Tag Archives: morokoshi

Love VIII: 23

Left (Tie)
身を捨てゝ思へといはゞ唐国の虎臥す谷に世をもつくさん

mi o sutete
omoe to iwaba
karakuni no
tora fusu tani ni
yo o mo tsukusan
‘Abandon all restraint, and
Love me!’ say that, and
In far Cathay,
In a valley where tiger’s lie
Would I end my life!

Kenshō
1065

Right
もろこしの虎臥す嶋もへだつらん思はぬ中のうときけしきは

morokoshi no
tora fusu shima mo
hedatsuran
omowanu naka no
utoki keshiki wa
In Cathay,
Isles where tigers lie
Stand in between:
A heedless love’s
Chill is such a sight!

Jakuren
1066

Left and Right together: both tigers do not seem to emphasise anything in particular.

In judgement:  both poems refer to ‘tigers’ (tora), with the Left having ‘a valley where tigers lie’ (tora fusu tani) and the Right ‘isles where tigers lie’ (tora fusu shima). These seem to be an attempt to differ from the standard ‘meadow’ (nobe). Saying ‘valley’ or ‘isles’ makes both poems sound modern. They are of the same quality.

SKKS I: 5

On the conception of the beginning of spring, composed for a hundred poem sequence for the Lay Priest and former Regent and Chancellor, when he was Minister of the Right.

今日といへば大唐までもゆく春を都にのみと思ひけるかな

kyō to ieba
morokoshi made mo
yuku haru o
miyako ni nomi to
omoikeru kana
On this day, the spring that
Even unto Cathay
Will travel is
In the capital alone
I feel!

Master of the Dowager Empress’ Household Office Shunzei
皇太后宮大夫俊成

Love I: 18

Left.

唐土の見ず知らぬ世の人ばかり名にのみ聞きて止みねとや思ふ

morokoshi no
mizu shiranu yo no
hito bakari
na ni nomi kikite
yamine to ya omou
Distant Cathay:
Unseen and unknown once was to
Folk – every one;
With the report of your name, alone,
Will our love be over?

Lord Sada’ie.

635

Right.

いかにして露をば袖に誘ふらんまだ見ぬ里の萩の上風

ika ni shite
tsuyu o ba sode ni
sasouran
mada minu sato no
hagi no uwakaze
What am I to do?
Dewfall to my sleeves
Has come, brought from
A dwelling, yet unseen,
By breeze upon the bush-clover…

Jakuren.

636

The Right state that the Left’s use of ‘every one’ (bakari) connects poorly with the subsequent section [kakeawazu]. The Left state that the while the style of the Right’s poem seems elegant [sono tei yū ni niru to iedomo], ‘A dwelling, yet unseen bush-clover’ (mada minu sato no hagi) is hard to hear [kikigataku].

Shunzei’s judgement: ‘Distant Cathay unseen and unknown once’ (morokoshi no mizu shiranu yo) must be referring to the Three Histories and Eight Dynasties. This seems to be meaningful, but does not really indicate anything profound. As for ‘a dwelling, yet unseen bush-clover’, whichever way you look at it, it is modified by ‘dewfall has come’ (tsuyu o sasouran). However, the Left also has the recollection of Cathay, so the two poems are comparable.

Miscellaneous 97

Left.

大井河まれの御幸に年へぬる紅葉のふなぢ跡は有りけり

ôikawa
mare no miyuki ni
toshi henuru
momiji no funaji
ato wa arikeri
Ôikawa
Rarely, now, does His Majesty come;
Year have passed, yet
Through the coat of autumn leaves the boat
Still leaves its wake.

193

Right (Win).

たらちめや又もろこしに松浦舟今年もくれぬ心づくしに

tarachime ya
mata morokoshi ni
matsurabune
kotoshi mo kurenu
kokorozukushi ni
Does my mother
Yet in Cathay
Await the boat from Matsura?
This year is done, and I am
Desolate, in Tsukushi.

194

Love 76

Left (Win).

袖の浦かりにやどりし月草のぬれてのゝちを猶やたのまん

sode no ura
kari ni yadorishi
tsukigusa no
nurete no nochi o
nao ya tanoman
Upon the sands of my sleeves,
You were briefly beached:
In a dayflower
Drenched,
Can I place my trust?

151

Right.

はるかなる人の心のもろこしはさはぐ湊にことづてもなし

harukanaru
hito no kokoro no
morokoshi wa
sawagu minato
ni
kotozute mo nashi
Distant,
Her heart as
Cathay:
To the harbour tumult,
Comes not a single word…

152