Tag Archives: ne

Love VIII: 15

Left (Win)
鳥の音は戀しき人の何なれや逢夜はいとひ逢はぬ夜は待つ

tori no ne wa
koishiki hito no
nani nare ya
auyo wa itoi
awanu yo wa matsu
The cock’s crow:
For my darling,
What might it mean?
Hated on nights we meet, and
Longed for when we do not…

Lord Kanemune
1049

Right
いかにして空とる程もはし鷹のしばしもこひに身を休むらん

ika ni shite
sora toru hodo mo
hashitaka no
shibashi mo koi ni
mi o yasumuran
Why, when
Hunting in the skies, does
The sparrowhawk
Briefly in the trees
Take his ease?

Ietaka
1050

The Gentlemen of the Right state: ‘What might it mean?’ (nani nare ya) fails to match. Ending ‘longed for’ (matsu) is overly definite. The Gentlemen of the Left state: what has hunting in the skies got to do with love?

In judgement: it has been said that ‘cock’s crow’ (tori no ne) and ‘what might it mean’ fail to match. Then there is also ‘definite’ (futsugiri). These are nothing but expressions which I do not know and find difficult to understand. ‘The sparrowhawk hunting in the skies’ (hashitaka no sora toru hodo) and ‘take his ease in the trees’ (koi ni yasumuran) both have only a faint conception of love, and I wonder about alluding to hawking. The Left failing to match, too, may be a term used in coursing for deer. Well, even if the deer do not match, as it has the conception of love, the Left should win.

Love VIII: 13

Left
時しもあれ空飛ぶ鳥の一聲も思ふ方より來てや鳴らん

toki shi mo are
sora tobu tori no
hitogoe mo
omou kata yori
kite ya naruran
Now, when I am wondering,
A bird, soaring through the skies,
Gives a single call;
From whence I love
Does it come, I wonder?

A Servant Girl
1045

Right (Win)
天の戸を明けぬと告ぐる鳥の音も獨寢る夜はさもあらばあれ

ama no to o
akenu to tsuguru
tori no ne mo
hitori neru yo wa
sa mo araba are
“The gates of Heaven
Are open!” announces
A cock’s crow, though
On a night spent sleeping alone,
It matters not at all…

The Supernumerary Master of the Empress Household Office
1046

The Right state: what gives rise to the idea in the Left’s poem? The Gentlemen of the Left state: there are no faults we can find.

In judgement: what sort of bird is it that ‘soaring through the skies gives a single call’ (sora tobu tori no hitogoe)? I wonder if there is a suitable source for this? That being said, I doubt the Gentlemen of the Right’s point is pertinent. It has been stated that the Right’s poem lacks any faults. It must win.

Love VIII: 2

Left (Win)
今はさはあはれと思へ菅の根の長き心の程は見つらん

ima wa sa wa
aware to omoe
suga no ne no
nagaki kokoro no
hodo wa mitsuran
Now, indeed, let you
Think fondly of me!
The grasses’ roots run
Long, my heart’s
Love will you see…

Lord Suetsune
1023

Right
世とゝもにかはくまもなき我袖や潮干もわかぬ浪の下草

yo to tomo ni
kawaku ma mo naki
wa ga sode ya
shioi mo wakanu
nami no shitagusa
With the passing time,
Not a moment dry
Are my sleeves;
Low tide does not reveal
The seaweed beneath the waves…

Lord Takanobu
1024

The Right state: the Left’s poem has no faults to indicate. The Left state: the Right’s poem is clichéd.

In judgement: the Right, in addition to being clichéd, can say no more than that love means wet sleeves. The Left’s ‘grasses’ roots’ (suga no ne) is certainly better.

MYS VIII: 1556

A poem by Imube no obito Kuromaro

秋田刈る刈廬もいまだ壊たねば雁が音寒し霜も置きぬがに

akita karu
kari ipo mo imada
kopotaneba
kari ga ne samusi
simo mo okinu gani
Reaping autumn fields
My temporary harvest-hut is yet
To fall, but
The goose calls are so chill that
Frost seems sure to fall…

Imube no Kuromaro
忌部黒麿

Minbukyō yukihira no uta’awase 6

Left
時鳥雲井の声を聞く人は心も空になりぞしにける

Fototogisu
kumowi no kowe wo
kiku Fito Fa
kokoro mo sora ni
nari zo sinikeru
A cuckoo
From the clouds your call
Folk hear, and
Their hearts with the skies
One do become!

11

Right (Win)
小夜更けて起きて待たずば時鳥はつかなる音もいかで聞かまし

sayo Fukete
okite matazuba
Fototogisu
Fatukanaru ne mo
ikade kikamasi
A brief night dawns, and
Had I not awaited to arise
A cuckoo’s
Momentary cry
Somehow I might have heard…

12

Love VII: 12

Left (Win).
與謝の海の沖つ潮風浦に吹けまつなりけりと人に聞かせん

yosa no umi no
oki tsu shio kaze
ura ni fuke
matsunarikeri to
hito ni kikasen
By the sea at Yosa,
Tidewinds on the offing,
Blow across the bay!
That I am waiting without end,
Tell him!

A Servant Girl
983

Right.
浪かくるさしでの磯の岩根松ねにあらはれてかはくまもなし

nami kakuru
sashide no iso no
iwane matsu
ne ni arawarete
kawaku ma mo nashi
Waves beat
Upon the shore at Sashide, where
The pine trees on the crags
Roots are bared and
Never dry for but a moment.

The Supernumerary Master of the Empress’ Household Office
984

The Right state: the Left’s poem lacks any faults. The Left state: the Right’s poem is pedestrian.

In judgement: the configuration of the Left’s ‘Blow across the bay!’ (ura ni fuke) and its links with the preceding and subsequent lines, sounds charming. The Right’s poem is stylistically elegant, but the poem more closely resembles a poem on the topic of ‘Love and Pine Trees’. Thus, the Left wins.

Love VI: 27

Left (Tie).
憂き人に思ひ消たるる身の程を知らぬは戀の煙也けり

ukibito ni
omoiketaruru
mi no hodo o
shiranu wa koi no
kemuri narikeri
From that cruel one’s
Thoughts, extinguished
I am, all
Unknowing of love’s
Embers smoking.

Lord Kanemune.
953

Right.
昔かく戀する人や富士の嶺の絶えぬ煙と燃えはじめけん

mukashi kaku
koisuru hito ya
fuji no ne no
taenu keburi to
moehajimeken
Long ago, in such
Love did folk as
The peak of Fuji
With everlasting smoke
Begin to burn?

The Supernumerary Master of the Empress’ Household Office.
954

The Right state: the Left’s poem has no faults. The Left state: the Right’s poem is pedestrian.

In judgement: the Left’s ‘cruel one’ (ukibito) and the Right’s ‘folk in love’ (koisuru hito) should tie.