Love
Left
淡く濃く染めはじめたるもみぢ葉になどわが恋をおもひそむらむ
| usuku koku somehajimetaru momijiba ni nado wa ga koi o omoisomuramu | Both lightly and deeply Have begun to colour The scarlet leaves, so Why should my love Seem to occupy my thought so? |
25
Right
白露のおきてわかれし朝より消えかへりても恋ひわたるかな
| shiratsuyu no okite wakareshi ashita yori kiekaeritemo koiwataru kana | Silver dewdrops Fell as we parted— With the morning They may vanish, yet My love for you continues on! |
26
The Beginning of Winter
Left
ほどもなく冬は来にけり神無月秋はまだきもみえなかくを
| hodo mo naku fuyu wa kinikeri kaminazuki aki wa madaki mo mienakaku o | Before I knew it Winter has arrived! In the Godless Month Autumn has only just Vanished from view… |
23
Right
神無月たてるをみれば白露のむすぼほれたる霜おきにけり
| kaminazuki tateru o mireba shiratsuyu no musubōretaru shimo okinikeri | When, the Godless Month’s Arrival I see, Silver dewdrops Have drenched The fallen frost. |
24
Love
Left
秋萩におく白露の消えかへり人をこひしとおもふころかな
| akihagi ni oku shiratsuyu no kiekaeri hito o koishi to omou koro kana | In autumn upon the bush clover Fall silver dewdrops, Vanishing away, with Her I loved— My feelings in those days! |
17[i]
Right
寒き夜はさごろも雁の声きけばかへすがへすぞ人はこひしき
| samuki yo wa sagoromo kari no koe kikeba kaesugaesu zo hito wa koishiki | On a night so chill, In a scanty robe, when the goose Cries I hear, Again and yet again Do I long for her… |
18
[i] This poem is included in Shinshūishū (XII: 1011), with the headnote, ‘From the poetry match at Tsurayuki’s house’. A variant of it also appears in some Mandaishū (XV: 2458) texts; in others the version provided is as in the contest: From the poetry match held when Tsuryuki was in Suo province. 秋萩におく白露の澄みかへり人をこひしとおもふころかな aki hagi ni / oku shiratsuyu no / sumikaeri / hito o koishi to / omou koro kana ‘In autumn upon the bush-clover / Fall silver dewdrops / Ever clear / Her I loved— / My feelings in those days’.
Round Thirty
Left (Tie)
玉をぬく真野の糸萩かたよりにおのれみだるる秋の夕暮
| tama o nuku mano no itohagi katayori ni onore midaruru aki no yūgure | Strung with gems The bush-clover twigs at Mano All align together In their own tangles On an autumn evening. |
Shō
59
Right
待ちわたる時や来ぬらん白露の玉しく庭の秋はぎの花
| machiwataru toki ya konuran shiratsuyu no tama shiku niwa no akihagi no hana | Has that long-awaited Time arrived, perhaps? When silver dewdrop Pearls will spread o’er the grounds From the autumn bush clover blooms… |
Nagatsuna
60
The poems of Left and Right have different diction, but the same configuration.
Round Twenty-Eight
Left
故郷の萩の下葉も色づきぬ露のみふかき秋のうらみに
| furusato no hagi no shitaba mo irozukinu tsuyu nomi fukaki aki no urami ni | In this old, familiar place The bush clover’s underleaves, too, Have changed their hue— Only the dew is deep As autumn’s misery…[1] |
Dōchin
55
Right (Win)
白露の玉ぬきみだる萩が枝に涙かずそふ秋の夕暮
| shiratsuyu no tama nukimidaru hagi ga e ni namida kazusou aki no yūgure | Silver dewdrop Pearls are strung in tangles on The bush clover’s branches— Innumerable tears added On an autumn evening… |
Dharma Master Nyokan
56
Left and Right both have a refined style, yet the Right has a better tone and sounds elegant. Thus, it wins.
[1] An allusive variation on: 比日之 暁露丹 吾屋前之 芽子乃下葉者 色付尓家里 kono koro no / akatoki tsuyu ni / wa ga yado no / hagi no shitaba wa / irozukinikeri ‘Around thus time near / Dawn, the dewfall on / My dwelling’s / Bush clover underleaves / Has changed their hue!’ Anonymous (MYS X: 2182)
Round Twenty-Six
Left
秋萩の露もよすがのさがり葉も風吹きたつる色ぞ身にしむ
| akihagi no tsuyu mo yosuga no sagariba mo kaze fukitatsuru iro zo mi ni shimu | On the autumn bush clover Dewdrops rest upon The dangling leaves, Whipped up by the wind, Their hues sharply sink into my flesh. |
The Former Minister of the Centre
51
Right (Win)
さだめなき風を待つ間もうつろひぬもとあらの萩にむすぶ白露
| sadamenaki kaze o matsu ma mo utsuroinu motoara no hagi ni musubu shiratsuyu | While the unsettled Breeze they do await, Faded from The sparse bush clover have The clinging dewdrops.[1] |
Kozaishō
52
The Left poem’s ‘rest upon the dangling leaves, whipped up by the wind’ seems a novel style, and yet, even though everything about dangling leaves is contained in the Ancient and Modern, it does not sound particularly evocative. The Right lacks even a small fault and appears gorgeous, so it should win.
[1] An allusive variation on: Topic unknown. 宮木野のもとあらの小萩つゆをおもみ風をまつごと君をこそまつ miyagino no / motoara no kohagi / tsuyu o omomi / kaze o matsu goto / kimi o koso matsu ‘On Miyagi Plain / The sparse bush clover / Weighed down with dewdrops / Awaits the wind, just as / I do wait for you…’ Anonymous (KKS XIV: 694)
Round Twenty-Five
Dew on Bush Clover
Left
下葉には色なる玉やくだくらむ風の吹きしく萩の上の露
| shitaba ni wa iro naru tama ya kudakuramu kaze no fukishiku hagi no ue no tsuyu | From the underleaves Hues have the gemlets taken In their shattering? Spread by the gusting wind Are the dewdrops on the bush clover… |
A Court Lady
49
Right (Win)
又やみむ又や見ざらん白露の玉おきしける秋萩の花
| mata ya mimu mata ya mizaran shiratsuyu no tama okishikeru akihagi no hana | Will I see again, or Will I not Silver dewdrop Pearls spread upon The autumn bush clover blooms? |
Ietaka
50
The Left’s poem does not seem to have a particularly superlative style. The Right’s poem, saying ‘will I see again, or will I not silver dewdrops’ is particularly charming and moving. Thus, it wins.
草のかう色変わりぬる白露は心おきても思ふべきかな
| kusa no kō iro kawarinuru shiratsuyu wa kokoro okitemo omoubeki kana | The grasses have such Changing hues with The silver dewdrops Fall upon my heart, yet I am filled with longing! |
1[i]
風寒み鳴くなる雁の声によりうたむ衣をまづやからまし
| kaze samumi nakunaru kari no koe ni yori utamu koromo o mazu ya karamashi | Chill will turn the wind as Calling come the goose Cries, so The robes upon the fulling block— First would I borrow one! |
2[ii]
[i] This poem is included in Kokin rokujō (VI: 3768), attributed to Ise, with the headnote ‘The scent of grasses’. It is also included in Ise-shū (88), with the headnote ‘The scent of grasses, in the Minister of Ceremonial’s Garden Match’.
[ii] This poem is included in Ise-shū (89), with the headnote ‘Gentian’ (rindō 竜胆).
