ai mite mo nao nagusamanu kokoro kana iku chiyo nete ka koi wa samuramu
Seeing and meeting you Has not eased My heart! How many thousand nights of sleep Might restore my love to what it was?
24
[i] An almost identical poem is included in Saigū nyōgo kishi joō uta’awase (23). The same poem is also included in Shūishū (XII: 734), attributed to Tadami, with the headnote ‘From a poetry match held in the reign of the Tenryaku emperor’, and also in Shūishō (VII: 264) as an anonymous poem with the headnote ‘Poetry Match held in the reign of the Tenryaku emperor’.
fujibakama kitemiru hito mo naki yado ni koisu chō na no ikade tachiken
My violet asters To come to see no one is There at my house, so Why has a rumour of love Arisen here?
Chikafusa 35
Right
わが恋ふる人もきてみぬ蘭何とてつゆの染めておくらん
wa ga kouru hito mo kiteminu fujibakama nani tote tsuyu no somete’okuran
I love him, yet That man has not come to see you O, asters, so Why does the dewfall Dye you in its falling?
The Head’s Daughter 36
The Left’s overall impression is not bad, but I am curious about why a rumour of love should darken the door of a house, if it’s one where ‘no one comes to see’. Then, the Right uses ‘Why does the dewfall / Dye you in its falling?’—this seems like an excessive use of diction and the sequencing doesn’t sound smooth, so these seem of about the same standard.