado wa karikeri
Needing a grassy pillow
When travelling just the same as I, dozing
I find my sleeves drenched even more,
For the midnight shower, too,
Has found lodging.

Kojijū
87

Right

いほりさすやまぢはすぎぬはつしぐれふるさとまでやめぐりゆくらむ

iori sasu
yamaji wa suginu
hatsushigure
furusato made ya
meguriyukuramu
I put up my hut
Upon the mountain path that you passed by,
O, first shower!
As far as my ancient home
I wonder, will you make your way?

Lord Sanemori
88

The poem of the Left, saying ‘When travelling just the same as I dozing, / I find my sleeves drenched even more’ and then following this with ‘For the midnight shower, too, / Has found lodging’, has an extremely charming conception and configuration. In addition to the poem of the Right also having a charming conception, it begins with ‘O, first shower!’ and then continues, ‘As far as my ancient home’, which is an effective use of diction. Nevertheless, the conception of the Left’s poem is even better and it wins.