Maidenflowers
Left
あきかぜはふかずもあらなむをみなへししるもしらぬもおもふこころは
| akikaze wa fukazu mo aranamu ominaeshi shiru mo shiranu mo omou kokoro wa | Even should the autumn breeze Fail to blow, O, maidenflower, still Those who know you and know you not, Would hold you in their hearts… |
Taira no Yasū
5
Right (Win)
をみなへしおひたるのべにふきかかるあきののかぜにみをやそへまし
| ominaeshi oitaru nobe ni fukikakaru aki no nokaze ni mi o ya soemashi | Maidenflowers Growing in the meadows Brushed by the blowing Autumn wind o’er the fields— O, how I wish it trailed over me, too… |
Tomo no Tadanori
(or in some texts Toshizane)
6
Moon
Round One
Left (Tie)
月きよみながむる人の心さへ雲井にすめる秋の夜はかな
| tsuki kiyomi nagamuru hito no kokoro sae kumoi ni sumeru aki no yowa kana | The moon, so pure, that Gazing folk feel Their very hearts Clearly in the heavens On an autumn midnight! |
Lord Shige’ie
49
Right
のこるべきかきねの雪は先消えてほかはつもるとみゆる月かな
| nokorubeki kakine no yuki wa mazu kiete hoka wa tsumoru to miyuru tsuki kana | It should be lingering On my brushwood fence, but the snow First vanishes, then Piling up elsewhere Appears moonlight! |
Lord Yorimasa
50
The Left seems extremely commonplace, and simply ending ‘autumn midnight’ feels incomplete. As for the Right, what does it mean to say that ‘the snow upon my brushwood fence first vanishes’? Might it mean that because of the fence’s shadow, the moon’s light cannot be seen? It really sounds as if the poet has gone too far in his quest for unusual expressions. Then there’s ‘piling up elsewhere’ along with ‘autumn midnight’—neither of these sound superior, so it’s impossible to say which poem is.
Round Thirty-Five
Left
われが身はさそふ水まつ浮草のあとたえぬとも誰かたづねん
| ware ga mi wa sasou mizu matsu ukigusa no ato taenu to mo tare ka tazunen | O, my sorry self— Pining for the water’s invitation A hapless waterweed, am I; And even should my tracks end here, Is there any who would seek me still? |
Masashige
69
Right
うきながら今はとなればをしき身をこころのままにいとひつるかな
| ukinagara ima wa to nareba oshiki mi o kokoro no mama ni itoitsuru kana | Deep in depression Should now be my time, ‘Twould be that my sad self, In my heart of hearts, I did despise! |
Lord Kiyosuke
70
Both are straightforwardly charming.
Left (Tie)
あふことのきみにたえにしわがみよりいくらのなみだながれいでぬらむ
| au koto no kimi ni taenishi wa ga mi yori ikura no namida nagare’idenuramu | My meetings with You, my lord, have ceased, and From my flesh What a torrent of tears Flow out! |
Ise
59
Right
きみこひのあまりにしかばしのぶれどひとのしるらんことのわびしさ
| kimi koi no amari nishikaba shinoburedo hito no shiruran koto no wabishiki | Loving you Beyond all measure, I kept it secret, yet That folk seem to know Is a cause of heartache. |
Tsurayuki
60
On hearing His Highness, the Prince of the Right remark in irritation that the Left’s poem had appealed to His Majesty’s heart, His Majesty composed
ゆきかへりちどりなくなるはまゆふのこころへだてておもふものかは
| yukikaeri chidori naku naru hamayū no kokoro hedatete omou mono ka wa | Going back and forth Plovers cry from The beach among the spider lilies Do their hearts distinguish Do you think? |
His Majesty
61
Left (Win)
はるがすみたちしかくせばやまざくらひとしれずこそちりぬべらなれ
| harugasumi tachishi kakuseba yamazakura hito shirezu koso chirinuberanare | If the spring haze Has risen to conceal The mountain cherries, Then, indeed, will no one know When they have seemed to scatter! |
Tsurayuki
9
Right
たのまれぬはなのこころとおもへばやちらぬさきよりうぐひすのなく
| tanomarenu hana no kokoro to omoeba ya chiranu saki yori uguisu no naku | Untrustworthy are The blossoms’ hearts I do think, so While they are unscattered Will the warbler sing. |
Okikaze
10[i]
Both of these are the same—they tie.[ii]
[i] This poem is included in Shinshūishū (XI: 1549), attributed to Okikaze, with the headnote, ‘From Former Emperor Uda’s Poetry Contest’. It is also included twice in Kokin rokujō (I: 31) and (VI: 4395): in both cases the poem is attributed to Okikaze, but the first instance lacks a headnote, while the second is classified as a ‘Warbler’ poem. Finally, it is also included in Mandaishū (II: 254), again attributed to Okikaze, but this time with the headnote, ‘Topic unknown’.
[ii] Given that the Left’s poem here is marked as winning, presumably Uda means that both poems are equally worthy of a win—that is, that this is a yoki ji, a ‘tie of quality’.
なにしおはばしひてたのまむをみなへしひとのこころのあきはうくとも[1]
| na ni shi owaba shiite tanomamu ominaeshi hito no kokoro no aki wa uku tomo | If the name fits, then Strongly, would I ask you, Maidenflower: Though folk’s full hearts In autumn, be cruel… |
37
あきのよをひとりねたらむあまのがはふちせたどらずいざわたりなむ
| aki no yo o hitori netaramu ama no kawa fuchise tadorazu iza watarinamu | On an autumn night, I sleep alone, it seems, for To the River of Heaven’s Depths and shallows I will not make my way— However can I cross them? |
39
[1] Shinchokusenshū 242; also a minor variant occurs in Kokin rokujō (3368) なにしおはばしひてたのまんをみなへし花の心の秋はうくともna ni shi owaba / shiite tanomamu / ominaeshi / hana no kokoro no / aki wa uku tomo ‘If the name fits, then / Forcefully, would I trust you, / Maidenflower: / Though a flower’s heart / In autumn, be cruel…’ Tsurayuki.
