Tag Archives: shirube

Minbukyō yukihira no uta’awase 4

Left
月夜には手倉の山の時鳥声も隠れぬ物にざりける

tukiyo ni Fa
tekura no yama no
Fototogisu
kowe mo kakurenu
mono ni zarikeru
On a moonlit night
On Tekura Mountain that
The cuckoo
Does conceal his call
Is not true at all…

7

Right (Win)
住む里は篠部をの森の時鳥木の下声ぞ標なりける

sumu sato Fa
sinobe no mori no
Fototogisu
ko no sita kowe zo
sirube narikeru
To my dwelling
In Shinobe Forest are
The cuckoo
Calls beneath the trees
A signpost.

8

Love V: 20

Left (Win).
いかなれば程なき中の通ひ路も逢ひ見ぬ夜半は苦しかるらん

ika nareba
hodo naki naka no
kayoiji mo
aiminu yowa wa
kurushikaruran
Why is it that
We are so close in love
And distance, yet
Those nights we cannot meet
Are so painful still?

Lord Kanemune
879

Right.
思ひこそ遠き程だにしるべなれ手も通ひなん中の隔ては

omoi koso
tōki hodo dani
shirube nare
te mo kayoi nan
naka no hedate wa
Love’s flame
Across a distance far
Is a beacon; though
An outstretched hand
Is our only separation…

Lord Takanobu
880

As the previous round.

In judgement: the Right sounds as if the lovers are exceedingly close. The Left, that even when the distance separating you is not that great, it is still painful, is, indeed, the case. Thus, the Left wins.

 

Love V: 13

Left (Tie).
行通ふ心の戀をしるべにてまだ見ぬ峰を幾重越ゆらん

yukikayou
kokoro no koi o
shirube nite
mada minu mine o
ikue koyuran
Crossing distances, with
Our hearts’ love
As a guide;
How many unseen peaks
Must I yet cross…

Lord Ari’ie.
865

Right.
尋ぬべき程を聞くにもいとゞしく心の道ぞまづ迷ひぬる

tazunubeki
hodo o kiku ni mo
itodoshiku
kokoro no michi zo
mazu mayoinuru
The distance I must travel:
When I ask how far it is,
More and more
Does my heart upon the path
Begin by wandering lost.

Lord Takanobu.
866

The Right state: we wonder about the appropriateness of the expression ‘our hearts’ love’ (kokoro no koi)? The Left state: the Right’s poem has no faults to mention.

In judgement: the Left’s ‘our hearts’ love’ is something I am completely unaccustomed to hearing. The Right’s poem does have ‘my heart upon the path’ (kokoro no michi), but the use of ‘more and more’ (itodoshiku) means it is difficult to make it a winner. The round should tie.

SIS VIII: 468

Composed to accompany a painting of the few remains of the bridge at Naraga on a folding screen for His Majesty, during the Tenryaku era.

葦間より見ゆる長柄の橋柱昔の跡のしるべなりけり

asima yori
miyuru nagara no
Fasibasira
mukasi no ato no
sirube narikeri
From between the reeds
Can one see at Nagara
The bridge pillars:
A trace from long ago
To guide us now…

Fujiwara no Kiyotada
藤原清正