Tag Archives: iwa

MYS XVII: 4003

A poem with two envoys, composed in respectful response to Tachiyama.

朝日さし そがひに見ゆる 神ながら 御名に帯ばせる 白雲の 千重を押し別け 天そそり 高き立山 冬夏と 別くこともなく 白栲に 雪は降り置きて 古ゆ あり来にければ こごしかも 岩の神さび たまきはる 幾代経にけむ 立ちて居て 見れども異し 峰高み 谷を深みと 落ちたぎつ 清き河内に 朝さらず 霧立ちわたり 夕されば 雲居たなびき 雲居なす 心もしのに 立つ霧の 思ひ過ぐさず 行く水の 音もさやけく 万代に 言ひ継ぎゆかむ 川し絶えずは

asapi sasi
sogapi ni miyuru
kamu nagara
mina ni obasesu
sirakumo no
tipe wo osiwake
ama sosori
takaki tatiyama
puyu natu to
waku koto mo naku
sirotape ni
yuki pa puri okite
inisipe yu
arikinikereba
kogosikamo
ipa no kamusabi
tama kiparu
ikuyo penikemu
tatiwite
miredomo ayasi
minedakami
tani wo pukami to
otitagitu
kiyoki ka puti ni
asa sarazu
kiri tati watari
yupu sareba
kumowi tanabiki
kumowi nasu
kokoro mo sino ni
tatu kiri no
omopi sugusazu
yuku midu no
woto mo sayakeku
yoroduyo ni
ipitugi yukamu
kapa si taezu wa
The morning sun shines
At my back,and
Divine
Your great name links:
Clouds of white
In a thousand layers, you pierce, and
Tower into the heavens,
Tall Tachiyama!
In winter and, in summer both
Indistinguishably are you
Clad in mulberry white
Fallen drifts of snow;
Since ancient days
Ever has been your estate,
Fastened round with
Crags divine;
‘til all souls end
Have countless ages passed!
Standing here,
I see you, yet am awed by
Your lofty peak and
Valley’s deep, where
Plunge seething cataracts of
Waters pure to pools where
Morning never leaves –
Mists rise and roll across, and
When the evening comes
Clouds trail in and
Cover all,
Even, with sadness, my heart, so
The rising mists
Never leave my thoughts, and of
Your running waters’
Clear, pure sound
Through ten thousand ages
Will I ever tell
Unending as a river’s flow…

Ōtomo no Ikenushi
大伴池主

Love VII: 18

Left (Tie).
吉野河はやき流れを堰く岩のつれなき中に身を砕くらん

yoshinogawa
hayaki nagare o
seku iwa no
tsurenaki naka ni
mi o kudakuran
The River Yoshino’s
Swift flow is
Dammed by boulders;
With the chilling of our bond
It seems my very self will shatter…

A Servant Girl
995

Right.
ありとても逢はぬためしの名取川朽ちだにはてよ瀬せの埋れ木

ari tote mo
awanu tameshi no
natorigawa
kuchi dani hateyo
sese no mumoregi
We live, yet
Cannot meet – our situation
A source of rumours; in the River Natori
Let all rot away with
The drowned trees in the rapids!

Jakuren.
996

Both Left and Right together state: we find no faults to mention.

In judgement: both poems are extremely good. This is a tie of quality.

Love VII: 2

Left.
我戀に深さくらへば外山哉吉野の奧の岩のかけ道

wa ga koi ni
fukasa kuraeba
toyama kana
yoshino no oku no
iwa no kakemichi
My love’s
Depth were you to measure,
Distant mountains, perhaps?
As in the heart of Yoshino, where
The craggy paths are overgrown!

Lord Ari’ie.
963

Right (Win).
ふみ見ても馴れぬけしきのつれなさや吉野の奧の岩のかけ道

fumi mitemo
narenu keshiki no
tsurenasa ya
yoshino no oku no
iwa no kakemichi
She read my letter – I treading on paths unknown –
And cared not – an unfamiliar scene –
Is her cruelty
As in the heart of Yoshino, where
The craggy paths are overgrown?

