Tag Archives: night

Teiji’in tenjōbito uta’awase 09

Left

あまのがはわたりてのちぞたなばたのふかきこころもおもひしるらむ

ama no gawa
watarite nochi zo
tanabata no
fukaki kokoro mo
omoishiruramu
After the River of Heaven
She has crossed,
The Weaver Maid
The depths of her heart’s
Feelings seems to know too well.

17

Right (Win)

あふよなきたなばたなればいまはとてかへるくもぢにまどはれしかな

au yo naki
tanabata nareba
ima wa tote
kaeru kumoji ni
madowareshi kana
Were there no night’s meeting
For the Weaver Maid, then
Now,
Upon her homeward path among the clouds
Would she have wandered, lost!

18

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 09

Round Nine

Left (Win)

女郎花いづれの秋かみえざりし野原の霧に立ちなかくれそ

ominaeshi
izure no aki ka
miezarishi
nohara no kiri ni
tachi na kakure so
O, maidenflower,
In which autumn is it, that
You have remained unseen?
In the mists upon the meadow
Stand and don’t hide yourself!

Kataoka Shrine Priest Kamo no Masahira
17

Right

心から夜のまの露にしほたれてあさじめりする女郎花かな

kokoro kara
yo no ma no tsuyu ni
shiotarete
asajimerisuru
ominaeshi kana
Her heart
Throughout the night with dewdrops
Drenches her,
Dripping with morning tears is
The maidenflower!

Fujiwara no Koreyuki, Supernumerary Junior Assistant Minster of the Sovereign’s Household
18

The Left is extremely absorbingly composed. As for the Right, though, I wonder about the use of being ‘drenched with dewdrops’—while it does put me in mind of fisherfolk at Ise, because it fails to indicate anything in the conception of the topic, it should lose, I think.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 02

Round Two

Left (Win)

花すすき誰ともわかずまねくにも心をとむる我やなになり

hanasusuki
tare tomo wakazu
maneku ni mo
kokoro o tomuru
wa ya nani nari
The silver grass fronds
Care not who
They beckon, yet
Entranced
What am I to them them?

Lord Taira no Tsunemori, Assistant Master of the Dowager Empress’ Household
3

Right

あだにおく夜のまの露にむすぼほれて思ひしほるる女郎花かな

ada ni oku
yo no ma no tsuyu ni
musubōrete
omoishioruru
ominaeshi kana
Faithlessly falling
In the night, the dewdrops
Have drenched
The dejected
Maidenflower!

Former Minor Captain, Lord Fujiwara no Kinshige
4

This round the poems, again, are equal in quality, but the Right’s use of ‘dejected’ as a piece of diction is vague, and in the absence of a prior example of usage, the Left should win.

GSS IX: 509

When the Minamoto Minister had visited her, but then lately had not come to call, she caught a faint glimpse of him through a hole in the wall of her chamber, and sent him this.

まどろまぬかべにも人を見つるかなまさしからなん春の夜の夢

madoromanu
kabe ni mo Fito wo
mituru kana
masasikaranan
Faru no yo no yume
Unable to sleep,
Through my wall him
I did glimpse!
O, how I wish were true
My dream this brief spring night…

Suruga

Teiji’in tenjōbito uta’awase 03

Left (Tie)

あふことをまつとなげきしときよりもたなばたつめはいまやわぶらむ

au koto o
matsu to nagekishi
toki yori mo
tanabatatsume wa
ima ya waburamu
For a meeting
Did she pine and grieve,
But from that moment
The Weaver Maid
Now seems filled with lonely sadness.

5

Right

ながきよにつくすともなきたなばたのこひはそらにやもりわたるらん

nagaki yo ni
tsukusu tomo naki
tanabata no
koi wa sora ni ya
moriwataruran
The long night through
Did not exhaust at all
The Weaver Maid’s
Love into the skies
Seems to overflow.

6

Teiji’in tenjōbito uta’awase 02

Left

あかずしてわかれにしかばあまのがはこひしきせのみおもほゆるかな

akazushite
wakarenishikaba
ama no gawa
koishiki se nomi
omohoyuru kana
Unsatisfied
Have they parted, so
At the River of Heaven’s
Rapids, their loving meeting alone
Does fill their thoughts!

3

Right (Win)

たなばたのまれにあふよのしののめのみえぬばかりぞきりはふらまし

tanabata no
mare ni au yo no
shinonome no
mienu bakari zo
kiri wa furamashi
The Weaver Maid
Has but a rare night’s meeting, so
At the edge of dawn
That it simply not be seen
She wishes for the fog to fall.

4

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 19

Round Nineteen

Left (Win)

うちはらふ枕のちりもかくれなくあれたる宿をてらす月影

uchiharau
makura no chiri mo
kakurenaku
aretaru yado o
terasu tsukikage
Needing to be swept away,
The dust upon my pillow
Cannot be concealed
In my dilapidated dwelling, when
The moonlight shines within…

Taifu
37

Right

秋の夜の月みる袖におく露やひるにかはれるしるしなるらん

aki no yo no
tsuki miru sode ni
oku tsuyu ya
hiru ni kawareru
shirushi naruran
On an autumn night
Upon my sleeves, when gazing at the moon,
Fall dewdrops—
That all is changed from daytime
Might they be a sign?

Yorisuke
38

In both the moon is bright, and I feel they reflect the essential meaning of the topic, but as its diction is currently slightly more familiar, I make the Left the winner. It would be possible to call this a tie, too, though.

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 17

Round Seventeen

Left

夜もすがらをばすて山の月をみて昔にかよふ我がこころかな

yomosugara
obasuteyama no
tsuki o mite
mukashi kayou
wa ga kokoro kana
All night long
At Mount Obasute
Gazing upon the moon—
Drifting back to days gone by
Goes my heart!

Lord Kiyosuke
33

Right (Win)

山のはに雲のよこぎるよひのまは出でても月ぞ猶またれける

yama no ha ni
kumo no yokogiru
yoi no ma wa
idete mo tsuki zo
nao matarekeru
Along the mountains’ edge
Trail clouds
Throughout the night, so
Even as it rises, the moon
I am yet awaiting!

Atsuyori
34