Tag Archives: shirotae

Naidaijin-ke uta’awase 16

Round Four

Left (M – Tie)

白砂の霜よに置きてみつれども移ふ菊はまがはざりけり

shirotae no
shimo yo ni okite
mitsuredomo
utsurou kiku wa
magawazarikeri
White as mulberry cloth.
Frost has fallen tonight
I see, and yet
The faded chrysanthemums
I can clearly tell apart.

Lord Masakane
31

Right (T – Win)

八重菊の花の袂をあかずとや霜のうはぎを猶かさぬらん

yaegiku no
hana no tamoto o
akazu to ya
shimo no uwagi o
nao kasanuran
Of eightfold chrysanthemum
Bloomed sleeves
I cannot get my fill, but
Is a frosty jacket
Yet laid upon them?

Lord Tadafusa
32

Toshiyori states: the assemble company have stated about the first poem that in the absence of the moon or the stars it would difficult to distinguish chrysanthemums from the frost, and it certainly sounds like this would be the case. In the latter poem, we need to think of who it is that is feeling that they cannot get their fill of bloomed sleeves—the person wearing them should be included, or if the chrysanthemums are, perhaps, the subject, then ‘eightfold chrysanthemum’ is an error. Even so, the style of the poem seems elevated.

Mototoshi states: the poem stating ‘White as mulberry cloth. / Frost has fallen tonight’ is a bit hackneyed, and it then continues ‘The faded chrysanthemums / I can clearly tell apart’—I question whether one would really mistake faded chrysanthemums and frost. As for the Right’s poem, which says ‘Bloomed sleeves / I cannot get my fill’, well, this really is difficult to grasp. I spent quite a bit of time going back and forth agonizing over whether these were a person’s sleeves or those of the chrysanthemum! I feel that the diction in both poems is skillful, but there’s a lack of necessary information, so it’s impossible to decide a winner or loser here.

Sumiyoshi-sha uta’awase kaō-ni nen 14

Left (Tie)

ゆきもあはぬちぎのかたそぎもる月をしもとやかみのおもひますらむ

yuki mo awanu
chigi no katasogi
moru tsuki o
shimo to ya kami no
omoimasuramu
Fail to entwine do
The chiliad of trees, while from the ridge poles
Drips the moon—
‘Tis frost, perhaps, does the Deity
Deign to wonder?

Lord Taira no Tsunemasa
Supernumerary Director of the Bureau of Horses, Left Division
Governor of Awaji
Exalted Fifth Rank, Lower Grade[i]
27

Right

しろたへのゆきかとみればかぜさえて月ぞしづるるすみよしのまつ

shirotae no
yuki ka to mireba
kaze saete
tsuki zo shizururu
sumiyoshi no matsu
White as mulberry cloth,
I wonder, if ‘tis snow, I see—
In the chill wind
The moon slips from
The pines of Sumiyoshi…

Lord Minamoto no Nakatsuna
Governor of Oki
Junior Fifth Rank, Lower Grade[ii]
28

The configuration of the Left appears elegant, but the expression ‘chiliad of trees’ was said to be impermissible by Lord Mototoshi in his judgement on a poetry competition held in a certain place. The final section, too, seems to require a bit more thought [because it’s insulting to the deity]. As for the Right, the conception of wondering if the moon’s light shining through the trees is snow slipping off them is charming, but I do wonder about the sound of ‘the moon slips’ as a piece of diction. The initial ‘white as mulberry cloth’, too, sounds like it needs further thought [because this is not used to modify ‘snow’], so these should tie.


[i] Shōgoige-gyō sauma gon-kami ken awaji no kami Taira ason Tsunemasa正五位下行左馬権頭兼淡路守平朝臣経正

[ii] Jūgoige-gyō oki no kami Minamoto ason Nakatsuna 従五位下行隠岐守源朝臣仲綱

Kyōgoku no miyasudokoro uta’awase 13

Original

ちりまがふかすがのやまのさくらばなひかりにきえぬゆきと見えつつ

chirimagau
kasuga no yama no
sakurabana
hikari ni kienu
yuki to mietsutsu
Tangledly scattering on
The mount of Kasuga are
The cherry blossoms—as
Not fading with the sunlight
Does this snow, it ever seems…

37

Left

さくらばななにかはきえむしろたへのいろばかりこそゆきににるらめ

sakurabana
nanika wa kienu
shirotae no
iro bakari koso
yuki ni niruramu
Cherry blossoms—
Why should they fade away?
White as mulberry cloth,
In their hue alone
Do they resemble snow, I’d say!

38

Right (Win)

やまざくらゆきにまがひてちりくれどきえぬばかりぞしるしなりける

yamazakura
yuki ni magaite
chirikuredo
kienu bakari zo
shirushi narikeru
Mountain cherry blossoms
Tangle with the snowflakes, and
Come a’scattering, yet
‘Tis only that they fade not that’s
The sign of what they are!

39

Sahyōe no suke sadafumi uta’awase 4

The Beginning of Summer

Left

ふるさとはこだかけれどもきみならぬほととぎすにもうとまれにけり

furusato wa
kodakakeredomo
kimi naranu
hototogisu ni mo
utomarenikeri
Around this ancient estate
The trees grow high, yet
Not by you alone,
By the cuckoo, too
Am I despised.

