Tag Archives: path

Minbukyō yukihira no uta’awase 5

Left (Tie)
仄かなる声を聞きては時鳥鳴きつる方をまづぞ求むる

Fonokanaru
kowe wo kikite Fa
Fototogisu
nakituru kata wo
madu zo motomuru
Your faint
Song I do hear
O, cuckoo,
Along the path you call
Am I in truth invited.

9

Right
小夜更けぬ布留の都の 時鳥帰る雲路の声を聞かせよ

sayo Fukete
Furu no miyako no
Fototogisu
kaFeru kumodi no
kowe wo kikaseyo
The brief night dawns
At the ancient capital of Furu;
O, cuckoo
From your homeward path among the clouds
Let me hear your song!

10

Love IV: 29

Left.
寢覺まで猶苦しき行歸り足も休めぬ夢の通ひ路

nezame made
nao kurushiki
yukikaeri
ashi mo yasumenu
yume no kayoiji
Until I awaken
It is ever painful
Going back and forth
My feet not resting once
Upon the path of dreams.

Lord Ari’ie.
837

Right.
忘らるゝ身をば思はで龍田山心にかゝる沖つ白波

wasuraruru
mi o ba omowade
tatsuta yama
kokoro ni kakaru
oki tsu shiranami
Forgotten
I think not on myself, but
On Mount Tatsuta
Dwells my heart
Whipped by whitecaps…

Jakuren.
838

The Gentlemen of the Right: no faults to mention. The Gentlemen of the Left state: the Right’s poem does not have anything to say beyond what is contained in its origin poem.

In judgement: the Left’s poem takes the conception of Komachi’s poem ‘my feet don’t rest, constantly trailing to you, yet’ (ashi mo yasumezu kayoedomo) and skilfully adds ‘Until I awaken it is ever painful’ (nezame made nao kurushiki). The Right’s poem is based upon the poem ‘where, through night’s depths, my Lord’ (yowa ni ya kimi ga), but then says ‘Dwells my heart whipped by whitecaps’ (kokoro ni kakaru oki tsu shiranami), which sounds pleasant, too. They are comparable and should tie.