Tag Archives: scarlet

Yōzei’in ichi no miko himegimi uta’awase 04

Original

あきやまはからくれなゐになりにけりいくしほしぐれふりてそめけむ

akiyama wa
karakurenai ni
narinikeri
iku shio shigure
furite somekemu
The autumn mountains
To Cathay scarlet
Have turned;
How many dippings with drizzle
Have fallen to dye them so?

9

Left

しぐれつつくれなゐふかくやまのはもあきはてゆけばかひなかりけり

shiguretsutsu
kurenai fukaku
yama no ha mo
aki hateyukeba
kainakarikeri
With every shower
The scarlet deepens
Of the leaves upon the mountain—
With autumn reaching its ending
How pointless that is…

10

Right

いくしほもしぐれはふらじさほひめのふかくそめたるいろとこそみれ

iku shio mo
shigure wa furaji
saohime no
fukaku sometaru
iro to koso mire
No matter how many dippings
With drizzle fall,
Princess Sao’s
Deeply dyed
Hues we see!

11

Fubokushō X: 3910

From the poetry match at Tsurayuki’s house in Tengyō 2 – The beginning of autumn.

松もなくしげき木の葉は夏ながらもみぢの色ぞ染めはじめける

matsu mo naku
shigeki no ha wa
natsu nagara
momiji no iro zo
somehajimekeru
Not waiting at all
The leaves upon the trees, so lush
In summer, have
With scarlet hues
Begun to be dyed!

Anonymous

Naidaijin-ke uta’awase 12

Round Twelve

Left (T – Win)

柞原紅ふかく染めてけり時雨の雨はいろなけれども

hahasowara
kurenai fukaku
sometekeri
shigure no ame wa
iro nakeredomo
The oak groves
Deeply scarlet
Have been dyed,
Though the rain shower
Lacks any hue at all…

Lord Shigemoto
23

Right (M – Win)

山里はならのから葉の散敷きてしぐれの音もはげしかりけり

yamazato wa
nara no karaba no
chirishikite
shigure no oto mo
hageshikarikeri
My mountain retreat has
The oaks’ withered leaves
Scattered and spread around, so
The sound of showers is all
The more severe.

Lord Tamezane
24

Toshiyori states: the ‘oak grove’ poem, saying that plants fade and autumn leaves are dyed by things like dew and frost is as unremarkable as saying that one’s sweetheart’s skirt trails down. The ‘mountain retreat’ poem has ‘the oaks’ withered leaves’ and this is problematic. It would certainly have been better to avoid using ‘withered leaves’. In addition, I wonder about saying ‘the sound of showers is severe’? I feel it would be better to use this when looking down on the stony valley gate from the high peak of Mount Arachi. The first poem is slightly superior.

Mototoshi states; the poems of Left and Right are about the same quality, but the Left’s poem lacks a conception of showers and is entirely a poem on scarlet leaves, so in the current context ‘oaks’ withered leaves’ is slightly superior.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 48

Round Twelve

Left (Tie)

柞原しぐれにそむるくれなゐはこずゑの風や吹きてほすらん

hahasowara
shigure ni somuru
kurenai wa
kozue no kaze ya
fukitehosuran
The oak groves by
The showers are dyed
With scarlet—
Might the wind through the treetops,
Gusting, bring dryness?

Shinkaku
95

Right

紅葉ばは入日の影のさしそひてゆふくれなゐの色ぞことなる

momijiba wa
irihi no kage no
sashisoite
yūkurenai no
iro zo kotonaru
The autumn leaves
By sunset’s light
Are struck, and
Evening’s scarlet
Hue is startlingly fine!

Lay Priest Norinaga
96

In the Left’s poem I would want there to be an expression such as ‘robe’ or ‘brocade’ which is being blown. As for the Right, it lacks any unusual diction, but has no noticeable faults, so these should tie.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 47

Round Eleven

Left

おぼつかないづれうらごの山ならんみなくれなゐにみゆる紅葉ば

obotsukana
izure urago no
yama naran
mina kurenai ni
miyuru momijiba
How strange it is—
Where is Urago
Mountain, I wonder?
When all the same scarlet
Seem the autumn leaves…

Kiyosuke
93

Right (Win)

大ゐ河きしのもみぢのちるをりは浪にたたするにしきとぞみる

ōigawa
kishi no momiji no
chiru ori wa
nami ni tatasuru
nishiki to zo miru
At the River Ōi,
When the scarlet leaves upon the bank
Come to fall,
Cut out by the waves,
Does their brocade appear!

