When the heart of a woman whom he had been visiting frequently showed no sign of melting, he sent this to her to say that months and years had passed and they were still in such a state.
なにはがたみぎはのあしのおいがよに怨みてぞふる人の心を
| naniFagata migiFa no asi no oFi ga yo ni uramite zo Furu Fito no kokoro wo | In Naniwa’s tidelands By the waterside the reeds Growing old within this world How I despise the passing time– And your hard heart… |
Anonymous
なにはがたみぎはのあしのいつまでかほにいでずしも秋を忍ばん
| naniwagata migiwa no ashi no itsu made ka ho ni idezu shimo aki o shinoban | In Naniwa’s tidelands, By the waterside reeds How long must I Refrain from bursting out, and Repress the surfeit of it?[i] |
563
[i] See: When the heart of a woman whom he had been visiting frequently showed no sign of melting, he sent this to her to say that months and years had passed and they were still in such a state. なにはがたみぎはのあしのおいがよに怨みてぞふる人の心を naniwagata/ migiwa no ashi no / oi ga yo ni / uramite zo furu / hito no kokoro o ‘In Naniwa’s tidelands / By the waterside the reeds / Growing old within this world / How I despise the passing time– / And your hard heart…’ Anonymous (Gosenshū XVI: 1170)
On the 29th day of the Eighth Month, Taiji 3,[i] Head of the Department of Shinto, His Excellency Akinaka gave a lecture before the Hirota Shrine, and various people from among his friends and relative met together in the same place.
Judge Mototoshi, Former Assistant Captain in the Palace Guards, Left Division.
Personal Grievances and the Moon
Round One
Left
難波江のあしまにやどる月みれば我が身ひとつも沈まざりけり
| naniwae no ashima ni yadoru tsuki mireba wa ga mi hitotsu mo shizumazarikeri | When, at the inlet at Naniwa Between the reeds a’lodging The moon I see, My sorry self, alone, Is sunk in sadness, am I not? |
Lord Akisuke, Former Governor of Mimasaka
1
Right
かがみ川影見る月にそこ澄みて沈むみくづのはづかしきかな
| kagamigawa kage miru tsuki ni soko sumite shizumu mikuzu no hazukashiki kana | In the mirror of Kagami River, The shape, I see, of the moon Clear down to the bed of Sunken flotsam— How terrible that I am so! |
His Excellency Akinaka, Head of the Department of Shintō
2
While both Left and Right show awareness of the conventions, I find it difficult to be beguiled more by coming to the realisation that ‘My sorry self, alone, / Is sunk in sadness, am I not’ on seeing the moon lodging between the reeds, than I am by the conception of the one who seems to have seen the moon over Mount Obasute[1], so I could say that it has a bit of conception about it at present.
[1] Topic unknown. わが心なぐさめかねつさらしなやをばすて山にてる月を見て wa ga kokoro / nagusamekanetsu / sarashina ya / obasuteyama ni / teru tsuki o mite ‘My heart / Cannot be consoled— / In Sarashina / Above Mount Obasute / On seeing the shining moon…’ Anonymous (KKS XVII: 878)
[i] 25 September 1128
Round Six
Left
ふるゆきに山のほそみちうづもれてまれにとひこし人もかよはず
| furu yuki ni yama no hosomichi uzumorete mare ni toikoshi hito mo kayowazu | With the falling snow The mountain’s narrow pathways Are buried; But rarely did he visit and now Cannot make his way at all. |
Cell of Fragrant Cloud
53
Right
あしたつるみわのひばらにゆきふかみみやぎひくをのかよひぢもなし
| ashi tatsuru miwa no hibara ni yuki fukami miyagi hiku o no kayoiji mo nashi | Reeds stand tall in Miwa, where the cypress groves Are deep with snow; To cut sacred timber, the woodsman Has no path to tread at all. |
Cell of Compassionate Light
54
The Left’s poem, in terms of style and diction, entirely grasps the way someone might feel. What a sense of grief! The Right’s poem is composition that fairly drips and delves into playfulness, but in so doing lacks feeling. Truly, the former poem has superlative qualities, resembling a black dragon’s pearl![i] Thus, the Left must win.
The Left does seem to have been composed but simply stated. It possesses a calm elegance. The Right seems to have been created after a great deal of thought. This poem shows effort and the former such calm that I wish to declare them a tie. This may enrage the poets, but the ignorant may give the appearance of being knowledgeable, as they say. I wonder who composed these…
[i] Riju 驪珠 as an abbreviation of riryū no tama 驪龍の珠 (‘black dragon’s pearl’). Mototoshi uses this analogy deliberately as black dragons were associated with winter. The pearl, which they were often depicted as holding or being located in their throat, was a symbol of the dragon’s spiritual development and a marker of its immortality. This is thus an effusive statement of praise for Shōchō’s poem.
Round Three
Left (Both Judges – Win)
いはぬまの下はふ蘆のねを重みひまなき恋を君知るらめや
| iwanuma no shitahau ashi no ne o shigemi himanaki koi o kimi shirurame ya | Silently beneath the marsh rocks Creep the reeds’ Roots in such profusion, Not a space free from love, but Does my lady know, I wonder? |
A Court Lady
53
Right
身をつみて思ひや知るとこころみにながためつらき人もあらなん
| mi o tsumite omoi ya shiru to kokoromi ni na ga tame tsuraki hito mo aranan | Pinching flesh, Would you know passion’s fire? To test it, I wish For you there was a cruel One, too… |
Lord Masakane
54
Toshiyori states: the first poem is extremely charming. It seems to have no faults to mention. In the second poem, ‘For you there was a cruel one’ would be something quite impolite if said by a woman. Court ladies may lose their composure, yet they still appear to speak with dignity. In the absence of a prior poem as precedent, the first poem should win, I think.
Mototoshi states: this poem seems to have no faults to mention, and of the two, ‘beneath creep the reeds’ seems a bit more gently refined at present.
Round Sixteen
Left (Win)
よにすめど人しれぬみやしをりするみやまがくれのたにのしたみづ
| yo ni sumedo hito shirenu mi ya shiorisuru miyamagakure no tani no shitamizu | Dwelling within this world, yet No one knows that ‘tis as if I Were marking a trail Hidden deep within the mountains To waters flowing on the valley floor… |
Hiromori
131
Right
あしからむなにはのことはかねてよりちかくてまもれすみよしのかみ
| ashikaramu naniwa no koto wa kanete yori chikakute mamore sumiyoshi no kami | Reaping reeds, should ill fortune come From Naniwa, in all things Just in case Ward me closely O, God of Sumiyoshi! |
Dharma Master Chikyō
132
The poem of the Right here, while it does draw on ‘reaping reeds at Naniwa’, in its phrasing sounds prosaic. As the Left’s ‘waters flowing on the valley floor’ seems to flow smoothly off the tongue, it wins.
When Akinaka, Head of the Department of Shintō, held a poetry match at Hirota, he composed this as a plea to the god on the topic of ‘Personal Grievances and the Moon’.
なにはえのあしまにやどる月みればわが身ひとつもしづまざりけり
| naniwae no ashima ni yadoru tsuki mireba wagami hitotsu mo shizumazarikeri | When at Naniwa inlet, Between the reeds lodging The moon I see ‘Tis not my sorry self alone that Is downcast, I know! |
Master of the Left Capital Office Akisuke
