Tag Archives: kō

KKS XIX: 1004

An ancient-styled poem to supplement a long poem.

君が世に相坂山の岩清水木隠れたりと思ける哉

kimi ga yo ni
aFusakayama no
iFasimidu
kogakuretari to
omoFikeru kana
Your Majesty’s reign
Is welcome so, as on the mount of Meeting Hill,
Spring water from the crags
Is hidden in the trees, thus
I am I sunk in thought!

Mibu no Tadamine

Love IX: 11

Left (Tie)
君ゆへもかなしき琴の音は立てつ子を思ふ鶴に通ふのみかは

kimi yue mo
kanashiki koto no
ne wa tatetsu
ko o omou tsuru ni
kayou nomi ka wa
For you
In sadness has my zither
Put forth strains, so
Can a crane calling for her chick
Be the only one to cry?

A Servant Girl
1101

Right
よそになる人だにつらき琴の音に子を思ふ鶴も心知られて

yoso ni naru
hito dani tsuraki
koto no ne ni
ko o omou tsuru mo
kokoro shirarete
Strangers to me –
Even they the pain
Within my zither’s strains,
As a crane calling for her chick,
Feel in their hearts!

Ietaka
1102

Left and Right together: no faults to mention.

In judgement: both Left and Right mention ‘a crane calling for her chick’ (ko o omou tsuru). This would appear to be after the conception of the pentachord in Bai’s Works: ‘The third and fourth strings are chill, and at night a crane, loving her chick, calls from her cage.’ This is not the usual zither with seven strings, but it is certainly also a kind of zither. In the topic ‘On Zithers’ there is certainly no issue with alluding to Japanese zithers or Chinese ones, is there? In any case, neither poem seems greatly inferior or superior, so the round ties.

KYS VIII: 470

Composed when a man who had said she could definitely rely on him to come with the evening, said she would not see him until the 20th of the month.

契りおきし人も梢の木間よりたのめぬ月の影ぞもりくる

tigiri okisi
Fito mo kozuwe no
ko no ma yori
tanomenu tuki no
kage zo morikuru
He promised, but
He does not come, and from the treetops
Through the trees
The fickle moon’s
Light comes dripping.

Horikawa, from the Regent’s Household
摂政家堀川

Minbukyō yukihira no uta’awase 4

Left
月夜には手倉の山の時鳥声も隠れぬ物にざりける

tukiyo ni Fa
tekura no yama no
Fototogisu
kowe mo kakurenu
mono ni zarikeru
On a moonlit night
On Tekura Mountain that
The cuckoo
Does conceal his call
Is not true at all…

7

Right (Win)
住む里は篠部をの森の時鳥木の下声ぞ標なりける

sumu sato Fa
sinobe no mori no
Fototogisu
ko no sita kowe zo
sirube narikeru
To my dwelling
In Shinobe Forest are
The cuckoo
Calls beneath the trees
A signpost.

8

GSS XV: 1104

When she had been living with Prince Motonaga for some time, as an amusement the Prince tied up a box with something in it with his under-belt and, saying he would be back for it, left it lying about somewhere; after he had gone out, she was abducted and hidden away by Prince Tsune’akira, and it was only after many days and months had gone by that she returned to her former house, and sent the box, with this to Prince Motonaga.

あけてだに何にかは見む水の江の浦島の子を思ひやりつつ

akete dani
nani ni ka Fa mimu
mizu no e no
urasima no ko wo
omoFiyaritutu
Even should I open it
What is it that I might see?
By the waters’ edge
The lad from Urashima
Is ever in my thoughts…

Nakatsukasa
中務

KYS VIII: 448

Composed gazing at the moon when there were baseless rumours about her.

如何にせむ歎の杜は茂けれど木の間の月の隱れなき世を

ika ni semu
nageki no mori Fa
sigekeredo
ko no ma no tuki no
kakurenaki yo wo
What am I to do?
The sacred groves of Nageki with grief
Grow lush, yet
Between the trees, from the moon
There is no hiding in this world.

The Daughter of Tachibana no Toshimune
橘俊宗女