Mikawa
94

When I listen to the Left I wonder what on earth it’s actually about—the end seems redolent of love. The Right doesn’t seem to have any particular faults, so it should win.

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 45

Round Nine

Left (Tie)

秋ごとに葉もりの神のつらきかな紅葉を風にまかすとおもへば

aki goto ni
hamori no kami no
tsuraki kana
momiji o kaze ni
makasu to omoeba
Every single autumn,
The guardian deity of the leaves is
Cruel, indeed!
The scarlet leaves to the wind
He does abandon, I feel…

Narinaka
89

Right

くれなゐに梢の色のかはるより風の音さへあらずなるかな

kurenai ni
kozue no iro no
kawaru yori
kaze no oto sae
arazunaru kana
Since to scarlet
The treetops hues
Have changed,
Even the sound of the wind is
Not as it was!

Tōren
90

The Left depicts things just as they are. If the Right has the same conception as the Cathay-style poem on the wind lessening every morning at Shanglin Park,[1] then it’s that one feels that after the leaves have turned, they’ll scatter, yet one has to think that, later, in summer the treetops will grow lush again, and the sounds do not resemble each other; neither of these are faults and so the round ties.


[1] Wakan rōeishū 312

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 44

Round Eight

Left (Tie)

紅葉ばは紅ふかく成りゆけど独さめたる松の色かな

momijiba wa
kurenai fukaku
nariyukedo
hitori sametaru
matsu no iro kana
The autumn leaves
Deeply scarlet
Are becoming, yet
Singly, all the more aware am I
Of the pine tree’s hues!

Koreyuki
87

Right

ははそ原しぐるるままにときは木のまれなりけるも今ぞみえける

hahasowara
shigururu mama ni
tokiwagi no
marenarikeru mo
ima zo miekeru
As the oak groves
Linger under showers,
An evergreen,
So rare, is
What appears to me now.

Kojijū
88

Both Left and Right drop scarlet leave and are composed on evergreens, so they lack the essence of the topic, don’t they. The Right has the finer configuration, but autumn leaves, pointlessly, fail to appear in it. In addition, somewhat distastefully, it puts me in mind of the poem, ‘…Truly, evergreen / The pine tree seems’,[1] so the best these can do is tie.


[1] A poem from a poetry contest held by Her Majesty, the Empress, in the Kanpyō period. 雪ふりて年のくれぬる時こそつひにもみぢぬ松も見えけれ yuki furite / toshi no kurenuru / toki ni koso / tsui ni momijinu / matsu mo miekere ‘Snow falls and /The year reaches its evening, / It is at this time that / Truly, evergreen / The pine tree seems.’ Anonymous (KKS VI: 340)

Daikōtaigōgū no suke taira no tsunemori-ason ke uta’awase 41

Round Five

Left

あさひ山みねの紅葉をみわたせばよもの木末に照りまさりけり

asahiyama
mine no momiji o
miwataseba
yomo no kozue ni
terimasarikeri
When upon Asahi Mountain’s
Peak of scarlet leaves
I turn my gaze,
All over, the treetops
Shine most bright!

Tamechika
81

Right (Win)

紅のやしほの色にめかれすなおなじはもりの神といへども

kurenai no
yashio no iro ni
mekaresu na
onaji hamori no
kami to iedomo
From the scarlet,
Deeply dyed, hues
O, avert not your eyes!
Though the same leaves’ guardian
Deity you are called…

Moromitsu
82

The Left has nothing particular to say and its expression is awkward. As for the Right, a number of learned men seem to have said that one does not compose about the guardian deity of the leaves in relation to trees in general, but about oak trees, yet a great many things have deities to protect them, so I wonder if the guardian deity of the leaves could be a deity for all types of tree—couldn’t it protect any of them? Thus, in this poem, too, couldn’t that be the case? While the concluding ‘though you are called’sounds overly direct, it appears it should win.