Tag Archives: lady

Yōzei’in miko futari uta’awase 04

Left

ねざめつつみをうぐひすのねをぞなくはなさかりにしきみをこふれば

nezametsutsu
mi o uguisu no
ne o zo naku
hana sakarinishi
kimi o koureba
Every time I wake,
My flesh, as a warbler,
Lets out sobbing cries,
For, fair as a blossom in bloom,
It is you I long for, my lady…

7

Right

ことにいでてなにかいふべきねざめつつこふるしたひもそらにとくらむ

koto ni idete
nani ka iubeku
nezametsutsu
kouru shitahimo
sora ni tokuramu
To put it into words,
What is there I can say?
Every time I wake,
Your underbelt, which I want so,
Seems to be loosening in the skies alone.

8

Naidaijin-ke uta’awase 27

Round Three

Left (Both Judges – Win)

いはぬまの下はふ蘆のねを重みひまなき恋を君知るらめや

iwanuma no
shitahau ashi no
ne o shigemi
himanaki koi o
kimi shirurame ya
Silently beneath the marsh rocks
Creep the reeds’
Roots in such profusion,
Not a space free from love, but
Does my lady know, I wonder?

A Court Lady
53

Right

身をつみて思ひや知るとこころみにながためつらき人もあらなん

mi o tsumite
omoi ya shiru to
kokoromi ni
na ga tame tsuraki
hito mo aranan
Pinching flesh,
Would you know passion’s fire?
To test it, I wish
For you there was a cruel
One, too…

Lord Masakane
54

Toshiyori states: the first poem is extremely charming. It seems to have no faults to mention. In the second poem, ‘For you there was a cruel one’ would be something quite impolite if said by a woman. Court ladies may lose their composure, yet they still appear to speak with dignity. In the absence of a prior poem as precedent, the first poem should win, I think.

Mototoshi states: this poem seems to have no faults to mention, and of the two, ‘beneath creep the reeds’ seems a bit more gently refined at present.