Tag Archives: love at night

Saishō chūjō kuninobu no ie no uta’awase 16

Left (Win).
我が恋は片裏染めの唐衣かへして寝るや色に見ゆるらむ

wa ga koFi Fa
kata’urazome  no
karakoromo
kaFesite nuru ya
iro ni miyurururamu
For my love
An inner-dyed
Cathay robe
I will reverse – in sleep, then,
I wonder will I see passion’s hues?

Shichirō 七郎
[Minamoto no Ie’yori 源家職]
31

Right.
寝ぬままに月を眺めて明かすかな闇には恋もなぐさかじかし

nenu mama ni
tuki wo nagamete
akasu kana
yami ni Fa koFi mo
nagusamazikasi
While sleepless
I gaze upon the moon
‘til dawn!
For in the darkness my love
Would gain no consolation!

Saburō 三郎
[Minamoto no Kanemasa 源兼昌]
32

Saishō chūjō kuninobu no ie no uta’awase 15

Left (Win).
恋ひわびて片敷く袖はかへせどもいつかは妹が夢に見えける

koFiwabite
katasiku sode Fa
kaFesedomo
itu ka Fa imo ga
yume ni miekeru
Tortured with love
My single spread sleeve
I do reverse, yet
When will my darling
Appear in my dreams?

The Holy Teacher 闍梨
[Ryūgen 隆源]
29

Right.
我が心ときぞともなく乱るれど日だに暮るれば恋ひ添はりけり

wa ga kokoro
toki zo tomonaku
midaruredo
Fi dani kurureba
koFisoFarikeri
My heart
With every passing hour
Is more distraught, yet
Even when the day does dim
Love is my companion.

Bichū 備中
[Minamoto no Nakazane 源仲実]
30

Saishō chūjō kuninobu no ie no uta’awase 14

Left (Win).
夜とともに玉散る床の菅枕見せばや人に夜半の景色を

yo to tomo ni
tama tiru toko no
sugamakura
miseba ya Fito ni
yowa no kesiki wo
Together with the night
Gemlets scatter on my bed’s
Sedge-filled pillow;
Should I show her
This midnight sight?

The Master 大夫
[Minamoto no Toshiyori 源俊頼]
27

Right.
波のよる岩根に立てる磯馴れ松また寝もいらで恋ひあかしつる

nami no yoru
iFane ni tateru
sonare matu
mata ne mo irade
koFi akasituru
The waves roll in
To the cliffs where stands
A hardy pine upon the rocks;
Once more sleepless
From love do I greet the dawn.

The Assistant Master 佐
[Fujiwara no Mototoshi 藤原基俊]
28

Saishō chūjō kuninobu no ie no uta’awase 13

Left (Win).
思ひあまりながむる空の掻き曇り月さへ我を厭ひつるかな

omoFi’amari
nagamuru sora no
kakikumori
tuki saFe ware wo
itoFituru kana
Filled full with love
The sky on which I turn my gaze
Is drowned in darkness;
Even the moon from me
Does shy!

The Consultant Middle Captain 宰相中将
[Minamoto no Kuninobu 源国信]
25

Right.
嵐吹く夜寒の里の寝覚めにはいとど人こそ恋ひしかりけれ

arasi Fuku
yo samu no sato no
nezame ni Fa
itodo Fito koso
koFisikarikere
Stom winds rage
Round my night-chilled home;
Starting from sleep
How much more do
I love her now…

The Minister of Justice 刑部卿
[Minamoto no Akinaka 源顕仲]
26

Love IV: 30

Left (Win).
見し人のねくたれ髪の面影に涙かきやる小夜の手枕

mishi hito no
nekutare kami no
omokage ni
namida kakiyaru
sayo no tamakura
One I once loved:
Her sleep-tangled hair
Comes to mind, and
My tears drop upon
My pillowed arm this night.

A Servant Girl.
839

Right.
見せばやな夜床に積もる塵をのみあらましごとに拂ふ氣色を

miseba ya na
yodoko ni tsumoru
chiri o nomi
aramashi goto ni
harau keshiki o
Hoping to see him,
From my bed the piled
Dust at least,
Wishing it would be,
Sweeping away – that’s me!

Nobusada.
838

Left and Right both state there are no faults to indicate.

In judgement: even though both the Left’s ‘pillowed arm this night’ (sayo no tamakura) and the Right’s ‘dusty bed’ (yodoko no chiri) are elegant, the combination of ‘my tears drop upon my pillowed arm this night’ (namida kakiyaru sayo no tamakura) is particularly moving. The Left should win.

Love IV: 29

Left.
寢覺まで猶苦しき行歸り足も休めぬ夢の通ひ路

nezame made
nao kurushiki
yukikaeri
ashi mo yasumenu
yume no kayoiji
Until I awaken
It is ever painful
Going back and forth
My feet not resting once
Upon the path of dreams.

Lord Ari’ie.
837

Right.
忘らるゝ身をば思はで龍田山心にかゝる沖つ白波

wasuraruru
mi o ba omowade
tatsuta yama
kokoro ni kakaru
oki tsu shiranami
Forgotten
I think not on myself, but
On Mount Tatsuta
Dwells my heart
Whipped by whitecaps…

Jakuren.
838

The Gentlemen of the Right: no faults to mention. The Gentlemen of the Left state: the Right’s poem does not have anything to say beyond what is contained in its origin poem.

