Stones 石
君が代のかずにしとらばうちのぼるさほのかはらの石もたえじな
| kimi ga yo no kazu nishi toraba uchinoboru sao no kawara no ishi mo taeji na | The years of My Lord’s reign: Should I number up, then they would be as The upper courses of The banks of Sao River – Its stones never-ending! |
Kanemasa
Stones 石
をしからでなげもやられぬ我が身こそちびきの石のたぐひなりけれ
| oshikarade nage mo yararenu wa ga mi koso chibiki no ishi no tagui narikere | With no regrets Inconstant not Am I: A stone a thousand might pull, That is how I am! |
Tadafusa
Stones 石
石はさもたちける人のこころさへ かたかど有りて見えもするかな
| ishi wa samo tachikeru hito no kokoro sae katakado arite mie mo suru kana | Such is the way with stones: Should the folk who place them, Within their hearts have but even A trace of talent, It is plain to see! |
Toshiyori
Stones 石
たのめなほ河せの砂としふりてまごふの石とならん世までに
| tanome nao kawase no isago toshi furite magō no ishi to naran yo made ni | Ever believe in me! Until The sand grains in the river rapids Grow old with passing years, and Over the ages their grandstones do Come into this world! |
Nakazane
Composed on the conception of Love and Stones.
我が袖は潮干に見えぬ沖の石の人こそ知らねかわく間ぞなき
| wa ga sode Fa siFoFi ni mienu oki no isi no Fito koso sirane kaFaku ma zo naki |
My sleeves are As unseen low-tide Stones in the offing, Unknown to all They have not a moment dry. |
Sanuki, from the Nijō Palace
二条院讃岐
Left.
思ひこそ千島の奥を隔てねどえぞ通はさぬ壺の碑
| omoi koso chishima no oku o hedatenedo ezo kayowasanu tsubo no ishibumi |
My love Has not the Thousand Islands Barring it, yet The barbarians cannot pass The Stone at Tsubo – nor can I write to you! |
Kenshō
871
Right (Win).
思ひやる心幾重の峰越えて信夫の奧を尋ね入るらん
| omoiyaru kokoro ikue no mine koete shinobu no oku o tazuneiruran |
Dwelling on you, My heart numberless Peaks will cross To the depths of Shinobu, Perhaps to visit someone hidden there? |
Ietaka
872
As the previous round.
In judgement: the Left’s ‘Thousand Islands’ (chishima) is a familiar expression from the past, but I do not recall it being used in poetry. I am familiar with the Right’s ‘depths of Shinobu’ (shinobu no oku), so that is better. Again, the Right wins.
Left.
山川の氷のくさびうちとけて石にくだくる水の白波
| yamakawa no kōri no kusabi uchitokete ishi ni kudakuru mizu no shiranami |
The mountain stream’s Icy wedges Are melting; Broken on the rocks In white-capped waves of water. |
33
Right (Win).
春風に下ゆく浪の數見えて殘ともなき薄氷かな
| harukaze ni shita yuku nami no kazu miete nokoru tomonaki usukōri kana |
With the breath of spring, Flowing beneath, waves In numbers can be seen; Hardly any remains – just A coating of ice. |
34
Neither team have any comments to make about the other’s poem.
Shunzei remarks that the opening of the Left’s poem seems ‘old-fashioned’ (and hence is cliched). The conclusion is splendid, but would have been improve by the substitution of ‘crags’ (iwa) for ‘rocks’ (ishi). The Right’s poem, in the spirit of clarifying the numbers of waves of water flowing under a thin sheet of ice, ‘seems exceptional’, and so the latter poem is ‘slightly superior.’