Tag Archives: reeds

Naidaijin-ke uta’awase 27

Round Three

Left (Both Judges – Win)

いはぬまの下はふ蘆のねを重みひまなき恋を君知るらめや

iwanuma no
shitahau ashi no
ne o shigemi
himanaki koi o
kimi shirurame ya
Silently beneath the marsh rocks
Creep the reeds’
Roots in such profusion,
Not a space free from love, but
Does my lady know, I wonder?

A Court Lady
53

Right

身をつみて思ひや知るとこころみにながためつらき人もあらなん

mi o tsumite
omoi ya shiru to
kokoromi ni
na ga tame tsuraki
hito mo aranan
Pinching flesh,
Would you know passion’s fire?
To test it, I wish
For you there was a cruel
One, too…

Lord Masakane
54

Toshiyori states: the first poem is extremely charming. It seems to have no faults to mention. In the second poem, ‘For you there was a cruel one’ would be something quite impolite if said by a woman. Court ladies may lose their composure, yet they still appear to speak with dignity. In the absence of a prior poem as precedent, the first poem should win, I think.

Mototoshi states: this poem seems to have no faults to mention, and of the two, ‘beneath creep the reeds’ seems a bit more gently refined at present.

Sumiyoshi-sha uta’awase kaō ni-nen 66

Round Sixteen

Left (Win)

よにすめど人しれぬみやしをりするみやまがくれのたにのしたみづ

yo ni sumedo
hito shirenu mi ya
shiorisuru
miyamagakure no
tani no shitamizu
Dwelling within this world, yet
No one knows that ‘tis as if I
Were marking a trail
Hidden deep within the mountains
To waters flowing on the valley floor…

Hiromori
131

Right

あしからむなにはのことはかねてよりちかくてまもれすみよしのかみ

ashikaramu
naniwa no koto wa
kanete yori
chikakute mamore
sumiyoshi no kami
Reaping reeds, should ill fortune come
From Naniwa, in all things
Just in case
Ward me closely
O, God of Sumiyoshi!

Dharma Master Chikyō

132

The poem of the Right here, while it does draw on ‘reaping reeds at Naniwa’, in its phrasing sounds prosaic. As the Left’s ‘waters flowing on the valley floor’ seems to flow smoothly off the tongue, it wins.

SKS IX: 347

When Akinaka, Head of the Department of Shintō, held a poetry match at Hirota, he composed this as a plea to the god on the topic of ‘Personal Grievances and the Moon’.  

なにはえのあしまにやどる月みればわが身ひとつもしづまざりけり

naniwae no
ashima ni yadoru
tsuki mireba
wagami hitotsu mo
shizumazarikeri
When at Naniwa inlet,
Between the reeds lodging
The moon I see
‘Tis not my sorry self alone that
Is downcast, I know!

Master of the Left Capital Office Akisuke

Daikōtaigōgū daijin kiyosuke-ason ke uta’awase 03

Plum

Round Three

Left (Tie)

あしがきのおくゆかしくもみゆるかな誰がすむ宿の梅の立えぞ

ashigaki no
oku yukashiku mo
miyuru kana
ta ga sumu yado no
ume no tachie zo
A fence of reeds and
Within, how charming
They appear!
Who is it dwells at this house of
Beckoning branches of plum?

Lord Kiyosuke
5

Right

ひばりあがる春の日ぐらし袖たれてかきねの梅の花みるわれは

hibari agaru
haru no higurashi
sode tarete
kakine no ume no
hana miru ware wa
Skylarks soar
In springtime all day long,
Dangling my sleeves, upon
The plum inside the lattice fence,
At the blossom gaze I…

Kenshō
6

The Left is in cliched style, while the final line of the Right is interrupted—a tie, I think.

SKKS XI: 1049

Topic unknown.

難波潟みじかき蘆のふしのまも逢はでこの世をすぐしてよとや

naniwagata
mijikaki ashi no
fushi no ma mo
awade kono yo o
sugushiteyo to ya
In the Naniwa tidelands,
Brief, indeed, are the reeds’
Span between the knots upon their stalks, but
Such times in this world without meeting you—
Are you really telling me to just go on like that?

Ise

A kuzushiji version of the poem's text.
Created with Soan.

Teiji-in uta’awase 28

Left (Tie)

ひとのうへとおもひしものをわがこひになしてやきみがただにやみぬる

hito no ue to
omoishi mono o
wa ga koi ni
nashite ya kimi ga
tada ni ya minuru
Upon me
The coals of passion have lain, yet
After my love has been
So clear, why, my lady
Do you seem so calm?

Mitsune
55

Right

あしまよふなにはのうらにひくふねのつなでながくもこひわたるかな

ashi mayou
naniwa no ura ni
hiku fune no
tsunade nagaku mo
koi wataru kana
Lost among the reeds
Of Naniwa Bay,
Pulling a boat with
Tug-ropes stretching long
As my love endures!

56