aki no yo no fukeyuku kaze ni kumo harete hanada no sora ni sumeru tsukikage
As the autumn night Wears on, the wind Clears away the cloud, and From the pale indigo sky Comes clear moonlight.
Controller’s Graduate 37
Right
ふるさとのときぞともなきさびしさもなぐさむばかりすめる月かな
furusato no toki zo tomonaki sabishisa mo nagusamu bakari sumeru tsuki kana
In the ancient capital Timeless is The lonely sadness Consoled only By the clear, bright moon!
Kerin’in Graduate 38
The Left’s poem is a transparent copy of an older work. That poem is:
天の原四方のむら雲吹きはらひみどりの空にすめる月影
ama no hara yomo no muragumo fukiharai midori no sora ni sumeru tsukikage
Across the plain of Heaven All the crowding clouds Are blown away, and From the sky so green Comes clear moonlight.[i]
I don’t feel this is in any way different. As for the Right’s poem, while it is not the case that it is entirely without conception, it lacks any exemplary elements, so I don’t see how I can possibly recommend either of these.
The Left’s poem isn’t bad, but it should be revised to use ‘sky so green’, because using ‘pale indigo sky’ is vague. To decide in favour of it I would need there to be a prior poem as precedent. The Right’s poem is not particularly exemplary, but it does sound as if there are times like that. In the absence of a precedent for the Left, the poem of the Right wins.
furusato no hagi no shitaba mo irozukinu tsuyu nomi fukaki aki no urami ni
In this old, familiar place The bush clover’s underleaves, too, Have changed their hue— Only the dew is deep As autumn’s misery…[1]
Dōchin 55
Right (Win)
白露の玉ぬきみだる萩が枝に涙かずそふ秋の夕暮
shiratsuyu no tama nukimidaru hagi ga e ni namida kazusou aki no yūgure
Silver dewdrop Pearls are strung in tangles on The bush clover’s branches— Innumerable tears added On an autumn evening…
Dharma Master Nyokan 56
Left and Right both have a refined style, yet the Right has a better tone and sounds elegant. Thus, it wins.
[1] An allusive variation on: 比日之 暁露丹 吾屋前之 芽子乃下葉者 色付尓家里 kono koro no / akatoki tsuyu ni / wa ga yado no / hagi no shitaba wa / irozukinikeri ‘Around thus time near / Dawn, the dewfall on / My dwelling’s / Bush clover underleaves / Has changed their hue!’ Anonymous (MYS X: 2182)
kusamakura onaji tabine no sode ni mata yowa no shigure mo yado wa karikeri
Needing a grassy pillow When travelling just the same as I, dozing I find my sleeves drenched even more, For the midnight shower, too, Has found lodging.
Kojijū 87
Right
いほりさすやまぢはすぎぬはつしぐれふるさとまでやめぐりゆくらむ
iori sasu yamaji wa suginu hatsushigure furusato made ya meguriyukuramu
I put up my hut Upon the mountain path that you passed by, O, first shower! As far as my ancient home I wonder, will you make your way?
Lord Sanemori 88
The poem of the Left, saying ‘When travelling just the same as I dozing, / I find my sleeves drenched even more’ and then following this with ‘For the midnight shower, too, / Has found lodging’, has an extremely charming conception and configuration. In addition to the poem of the Right also having a charming conception, it begins with ‘O, first shower!’ and then continues, ‘As far as my ancient home’, which is an effective use of diction. Nevertheless, the conception of the Left’s poem is even better and it wins.