さ夜ふけてあまの河をぞいでて見る思ふさまなる雲や渡ると
| sayo Fukete ama no kaFa wo zo idete miru omoFu sama naru kumo ya wataru to | Brief night wears on, so The River of Heaven I stepped outside to see— Whether, as I had thought, T’would be covered o’er with cloud… |
Anonymous
Frost at a shrine.
さよ深けていなりの山の杉のはにしろくも霜のおきにけるかな
| sayo fukete inari no yama no sugi no ha ni shiroku mo shimo no okinikeru kana | Brief night breaks O’er Inari Mountain, and The cedar needles Turn white with frost A’falling![i] |
629

[i] See: Drinking vessels [mizunomi]. いなり山しるしのすぎの年ふりてみつのみやしろ神さびにけり inariyama / shirushi no sugi no / toshi furite / mitsu no miyashiro / kamisabinikeri ‘Mount Inari’s / Symbolic cedars / Carry years’ weight: / The three sacred shrines / Are venerable, indeed!’ Bishop Yūkei (Senzaishū XVIII: 1178); and: On warblers on the road to the barrier, while at the Poetry Office. 鶯のなけどもいまだふる雪に杉の葉しろき逢坂の山 uguisu no / nakedomo imada / furu yuki ni / sugi no ha shiroki / ausaka no yama ‘The warbler / Has sung, yet still / Falling snow / Turns white the cedar needles / On the mount of Meeting Hill.’ The Senior Retired Emperor (Shinkokinshū I: 18)
Original
さよふかくこひするしかのこゑきけばわれさへあやなそでのひづかな
| sayo fukaku koisuru shika no koe kikeba ware sae ayana sode no hizu kana | Deep within a night so brief, A’loving, the stag’s Cry I hear Even my sleeves, strangely, Never dry at all! |
4
きくひとのそでさへひづるしかのねにあきのしぐれのふりでてぞなく
| kiku hito no sode sae hizuru shika no ne ni aki no shigure no furidete zo naku | Folk hearing, With even their sleeves never drying, At a stag’s bell— An autumn shower Falling with a cry! |
5
Only one poem was requested in response this round.


Left
ひとしれずねざめのこひはよぶこどりよぶかきこゑはきくひともなし
| hito shirezu nezame no koi wa yobukodori yobukaki koe wa kiku hito mo nashi | Unknown to all I awake and yearn: A songbird Late at night sings With no one listening at all. |
3
Right
おもひやるこころしゆかばさよふけておきゐてこふとつぐべきものを
| omoiyaru kokoro shi yukaba sayo fukete oki’ite kou to tsugubeki mono o | If, steadfast, My heart but was, then As brief night wore on I’d arise and my love Be able to announce, but… |
4


Round Five
Left
ほととぎすはなたちばなにやどるともなのらざりせばいかでしらまし
| hototogisu hanatachibana ni yadoru to mo nanorazariseba ikade shiramashi | The cuckoo Among the orange blossom May make his lodging, but If he fails to announce himself How would one ever know? |
Controller’s Graduate
23
Right
さよなかにみふねの山のほととぎすほのかになきてすぎぬなるかな
| sayo naka ni mifune no yama no hototogisu honoka ni nakite suginu naru kana | In the midst of a night so brief Upon Mifune Mountain, A cuckoo, Faintly crying, Has passed his time! |
Kerin’in Graduate
24
It is entirely impossible to decide between these two poems.
Neither of these poems is particularly bad. The Left flows smoothly and is elegant; the Right starts with ‘Mifune Mountain’ and then continues with ‘faintly’, which certainly does not lack skill. Thus, I would say that these should tie, although this will doubtless be a source of some dissatisfaction to the writer of the Right.




Round Twenty-Four
Left (Tie)
覚束なたれきけとてか時鳥さよふけ方の雲に鳴くらん
| obotsukana tare kike tote ka hototogisu sayo fukegata no kumo ni nakuran | I do not understand— Who is it that you demand hears you, O, cuckoo? Toward brief night’s dawn, Calling from within the clouds… |
Tomoshige
47
Right
待ちかねしよはも昔にかはらねばことしもつらし山時鳥
| machikaneshi yowa mo mukashi ni kawaraneba kotoshi mo tsurashi yamahototogisu | Eagerly awaiting Midnight, to find—as long before— It all unchanged, so This year, too, how cruel is The mountain cuckoo! |
Dharma Master Zenshin
48
Both Left and Right sound suitable. So, they should tie.



