The Iwashimizu Special Festival (石清水臨時祭)
きみがよののどけきかげをくみみれば流たえせぬ石清水かな
| kimi ga yo no nodokeki kage o kumi mireba nagare taesenu iwashimizu kana | When, My Lord, your reign’s Calm light I gather all together, in my sight is The endless current Of Iwashimizu. |
Higo
New Year’s Day
今日よりは我をもちゐの増鏡うれしきかげをうつしてぞ見む
| kyō yori wa ware o mochi’i no masukagami ureshiki kage o utsushite zo mimu | From today Holding me within shall This glass so clear A joyous face Reflected see! |
Toshiyori
Left (Tie)
東路や萱津の原の朝霧に起き別るらん袖はものかは
| azumaji ya kayatsu no hara no asagiri ni okiwakaruran sode wa mono ka wa | On the eastern roads, Upon the field of Kayatsu With the morning mists Does he rise and part, but Are his sleeves as mine? |
Lord Ari’ie
1161
Right
さまざまにうつる心も鏡山影見ぬ人を恋ふるものかは
| samazama ni utsuru kokoro mo kagamiyama kage minu hito o kouru mono ka wa | Many Hearts does she attract upon Mirror Mount, But with one whose face remains unseen Would I fall in love? |
Lord Takanobu
1162
The Right state: the Left’s poem is fine. The Left state: the Right’s poem has no faults to mention.
In judgement: both poems are certainly by men entranced by thoughts of player-girls. The configuration and diction of ‘are his sleeves as mine?’ (sode wa mono ka wa) and ‘would I fall in love?’ (kouru mono ka wa) are both not unpleasant. Thus, I make this a tie.
Left (Tie)
ます鏡うつしかへけむ姿ゆへ影絶えはてし契をぞ知る
| masukagami utsushikaekemu sugata yue kage taehateshi chigiri o zo shiru |
A clear glass Will reflect back My true face, yet A form fixed forever Reveals his my vow to me… |
A Servant Girl
1113
Right
戀妻に似てや書らん見つるより絵にも心をうつしつる哉
| koizuma ni nite ya kakuran mitsuru yori e ni mo kokoro o utsushitsuru kana |
My beloved wife: Does this so resemble her, that at The mere sight of The painting, my heart Does move? |
Lord Tsune’ie
1114
The Right state: the Left’s poem has no faults. The Left state: the Right’s poems contains a fault, does it not?
In judgement: What are we to make of the Left’s ‘In a clear glass my ever-changing reflected’ (masukagami utsushikaekemu)? While I have the feeling that there is a source for this poem, this aged official is completely unable to grasp it what it might be. It is not the case that the poem is lacking in an elegant style. The Gentlemen of the Left have commented on the existence of a fault in the Right’s poem. Perhaps the two cranes (tsuru)? This type of issue relating to a poem’s formal diction does not seem that serious to me. However, saying ‘does this so resemble her, that at’ (nite ya kakuran) is insufficient in terms of expression. The Left’s ‘clear glass’ would win, if its source were clear, but in its absence, it is difficult to make it the winner.
Composed when a man who had said she could definitely rely on him to come with the evening, said she would not see him until the 20th of the month.
契りおきし人も梢の木間よりたのめぬ月の影ぞもりくる
| tigiri okisi Fito mo kozuwe no ko no ma yori tanomenu tuki no kage zo morikuru |
He promised, but He does not come, and from the treetops Through the trees The fickle moon’s Light comes dripping. |
Horikawa, from the Regent’s Household
摂政家堀川
Left.
人心さのみはいかゞ水無瀬川我には淺き契なるらむ
| hito kokoro sa nomi wa ikaga minasegawa ware ni wa asaki chigiri naruramu |
Her heart Is just like it; why as The Minase River So shallow for me Should her feelings be? |
Lord Suetsune
993
Right (Win).
いかにして影をも見まし澤田河袖つくほどの契りなりとも
| ika ni shite kage o mo mimashi sawadagawa sode tsuku hodo no chigiri naritomo |
No matter what I would see her face in The River Sawada, Even if my sleeves get drenched By my feelings… |
Ietaka.
994
Both Left and Right together state: there are no faults to indicate.
In judgement: using ‘the Minase River’ (minasegawa) preceded by ‘is just like it; why as’ (sa nomi wa ika ni) sounds charming in style, but ‘should her feelings be?’ (chigiri naruramu) means the end of the poem is a bit dry! ‘The River Sawada, even if my sleeves get drenched’ (sawadagawa sode tsuku hodo no) sounds pleasant. Thus, the Right wins.
Left (Tie).
聞きわたるありなれ河の水にこそ影を傡べて住まゝほしけれ
| kikiwataru arinaregawa no mizu ni koso kage o narabete sumamahoshikere |
Echoes cross The Arinare River’s Waters; Bringing to mind the face Of the one I would be with… |
Kenshō
985
Right.
涙川逢ふ瀬も知らぬみをつくし丈越す程になりにけるかな
| namidagawa ause mo shiranu miotsukushi take kosu hodo ni narinikeru kana |
A river of tears: I know no way for us to meet, so The channel buoys, my soul, Are flooded over – That is how they be! |
Nobusada
986
The Gentlemen of the Right state: we are not accustomed to hearing the expression ‘Arinare River’ (arinaregawa), and the ending of the poem is old-fashioned. The Gentlemen of the Left state: ‘are flooded over’ (take kosu hodo) sounds excessively modern.
In judgement: ‘Arinare River’ is unusual, and the final section of the Left’s poem is certainly old-fashioned. The ‘river of tears’’ (namidagawa) ‘channel buoys’ (miotsukushi) do seem to be enduring an excess of water, don’t’ they! The round should tie.
A poem about the provinces for the enthronement ceremony in Tenroku 1 [970]: The Izumi River.
泉河のどけき水のそこ見れば今年葉陰ぞすみまさりける
| idumigaFa nodokeki midu no soko mireba kotosi Fakage zo sumimasarikeru |
At Izumi River The peaceful waters’ Bed I see; This year the shadows of the leaves Are truly clear, indeed. |
Taira no Kanemori
平兼盛
泉川のどけき淵の陰見れば今年の秋ぞすみはじめける
| idumigaFa nodokeki Futi no kage mireba kotosi no aki zo sumiFazimekeru |
Izumi River’s Peaceful pools In shadow do I see; This year’s autumn is, indeed, Drawing to an end. |
Ōnakatomi no Yoshinobu
いにしへの人は水際に影絶えて月のみ澄める広沢の池
| inishie no hito wa migiwa ni kage taete tsuki nomi sumeru hirosawa no ike |
In ancient times Did folk by the water’s edge Leave their shadows – gone now, and Only the moon is clear above The pond at Hirosawa. |
Minamoto no Yorimasa
源頼政