In judgement: the Left’s poem takes the conception of Komachi’s poem ‘my feet don’t rest, constantly trailing to you, yet’ (ashi mo yasumezu kayoedomo) and skilfully adds ‘Until I awaken it is ever painful’ (nezame made nao kurushiki). The Right’s poem is based upon the poem ‘where, through night’s depths, my Lord’ (yowa ni ya kimi ga), but then says ‘Dwells my heart whipped by whitecaps’ (kokoro ni kakaru oki tsu shiranami), which sounds pleasant, too. They are comparable and should tie.

Love IV: 28

Left (Win).
頼めぬを待ちつる宵も過果てゝつらさ閉ぢむる片敷の床

tanomenu o
machitsuru yoi mo
sugihatete
turasa tojimuru
katashiki no toko
He did not say he’d come, and so
To waiting through the night
I have put an end,
Sealing my unhappiness
In a single bed…

Lord Sada’ie.
835

Right.
我戀や衛士の焚く火となりぬらん夜のみひとり燃えあかす哉

wa ga koi ya
eshi no taku hi to
narinuran
yoru nomi hitori
moeakasu kana
Has my love, like
Conscripts’ kindled flame
Become?
Through the night alone
Afire?

Lord Tsune’ie.
836

The Right state: we wonder about the appropriateness of both ‘sealing’ (tojimuru) and ‘a single bed’ (katashiki no toko). The Left state: it sounds as if the ‘conscripts’ kindled flame’ (eshi no taku hi) is alone.

In judgement: the Left’s poem, beginning with ‘to waiting through the night I have put an end’ (machitsuru yoi mo sugihatete) and then continuing with ‘sealing my unhappiness’ (tsurasa tojimuru) does not sound bad, but ‘single bed’ should surely have been ‘sleeve’ (sode). The ‘conscripts kindled flame’ would certainly not have been ‘burning alone’ (hitori moyu). The Left should win, it seems.

Love IV: 27

Left.
來ぬ床は明る頼みもなき物をひまや白むと待ぞあやしき

konu toko wa
akuru tanomi mo
naki mono o
hima ya shiromu to
matsu zo ayashiki
An unvisited bed,
Of light has
No hope, but
Brightening through my bedroom door
Is what I am awaiting – how strange…

Lord Kanemune.
833

Right (Win).
頼めつゝ更けゆく夜半を歎きても鳥の音をやは待あかしつる

tanometsutsu
fukeyuku yowa o
nagekitemo
tori no ne o ya wa
matsu akashitsuru
Time and again he’d say he’d come, and
Through the deepening night
I’d grieve, but
Is it now for the first bird call
That I have awaited the dawn?

Lord Takanobu.
834

The Right state: ‘Unvisited bed’ (konu toko) sounds as if it is the bed doing the visiting. The Left state: we do not feel that the Right’s poem expresses its intended sense fully.

In judgement: I feel it sounds better to say that ‘through the deepening night’ (fukeyuku yowa) ‘is it now for the first bird call’ (tori no ne o ya wa) that one waits, rather than that one is in ‘an unvisited bed’ (konu toko) waiting for ‘brightening through my bedroom door’ (hima ya shiromu).

Love IV: 26

Left (Win).
慰めてまどろむ程の戀ならば夜さへ物は思はざらまし

nagusamete
madoromu hodo no
koi naraba
yoru sae mono wa
omowazaramashi
Feeling some relief,
Enough, at least, to doze:
If that was my love, then
Until the fall of night
I would wish to avoid these gloomy thoughts.

Lord Suetsune.
831

Right.
目に見えぬ夜こそまされ天雲のよそに成行く人のつらさは

me ni mienu
yoru koso masare
amagumo no
yoso ni nariyuku
hito no tsurasa wa
When all goes unseen
At night, it overwhelms me:
The cloudy heavens’
Distance, where he has gone
So heartlessly.

Ietaka.
832

The Right state: there are no faults to indicate. The Left state: we wonder about the suitability of the impression conveyed by ‘When all goes unseen at night’ (me ni mienu yoru) on hearing it.

In judgement: the poem of the Right, with its ‘The cloudy heavens’ distance, where he has gone’ (amagumo no yoso ni nariyuku) is elegant, but it is certain that ‘When all goes unseen’ (me ni mienu) recalls the expression from the Kokin Preface, ‘unseen gods and demons’. The Left’s poem sounds pleasantly realised from beginning to end. It should win.

Love IV: 25

Left.
拂ひつる夜床は咎もなき物を來ぬ人ゆへにうとく成ぬる

haraitsuru
yodoko wa toga mo
naki mono o
konu hito yue ni
utoku narinuru
I swept clean
My bed tonight, and faults
Has it none, but
Because he has failed to come
I hate it now!

Kenshō.
829

Right.
戀かぬる我をばをきて誰にさは枕かはして妹が寢ぬらん

koi kanuru
ware o ba okite
tare ni sa wa
makura kawashite
imo ga nenuran
Unable to bear this love
Am I, abandoned;
With whom, I wonder,
Does she swap pillows,
When my darling sleeps now?

The Provisional Master of the Empress’ Household Office.
830

The Right state: we wonder about the use of ‘faults’ (toga). The Left state: this style of poem is commonplace.

In judgement: both Left and Right are the same level, and there is no difference between them.