Cherry Blossom
Left (Tie)
わがそのへいざかへりなむあさがほのひとはなさくらのはなりにけり
| wa ga sono e iza kaerinamu asagao no hito hana sakura no wa narinikeri | To my garden, Well, I must return, for A morning glory’s Single bloom in flower seems To have turned it to a meadow. |
Okikaze
9
Right
はるはきぬたねにまくべきいねはなさくらのはなへにおろしはててよ
| haru wa kinu tane ni makubeki ine wa nasa kura no hanae ni oroshihateteyo | Spring has come, and The seeds must be sown; No seedlings sprout Beside the storehouse Sow them all! |
10
Winter Poems Twenty Rounds
Left
かきくもりあられふりしけ白玉をしける庭とも人の見るがに
| kakikumori arare furishike shiratama o shikeru niwa to mo hito no miru gani | Clouds rush in Dropping scattered hailstones; Pearl Strewn, my garden I would that he would see… |
119
Right
天の河ふゆは空までこほるらし石間にたぎつ音だにもせず
| ama no kawa fuyu wa sora made kōrurashi iwama ni tagitsu oto dani mo sezu | The River of Heaven in Winter: the very skies Seem frozen, with Between the rocky crags rushing No sound at all. |
120
Left
あすは又けふをばこぞといひすててをしみしものとおもひだにせじ
| asu wa mata kyō o ba kozo to iisutete oshimishi mono to omoi dani seji | Tomorrow, once again Will be as today I’ll say easily and All those things that I regretted- I’ll not even think of them! |
Lord Sueyoshi
2080
Right
ふゆのそらわびつつけふになりにけりあとなきにはのゆきとみながら
| fuyu no sora wabitsutsu kyō ni narinikeri ato naki niwa no yuki to minagara | The winter sky is Ever a source of grief-today Has just turned out that way, While my gardens trackless Snow fills my gaze. |
Ienaga
2081
Judgement: I wonder how the central ‘I’ll say easily’ leads in to the concluding section. The Right’s poem is a little better, I’d say.
Cranes in a garden (庭上鶴馴)
Left
庭の面に人になれたるあしたづはよはひをきみにゆづるなるべし
| niwa no omo ni hito ni naretaru ashitazu wa yowai o kimi ni yuzurunarubeshi | Upon this garden’s face stands, Accustomed to folk, A crane; His years to my Lord Will he bestow, no doubt! |
A Court Lady
31
Right
千とせふるやどのけしきやしるからん汀のたづのなれにけるかな
| chitose furu yado no keshiki ya shirukaran migiwa no tazu no narenikeru kana | Is it that a thousand years old This dwelling does appear? For to the muddy Water’s edge the cranes Have become accustomed! |
A Court Lady
32
Left (Tie)
思ひかねうち寢る宵もありなまし吹だにすさめ庭の松風
| omoikane uchineru yoi mo arinamashi fuki dani susame niwa no matsukaze |
Unable to bear the pains of love, and Dozing through the night – That happens sometimes; O, just blow gently, Breeze through the garden pines! |
A Servant Girl
1043
Right
思ひかねながむれば又夕日さす軒端の岡の松もうらめし
| omoikane nagamureba mata yūhi sasu nokiba no oka no matsu mo urameshi |
Unable to bear the pains of love, When I gaze out, once more The evening sun shines Past my eaves, where on the hillside Even the pines seem resentful… |
Ietaka
1044
Same as the previous round.
In judgement: here we have ‘O, just blow gently’ (fuki dani susame), and the Right has ‘Past my eaves, where on the hillside’ (nokiba no oka no): these recollect the poems ‘in the depths of sleep I tread to you’ (uchinuru naka ni yukikayou) and ‘the beams strike the hillside through the pine needles’ (sasu ya okabe no matsu no ha); both sound elegant. I make this round a tie.
Left
人待ちし庭の淺茅生茂りあひて心にならす道芝の露
| hito machishi niwa no asajū shigeriaite kokoro ni narasu michishiba no tsuyu |
Awaiting him, The cogon-grass in my garden Has grown lush, indeed; And I have taken to my heart The dew that falls upon my lawn! |
A Servant Girl
1029
Right (Win)
秋風になびく淺茅の色よりもかはるは人の心なりけり
| akikaze ni nabiku asaji no iro yori mo kawaru wa hito no kokoro narikeri |
With the autumn wind Waves the cogon grass, Colours Changing less than her Heart’s passions… |
Ietaka
1030
The Gentlemen of the Right state: the Left’s poem has no faults to mention. The Gentlemen of the Left state: the intial part of the Right’s poem is derived from an old poem, and so does the end!
In judgement: I wonder whether the cogon-grass (asajū), mentioned initially, is as clearly conceived as the ‘lawn’ (michishiba) mentioned at the end? The Right’s poem refers to ‘So full are my thoughts, what am I to do? With the autumn wind’, but reverses the beginning and end of that poem; it is extremely old-fashioned in style, but pleasant as it is plainly intended to be understood as a variant of its model. Thus, the Right wins over the combination of ‘cogon-grass’ and ‘lawn’.
