Tag Archives: Nagara

Entō ōn’uta’awase 9

Mountain Cherries

Round Nine

Left (Tie)

人心うつりはてぬる花の色に昔ながらの山の名もをし

hitogokoro
utsurihatenuru
hana no iro ni
mukashi nagara no
yama no na mo oshi
As a human heart
All faded are
The blossoms’ hues upon
Ever unchanged Nagara
Mountain—even its name brings regret.[1]

A Court Lady
17

Right

なぞもかく思ひそめけむ桜花やまとしたかく成りはつるまで

nazo mo kaku
omoisomekemu
sakurabana
yama toshi takaku
narihatsuru made
Why is it that I seem so
Absorbed in thought of
Cherry blossom that
The mountain higher
Has grown? [2]

Lord Ietaka
18

The Right’s poem mentioning ‘Grief as hard as felling trees upon a mountain higher’ has charming diction. As for the Left’s poem, while I have heard it strongly stated that using a ‘human heart’ is not diction that should be composed with these days, as this is not a poem for public circulation, for the moment I make this a tie.


[1] An allusive variation on KKS XV: 797.

[2] An allusive variation on KKS XIX: 1056.

Yōzei-in uta’awase (Engi jūsan-nen kugatsu kokonoka) 07

Left (Tie)

をしとおもふ心ぞふかき天の河ながれて秋のとまるなるらん

oshi to omou
kokoro zo fukaki
ama no kawa
nagarete aki no
tomaru naruran
Feelings of regret
Lie deep upon my heart;
The River of Heaven’s
Flow autumn
Does seem to halt.

13

Right

いづくへかあきはゆくらんつのくにのながらへゆくときかばたのまん

izuku e ka
aki wa yukuran
tsu no kuni no
nagara e yuku to
kikaba tanoman
Where might it be that
Autumn does go?
To the land of Tsu,
To Nagara it goes—
If you hear that, then put your trust in it!

14

Sahyōe no suke sadafumi uta’awase 19

Left

つのくにのながらへゆかばわすれなくいまもみまくのほりえなるらむ

tsu no kuni no
nagara e yukaba
wasurenaku
ima mo mimaku no
horie naruramu
If, into the land of Tsu
To Nagara I go,
I’ll forget you not, and
Now to see you
More is what I want!

37

Right (Win)

ひさかたのくもゐはるかにありしよりそらにこころのなりにしものを

hisakata no
kumoi haruka ni
arishi yori
sora ni kokoro no
narinishi mono o
The eternal
Clouds distant
Ever were—so
In the skies, my heart
With them did dwell.

38

Love VII: 28

Left.
われが身や長柄の橋の橋柱恋に朽ちなん名をば残して

ware ga mi ya
nagara no hashi no
hashibashira
koi ni kuchinan
na o ba nokoshite
Is my body as
The broken bridge at Nagara’s
Bridge pillars?
Eaten away by love
Is all they’ll say when I am gone…

Lord Kanemune
1015

Right (Win).
崩れゆく板田の橋もさもあらばあれ我を恋ふべき妹ならばこそ

kuzureyuku
itada no hashi mo
sa mo araba
are ware o koubeki
imo naraba koso
Collapsing is
The bridge at Itada:
Should that be, then
Love for me from
My darling will do the same!

The Supernumerary Master of the Empress Household Office
1016

The Right state: clichéd from beginning to end. The Left state: the style of the Right’s poem is unattractive.

In judgement: the second and third lines are certainly old-fashioned. I also cannot call the poem tasteful, because the initial line of it is unattractive. The style of the Right’s poem is not particularly elegant, but the Left is old-fashioned, so the Right wins.

Love VII: 27

Left.
かくこそは長柄の橋も絶えしかど柱ばかりは名殘やはなき

kaku koso wa
nagara no hashi mo
taeshikado
hashira bakari wa
nagori ya wa naki
And so it is that
The bridge at Nagara
Has ceased to be, yet
Are there not even pillars
In remembrance of what’s gone?

Lord Ari’ie
1013

Right (Win).
今も猶長柄の橋は作りてんつれなき戀は跡だにもなし

ima mo nao
nagara no hashi wa
tsukuriten
tsurenaki koi wa
ato dani mo nashi
Even now is
The bridge at Nagara
Being built?
Of this cruel love
Not even a trace remains…

Nobusada
1014

The Right state: it is certainly possible to say that the ‘bridge at Nagara’ has ‘rotted’ (kutsu), but there are, we think, no other examples of it ‘ceasing’ (tayu). The Left state: we wonder about the appropriateness of saying ‘love not a trace’ (koi ni ato nashi).

In judgement: both poems refer to ‘the bridge at Nagara’ and, as has been mentioned by the Gentlemen of the Right in their criticism, the Left uses ‘has ceased to be, yet’ (taeshikado); there are many poems using ‘rotted’, because this is what happens to the pillars of bridges. After this bridge ceased to be, the pillars would still be rotting away. If you have the bridge ‘being built’ (tsukuru nari), why would you not then have it ‘ceasing’? That being said, I am only accustomed to hearing ‘bridge pillars’ (hashibashira), and having only ‘pillars’ (hashira) sounds completely lacking in logic. The Right’s poem uses ‘love not a trace’ (koi ato nashi): it is entirely natural for a variety of different things not to leave a trace. The current criticism must be due to there not being a prior example of this usage, but it is particularly difficult to say this about the initial section of the poem. The Right wins.

SZS XVI: 1030

When he went to Tennōji and, while at Nagara heard someone say that there used to be a bridge here.

行末を思へばかなし津の國のながらの橋も名が殘りけり

yukusuwe wo
omoFeba kanasi
tu no kuni no
nagara no Fasi mo
na ga nokorikeri
What has befallen –
When I think on it, it is so sad that
In the province of Tsu
The bridge of Nagara
Has left behind its name, alone…

Minamoto no Shunrai
源俊頼