さくらばなちりかひかすむ春のよのおぼろ月よのかもの河風
sakurabana chiri kaikasumu haru no yo no oborozukiyo no kamo no kawakaze | Cherry blossom Scattering, is hazily blended On this spring night With the misty moon By the breeze upon the Kamo River. |

A poem on Mount Kagu by Kamo no Taruhito.
天之芳来山 霞立 春尓至婆 松風尓 池浪立而 櫻花 木乃晩茂尓 奥邊波 鴨妻喚 邊津方尓 味村左和伎 百礒城之 大宮人乃 退出而 遊船尓波 梶棹毛 無而不樂毛 己具人奈四二
天降りつく 天の香具山 霞立つ 春に至れば 松風に 池波立ちて 桜花 木の暗茂に 沖辺には 鴨妻呼ばひ 辺つ辺に あぢ群騒き ももしきの 大宮人の 退り出て 遊ぶ船には 楫棹も なくて寂しも 漕ぐ人なしに
amorituku ame no kaguyama kiri tatu paru ni itareba matukaze ni ikenami tatite sakurabana ko no kuresige ni okipe ni pa kamo tuma yobapi petupe ni adi murasawagi momosiki no opomiyabito no makaridete asobu pune ni pa kadisawo mo nakute sabusi mo kogu pito nasi ni | Descended from heaven is Sacred Mount Kagu where Mists arise When the spring does come, The wind through the pines Raises waves from pond waters, and Cherry blossom’s Profusion shades the trees, while Out in the offing, Ducks call for a mate and On the shore Teals flock noisily; Hundredfold, The palace folk were wont to Travel out On pleasure boats, but Oars and poles Are there none—so sad— For there’s not a soul to row them… |
A poem composed by Prince Ōtsu, weeping, at Iware Pond, when he was due to die.
百傳 磐余池尓 鳴鴨乎 今日耳見哉 雲隠去牟
百伝ふ磐余の池に鳴く鴨を今日のみ見てや雲隠りなむ
momo tutapu ipare no ike ni naku kamo wo kepu nomi mite ya kumogakurinamu | A hundred tales Told at Iware Pond By the crying ducks Do I see, today, at the last As I vanish beyond the clouds? |
On the day of an imperial visit to the Naniwa Palace, in Kyōun 3 [706].
あし辺ゆくかものはがひにしもふりてさむきゆふべのことをしぞおもふ
ashibe yuku kamo no hagai ni shimo furite samuki yūbe no koto o shi zo omou | Huddled in the reeds Upon the ducks’ folded wings Frost falls and In the evening’s cold My mind is full of thoughts. |
The Tawara Emperor
Left (Win)
鴨のゐる入江の浪を心にて胸と袖とにさはぐ戀かな
kamo no iru irie no nami o kokoro nite mune to sode to ni sawagu koi kana |
Ducks flock on The inlet’s waves Within my heart, so My breast and sleeves both Are raucous with love! |
Lord Sada’ie
1055
Right
佐保川の霧のまよひの程だにも妻もとむとて千鳥鳴夜を
saogawa no kiri no mayoi no hodo dani mo tsuma motomu tote chidori naku yo o |
To the vernal river: The mist brings confusion And in its midst, Seeking a mate, A plover cries at night… |
Jakuren
1056
The Gentlemen of the Right state: we wonder about the appropriateness of ‘my breast and sleeves both are raucous’ (mune to sode to ni sawagu)? The Left, in appeal, state: there is ‘the river-mouths of my sleeves’ (sode no minato) and ‘when I think, upon my breast’ (omoeba mune ni) so linking ‘breast’ and ‘sleeve’ is entirely uncontroversial. The Gentlemen of the Left state: we find no faults to mention in the Right’s poem.
In judgement: I understand the views of the Left’s poem held by both teams. It has also been said that the Right’s poem lacks faults. However, in ‘seeking a mate, a plover cries at night’ (tsuma motomu tote chidori naku yo o) only the two words ‘at night’ (yo o) have any conception of love. The remainder of the poem is simply about plovers, so there is little of love about it. ‘Breast and sleeves both’ (mune to sode to) should win.
When Major Captain of the Left Asamitsu had sent her pledges of his love, and she was urged to respond, she sent him this.
ちはやぶるかものやしろの神もきけ君わすれずはわれもわすれじ
tiFayaburu kamo no yasiro no kami mo kike kimi wasurezu Fa ware mo wasurezi |
Puissant Kamo Shrine’s Deity, hear me! If my love forsakes me not, Then never will I forsake him! |
Uma no Naishi
馬内侍