Tag Archives: scent

Dairi no kiku awase 11

The Gentlemen of the Right. These, too, had the sons of the Courtiers Fujiwara no Shigetoki and Hirokage, the Governor of Awa, construct an extremely large suhama upon which all the chrysanthemums were grown together; because the area was cramped when they brought it in, they made preparation to bring it in all at once, attaching wheels to sections, thinking to do it in one, but were startled by the Gentlemen of the Left bringing in their blooms one by one – when all were brought in and assembled together, they made a single charming spectacle, yet though assembled, they were separated and thus seemed incomplete. The initial poem became mixed in with all the others.

山深く入りにし身をぞいたづらに菊の匂ひに憩へ来にける

yama Fukaku
irinisi mi wo zo
itadura ni
kiku no nioFi ni
ikoFekinikeru
Deep within the mountains
Have I entered in;
Idly has
The chrysanthemums’ scent
Brought me to my ease.

11

Dairi no kiku awase 1

The Chrysanthemum Match during the reign of the Kanpyō Emperor.

The Gentlemen of the Left. For the chrysanthemum in the initial round, Kotategimi, a young courtier lad, was dressed as a woman, and brought in the flower, hiding his face with it. A further nine blooms were planted in a suhama. The form of the suhama was certainly very charming. The chrysanthemums had their names written on long strips of paper, which were twined about them in places to show them to their best advantage.

Initial Round: a chrysanthemum from Minase in Yamazaki

うちつけに水瀬は匂ひまされるをり人からか花の常かも

uchituke ni
minase Fa nioFi
masareru
wori Fito kara ka
Fana no tune kamo
Suddenly
Minase, with scent
Superb is filled –
Is it from a lady there, or
Are the blooms ever so?

1

Love V: 21

Left (Win).
重ねずと思ふばかりぞ小夜衣匂ひは袖に移りぬるかな

kasanezu to
omou bakari zo
sayogoromo
nioi wa sode ni
utsurinuru kana
No piled robes, but
All I do is long for her:
Her night-robe’s
Scent upon my sleeves
Does dwell….

Lord Suetsune
881

Right.
匂ひ來る梢ばかりを情にて主は遠き宿の梅が枝

nioikuru
kozue bakari o
nasake nite
aruji wa tōki
yado no mume ga e
The scent drifting
From the treetops is my only
Consolation, for
Their master is as far away
As his dwelling’s plum blossom branches…

Nobusada
882

The Right state: the Left’s poem lacks any faults to indicate. The Left state: is the Right’s poem not composed upon the plum blossom of the house next door?

In judgement: for the topic of ‘Nearby Love’, poems composed where the lovers are in the same room are most likely winners. Even so, how close do their dwellings need to be? The Left’s latter section, ‘Her night-robe’s scent upon my sleeves’ (sayogoromo nioi wa sode ni) is certainly elegant. The Right’s poem has ‘Their master is as far away’ (aruji wa tōki). Simply because of this, it is certainly not composed on plum blossom. Still, the Left’s ‘night-robe’ (sayogoromo) seems a little superior to ‘The scent drifting from the treetops is my only consolation’ (nioikuru kozue bakari o nasake nite).

 

Winter I: 12

Left.

白菊の散らぬは殘る色顔に春は風をも恨みけるかな

shiragiku no
chiranu wa nokoru
irogao ni
haru wa kaze o mo
uramikeru kana
The white chrysanthemums
Will not scatter: they have about them
That look
Towards the springtime wind
Of spite!

Lord Sada’ie.

503

Right (Win).

花もかく雪の籬まで見る菊の匂ひは袖にまた殘さなん

hana mo naku
yuki no mase made
miru kiku no
nioi wa sode ni
mata nokosanan
Until flowers are there none
And snow piles against my fence,
Gazing at the chrysanthemums,
I wish the scent upon my sleeves
Would linger yet…

Nobusada.

504

The Right state that the Left’s poem has nothing to do with lingering chrysanthemums in its initial part, and the concluding section is incomprehensible [kokoroegatashi]. The Left merely remark that the Right’s ‘snow piles against my fence’ (yuki no mase) sounds poor [kikiyokarazu].

Shunzei’s judgement: The gentleman of the Right states that ‘the Left’s poem has nothing to do with lingering chrysanthemums’ – this really isn’t the case, is it? Even superficially, this is not true [omote naki ni wa arazu].However, I am unable to accept ‘look’ (irogao) as appropriate diction. In the Right’s poem, ‘snow piles against my fence’ (yuki no mase), again, charmingly and especially reflects the conception of lingering chrysanthemums [zangiku no kokoro mo koto ni miete okashiku koso mie]. In general, hearing both sides complaining that the other’s poems ‘sound poor’ or ‘grate upon the ear’ is itself unpleasant to hear. The Right wins.

Winter I: 10

Left (Win).

暮ていにし秋の形見と思ふべき菊さへ色を變へてけるかな

kurete’inishi
aki no katami to
omoubeki
kiku sae iro o
kaetekeru kana
Night has fallen on
Autumn’s keepsake –
Or so I thought –
Even the chrysanthemums’ hues
Have changed…

Lord Kanemune.

499

Right.

一枝も折りつる袖は白菊の匂ひまでこそ移ろひにけれ

hito eda mo
oritsuru sode wa
shiragiku no
nioi made koso
utsuroinikere
A single stem
I plucked and to my sleeves
The white chrysanthemums’
Scent, even,
Has shifted…

Jakuren.

500

The Right have no criticisms to make of the Left’s poem. The Left state that there does not seem to be the conception of ‘lingering’ in the Right’s poem. In response, the Right say, ‘By the use of “even” (made) one can understand that the chrysanthemums’ hues have shifted as well. The use of “shift” (utsurou) expresses the conception of lingering [nokori no kokoro nari].

Shunzei’s judgement: The Left’s ‘Even the chrysanthemums’ hues’ (kiku sae iro o) seems most fine [yoroshiku koso haberumere]. The Right, too, with its ‘chrysanthemums’ scent’ (kiku no nioi) is particularly splendid [fukaku yū ni wa haberubeshi]. On the matter of the conception of lingering chrysanthemums [nokori no kiku no kokoro], the Right have said that ‘using “even the scent” expresses the conception of lingering’, which is true enough, but is it not that the scent has shifted to the poet’s sleeves, even though the flowers are chrysanthemums? Thus, the conception of a shift of hue must be somewhat weak [utsurou kokoro wa nao sukunakarubeku]. In any case, the Left’s conception of lingering is certainly stronger. The Left wins.