Ietaka.
964

The Right state: in the Left’s poem, the expression ‘distant mountains, perhaps’ (toyama kana) sounds poor. The Left state: the Right’s poem has no faults to mention.

In judgement: both Left and Right have precisely identical sections: ‘as in the heart of Yoshino’ (yoshino no oku) and ‘craggy paths are overgrown’ (iwa no kakemichi), but considering the initial sections, it has already been stated that the Left’s sounds poor, while the Right lacks faults. Thus, in accordance with the remarks by the Gentlemen of both teams, the Right is the winner.

MYS XV: 3617

[One of] five poems composed when dropping anchor at Nagadojima in Aki province.

石走る瀧もとどろに鳴く蝉の声をし聞けば都し思ほゆ

ipabasiru
taki mo todoro ni
naku semi no
kowe o si kikeba
miyako si omopoyu
Running o’er the rocks
Cataracts resound –
When the singing cicadas
Song I hear
The capital comes to my thoughts.

Ōishi no Minomaro
大石蓑麻呂

Love V: 29

Left (Tie).
象潟や妹戀ひしらにさ寢る夜の磯の寢覺に月傾きぬ

kisakata ya
koishirani
sanuru yo no
iso no nezame ni
tsuki katabukinu
In Kisakata and
In love;
I sleep the night away, and
Awaking on the rocky shore
Behold the moon descending.

Kenshō
897

Right.
清見潟岩敷く袖の浪の上に思ふもわびし君が面影

kiyomigata
iwa shiku sode no
nami no ue ni
omou mo wabishi
kimi ga omokage
At Kiyomigata
Sleeves spread atop the rocks,
Waves breaking atop them;
Heart filled with pain
At the memory of your face…

Jakuren
898

Left and Right both state that the opposing poem is pretentious.

In judgement: the Left’s poem seems well-constructed in its initial and final sections. However, as in Mototoshi’s poem long ago, ‘breaking a stem of miscanthus on the beach at Ise’, this seems to be a case of poetic allusion. The Right’s ‘Sleeves spread atop the rocks, waves breaking atop them’ (iwa shiku sode no nami no ue) seems to have been newly composed and seems elegant, but the final section is somewhat inferior. The Left has beginning and end matching. The Right has a superior initial section, but an inferior final one. Thus, the round ties.

 

SKS VII: 211

Composed to be presented as part of a hundred poem sequence, when former Emperor Reizei was Crown Prince.

風をいたみ岩うつ波の己のみくだけてものを思ふ頃かな

kaze wo itami
iFa utu nami no
onore nomi
kudakete mono wo
omoFu koro kana
The howling winds
Strike waves against the crags;
I alone,
Am shattered, gloom
Filling my thoughts these days…

Minamoto no Shigeyuki
源重之

tonasegawa

戸無瀬河岩間に立たむ筏師や浪に濡れても暮を待つらん

tonasegawa
iwama ni tatamu
ikadashi ya
nami ni nuretemo
kure o matsuran
At the river Tonase
Bursting from between the rocks
The raftsman
If he would be wet with waves
Should surely wait for evening?

Fujiwara no Toshinari
From ‘The Hundred Poem Sequence Composed at the House of the Minister of the Right’ (1172)

SZS VIII: 544

A travel poem, included in a hundred poem sequence sent to be read by the Monk En’i.

岩根ふみ峰の椎柴折りしきて雲に宿かるゆふぐれの空

iFane Fumi
mine no siFisiba
worisikite
kumo ni yadokaru
yuFugure no sora
Treading ‘cross the deep-rooted crags
From brushwood on the peak
I break branches and spread them
Making my lodging beneath the clouds
Gazing at the evening skies…

Jakuren