Tag Archives: hahasowara

Naidaijin-ke uta’awase 12

Round Twelve

Left (T – Win)

柞原紅ふかく染めてけり時雨の雨はいろなけれども

hahasowara
kurenai fukaku
sometekeri
shigure no ame wa
iro nakeredomo
The oak groves
Deeply scarlet
Have been dyed,
Though the rain shower
Lacks any hue at all…

Lord Shigemoto
23

Right (M – Win)

山里はならのから葉の散敷きてしぐれの音もはげしかりけり

yamazato wa
nara no karaba no
chirishikite
shigure no oto mo
hageshikarikeri
My mountain retreat has
The oaks’ withered leaves
Scattered and spread around, so
The sound of showers is all
The more severe.

Lord Tamezane
24

Toshiyori states: the ‘oak grove’ poem, saying that plants fade and autumn leaves are dyed by things like dew and frost is as unremarkable as saying that one’s sweetheart’s skirt trails down. The ‘mountain retreat’ poem has ‘the oaks’ withered leaves’ and this is problematic. It would certainly have been better to avoid using ‘withered leaves’. In addition, I wonder about saying ‘the sound of showers is severe’? I feel it would be better to use this when looking down on the stony valley gate from the high peak of Mount Arachi. The first poem is slightly superior.

Mototoshi states; the poems of Left and Right are about the same quality, but the Left’s poem lacks a conception of showers and is entirely a poem on scarlet leaves, so in the current context ‘oaks’ withered leaves’ is slightly superior.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 48

Round Twelve

Left (Tie)

柞原しぐれにそむるくれなゐはこずゑの風や吹きてほすらん

hahasowara
shigure ni somuru
kurenai wa
kozue no kaze ya
fukitehosuran
The oak groves by
The showers are dyed
With scarlet—
Might the wind through the treetops,
Gusting, bring dryness?

Shinkaku
95

Right

紅葉ばは入日の影のさしそひてゆふくれなゐの色ぞことなる

momijiba wa
irihi no kage no
sashisoite
yūkurenai no
iro zo kotonaru
The autumn leaves
By sunset’s light
Are struck, and
Evening’s scarlet
Hue is startlingly fine!

Lay Priest Norinaga
96

In the Left’s poem I would want there to be an expression such as ‘robe’ or ‘brocade’ which is being blown. As for the Right, it lacks any unusual diction, but has no noticeable faults, so these should tie.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 44

Round Eight

Left (Tie)

紅葉ばは紅ふかく成りゆけど独さめたる松の色かな

momijiba wa
kurenai fukaku
nariyukedo
hitori sametaru
matsu no iro kana
The autumn leaves
Deeply scarlet
Are becoming, yet
Singly, all the more aware am I
Of the pine tree’s hues!

Koreyuki
87

Right

ははそ原しぐるるままにときは木のまれなりけるも今ぞみえける

hahasowara
shigururu mama ni
tokiwagi no
marenarikeru mo
ima zo miekeru
As the oak groves
Linger under showers,
An evergreen,
So rare, is
What appears to me now.

Kojijū
88

Both Left and Right drop scarlet leave and are composed on evergreens, so they lack the essence of the topic, don’t they. The Right has the finer configuration, but autumn leaves, pointlessly, fail to appear in it. In addition, somewhat distastefully, it puts me in mind of the poem, ‘…Truly, evergreen / The pine tree seems’,[1] so the best these can do is tie.


[1] A poem from a poetry contest held by Her Majesty, the Empress, in the Kanpyō period. 雪ふりて年のくれぬる時こそつひにもみぢぬ松も見えけれ yuki furite / toshi no kurenuru / toki ni koso / tsui ni momijinu / matsu mo miekere ‘Snow falls and /The year reaches its evening, / It is at this time that / Truly, evergreen / The pine tree seems.’ Anonymous (KKS VI: 340)