Tag Archives: kaze

Love VI: 16

Left (Tie).
知らざりし夜深き風の音も似ず手枕うとき秋のこなたは

shirazarishi
yo fukaki kaze no
oto mo nizu
tamakura utoki
aki no konata wa
I did not know
The in the depths of night, the wind
Would not sound the same;
No longer pillowed on your arm
Since you tired of me this autumn…

Lord Sada’ie.
931

Right.
物思ふ身とならはしの荻の葉にいたく吹そ秋の夕風

mono’omou
mi to narawashi no
ogi no ha ni
itaku fuki so
aki no yūkaze
To gloomy thought
I am so used that
Through the bush clover leaves
I would you’d not blow so hard,
O, evening autumn wind!

Ietaka.
932

Both Left and Right together state: we fail to grasp the sense of the other team’s poem.

In judgement: the gentlemen of both Left and Right have said they fail to understand the opposing poem. I do not feel it would be acceptable for me to arbitrarily provide one. The round should tie.

Love VI: 15

Left.
心あひの風いづかたへ吹かぬらん我には散らす言の葉もなし

kokoro ai no
kaze izukata e
fukanuran
ware ni wa chirasu
koto no ha mo nashi
This pleasant
Breeze: whither
Does it blow?
To me not one scattered
Leaf or word has it delivered.

Kenshō.
929

Right (Win).
色に出し言の葉もみなかれはてゝ涙を散らす風の音哉

iro ni idashi
koto no ha mo mina
karehatete
namida o chirasu
kaze no oto kana
The bright hues of passion
In these leaves and your words
Have all withered away;
Tears scattering with
The sound of the wind…

Lord Takanobu.
930

The Right state: ‘Breeze: whither’ (kaze izukata e) seems lacking. The Left state: the Right’s poem has no faults to indicate.

In judgement: in the Left’s poem, I wonder whether ‘breeze: wither’ really is lacking. ‘This pleasant’ (kokoro no ai) would seem to be an expression deriving from ‘At the head of the road’. I seem to recall it coming after ‘In Kofu in Takefu / Will I be’, but that is not a suitable source. The Right’s poem, as the Gentlemen of the Left have said, appears to have no faults. It should win.

Love VI: 14

Left.
ひとり寢の床に吹くる秋風のまた我戀をおどろかす哉

hitorine no
toko ni fukikuru
akikaze no
mata wa ga koi o
odorokasu kana
Sleeping alone
To my bed comes blowing
The autumn wind, and
Again, all my love
Returns…

Lord Kanemune.
927

Right (Win).
つてにだにとはぬ君かな吹風もまつにはことに音する物を

tsute ni dani
towanu kimi kana
fuku kaze mo
matsu ni wa koto ni
otosuru mono o
If only it brought a rumour
Of you, who never comes!
The gusting wind
From the pines plucks special
Sounds…

The Provisional Master of the Empress’ Household Office.
928

The Right state: what need is there for ‘again’ (mata) in the Left’s poem? The Left state: the Right’s poem is difficult to recite.

In judgement: the Right’s final ‘from the pines plucks special’ (matsu ni wa koto ni) is fine. It must win.

Love V: 25

Left (Win).
枕にも跡にも露の玉散りてひとり起きゐる小夜の中山

makura ni mo
ato ni mo tsuyu no
tama chirite
hitori oki’iru
sayo no naka yama
Upon my pillow and
My foot prints both, dew
Drops have fallen
Awakening alone in
Sayo-no-Nakayama.

A Servant Girl
889

Right.
草枕ひとりあかしの浦風にいとゞ涙ぞ落ちまさりける

kusamakura
hitori akashi no
ura kaze ni
itodo namida zo
ochimasarikeru
Pillowed on the grass,
Alone at dawn in Akashi,
The breeze from the bay
Makes even more tears
Fall.

Lord Tsune’ie.
890

The Right state they have no criticisms of the Left’s poem. The Left merely say that the Right’s poem is ‘old-fashioned’.

Shunzei’s judgement: The Left’s ‘dew drops’ (tsuyu no tama) falling so widely at Sayo-no-Nakayama one can surmise to be deeply expressive of the concept of travel. The Right’s Akashi Bay is a place strongly associated with the sad sound of the wind and the waves, but the final ‘makes even more fall’ (ochimasarikeru) is insufficient. Thus, the Left should win.

GSIS XVII: 991

When the same former Emperor [Koichijō] had gone to reside with the Takamatsu Consort, and his visits to her had become intermittent, she composed this on hearing the wind blowing strongly through the pines.

松風は色や緑にふきつらむ物おもふ人の身にぞ志みぬる

matukaze Fa
iro ya midori ni
Fukituramu
mono’omoFu Fito no
mi ni zo siminuru
Does the wind through the pines
Take on a hue of green
As it blows?
That one so sunk in gloomy thought
It so deeply dyes…

The Horikawa Consort 堀川女御
[Fujiwara no Nobuko/Enshi 藤原延子 (985-1019)

SIS VIII: 451

On a night when the Ise Vestal was conducting the Kōshin rite at the shrine in the fields, she composed this on the topic of the wind in the pines sounding a zither’s strings when blowing at night.

ことのねに峯の松風かよふらしいづれのをよりしらべそめけん

koto no ne ni
mine no matukaze
kayoFurasi
idure no wo yori
sirabe someken
The zither’s strains
With wind from pines atop the peak
Do sound;
Which string is it
That may start me on my way?

The Ise Vestal Consort 斎宮女御
[Princess Yoshiko/Kishi 徽子女王] (929-985)