Tadamine
7

Right (Win)

やまがつのかきほにさけるうのはなはたがしろたへのころもかけしぞ

yamagatsu no
kakiho ni sakeru
u no hana wa
ta ga shirotae no
koromo kakeshi zo
Along the mountain man’s
Lattice fence bloom
Deutzia:
Whose white mulberry
Robes are hung there?

Mitsune
8

Kanpyō no ōntoki kisai no miya uta’awase 14

Left

まきもくのひばらの霞たちかへりみれども花のおどろかれつつ

makimoku no
hibara no kasumi
tachikaeri
miredomo hana no
odorokaretsutsu
In Makimoku[1] among
The cypress groves the haze
Rises and departs;
I see it, yet the blossom
Ever does amaze me…

27[2]

Right

白妙の浪路わけてや春はくる風吹くからにはなも咲きけり

shirotae no
namiji wakete ya
haru wa kuru
kaze fuku kara ni
hana mo sakinikeri
White as mulberry cloth are
The wave-wakes: forging through them does
Spring come?
The wind blows so,
The blossom has bloomed!

28


[1] Makimoku 巻目 was an alternate name for Makimuku 纏向, a place in Yamato province which was traditionally believed to be the location of the state’s capital during the reigns of the legendary emperors Suinin 垂仁 and Keikō 景行.

[2] Shinsen man’yōshū 17/An almost identical poem is also included in Kokin rokujo (I: 619), while a minor variant occurs in Fubokushō (IV: 1100), with a headnote identifying it as being included in this contest: まきもくのひばらの山にたちかへり見れども花におどろかれつつ makimoku no / hibara no yama ni / tachikaeri / miredomo hana no / odorokaretsutsu ‘In Makimoku among / The mountain cypress groves / Rising and departing, / I see it, yet the blossom / Ever does amaze me…’

San’i minamoto no hirotsune ason uta’awase 7

A profusion of deutzia flowers in full bloom

Left

白妙に卯花さけるかきねをばつもりし雪とおもひけるかな

shirotae ni
u no hana sakeru
kakine o ba
tsumorishi yuki to
omoikeru kana
A spread of white mulberry cloth,
The deutzias have bloomed
Along my brushwood fence
Drifting snow is piled, or
So it seems!

Minamoto no Narikata
13

Right

みわたせばたかねののべのうつぎ原みな白妙にさきにけるかな

miwatseba
takane no nobe no
utsugiwara
mina shirotae ni
sakinikeru kana
When I gaze across
The high-peak meadows
A field of deutzia,
All as white as mulberry cloth,
Have bloomed there.

Ōe no Fumi’ichi
14

MYS XVII: 4003

A poem with two envoys, composed in respectful response to Tachiyama.

朝日さし そがひに見ゆる 神ながら 御名に帯ばせる 白雲の 千重を押し別け 天そそり 高き立山 冬夏と 別くこともなく 白栲に 雪は降り置きて 古ゆ あり来にければ こごしかも 岩の神さび たまきはる 幾代経にけむ 立ちて居て 見れども異し 峰高み 谷を深みと 落ちたぎつ 清き河内に 朝さらず 霧立ちわたり 夕されば 雲居たなびき 雲居なす 心もしのに 立つ霧の 思ひ過ぐさず 行く水の 音もさやけく 万代に 言ひ継ぎゆかむ 川し絶えずは

asapi sasi
sogapi ni miyuru
kamu nagara
mina ni obasesu
sirakumo no
tipe wo osiwake
ama sosori
takaki tatiyama
puyu natu to
waku koto mo naku
sirotape ni
yuki pa puri okite
inisipe yu
arikinikereba
kogosikamo
ipa no kamusabi
tama kiparu
ikuyo penikemu
tatiwite
miredomo ayasi
minedakami
tani wo pukami to
otitagitu
kiyoki ka puti ni
asa sarazu
kiri tati watari
yupu sareba
kumowi tanabiki
kumowi nasu
kokoro mo sino ni
tatu kiri no
omopi sugusazu
yuku midu no
woto mo sayakeku
yoroduyo ni
ipitugi yukamu
kapa si taezu wa
The morning sun shines
At my back,and
Divine
Your great name links:
Clouds of white
In a thousand layers, you pierce, and
Tower into the heavens,
Tall Tachiyama!
In winter and, in summer both
Indistinguishably are you
Clad in mulberry white
Fallen drifts of snow;
Since ancient days
Ever has been your estate,
Fastened round with
Crags divine;
‘til all souls end
Have countless ages passed!
Standing here,
I see you, yet am awed by
Your lofty peak and
Valley’s deep, where
Plunge seething cataracts of
Waters pure to pools where
Morning never leaves –
Mists rise and roll across, and
When the evening comes
Clouds trail in and
Cover all,
Even, with sadness, my heart, so
The rising mists
Never leave my thoughts, and of
Your running waters’
Clear, pure sound
Through ten thousand ages
Will I ever tell
Unending as a river’s flow…

Ōtomo no Ikenushi
大伴池主

Kanpyō no ōntoki kiku awase 20

Composed on the figure of a person waiting at the foot of a chrysanthemum.
花見つつ人待つときは白栲の袖かとのみぞあやまたれける

Fana mitutu
Fito matu toki Fa
shirotaFe no
sode ka to nomi zo
ayamatarekeru
While gazing at the blooms,
Awaiting his arrival,
Simply for white mulberry
Sleeves have I
Mistaken them…

Tomonori
20

This poem was included in Kokinshū (V: 274).