Tag Archives: shore

Love VII: 12

Left (Win).
與謝の海の沖つ潮風浦に吹けまつなりけりと人に聞かせん

yosa no umi no
oki tsu shio kaze
ura ni fuke
matsunarikeri to
hito ni kikasen
By the sea at Yosa,
Tidewinds on the offing,
Blow across the bay!
That I am waiting without end,
Tell him!

A Servant Girl
983

Right.
浪かくるさしでの磯の岩根松ねにあらはれてかはくまもなし

nami kakuru
sashide no iso no
iwane matsu
ne ni arawarete
kawaku ma mo nashi
Waves beat
Upon the shore at Sashide, where
The pine trees on the crags
Roots are bared and
Never dry for but a moment.

The Supernumerary Master of the Empress’ Household Office
984

The Right state: the Left’s poem lacks any faults. The Left state: the Right’s poem is pedestrian.

In judgement: the configuration of the Left’s ‘Blow across the bay!’ (ura ni fuke) and its links with the preceding and subsequent lines, sounds charming. The Right’s poem is stylistically elegant, but the poem more closely resembles a poem on the topic of ‘Love and Pine Trees’. Thus, the Left wins.

SZS II: 89

Composed as a poem on blossom.

桜咲く比良の山風吹くままに花になりゆく志賀の浦浪

sakura saku
Fira no yamakaze
Fuku mama ni
Fana ni nariyuku
siga no uranami
Cherries flower on
Hira Mountain while
Breezes blow
All turned to blossom are
The waves on Shiga’s shore.

Middle Captain of the Inner Palace Guards, Left Division, [Fujiwara no] Yoshitsune
左近中将良経

KKS XII: 559

A poem from the Empress’ Poetry Competition held in the Kanpyō period.

住の江の岸による浪夜さへや夢の通ひ路人目よくらむ

suminoe no
kisi ni yoru nami
yoru saFe ya
yume no kayoFidi
Fitome yokuramu
As to Suminoe’s
Shore rush the waves
Why every night
Upon the path of dreams
Do I hide from other’s eyes?

Fujiwara no Toshiyuki
藤原敏行

Love VII: 8

Left (Tie).
わたの原沖つ潮風に立つ浪の寄り來やかかる汀なりとも

wata no hara
oki tsu nami ni
tatsu nami no
yoriko ya kakaru
migiwa naritomo
Across the broad sea sweep,
The waves from the offing,
The breakers:
So I would have you come to me,
Though I be such a shore…

Lord Ari’ie.
975

Right.
わたの原深き契りや渚なるかたし貝ともなりにける哉

wata no hara
fukaki ya chigiri
nagisa naru
katashigai tomo
narinikeru kana
The broad sea sweep’s
Depths: did our vow match them?
Upon the beach lie
Single seashells:
That is what we have become!

Lord Tsune’ie.
976

The Right state: we are unable to appreciate the Left’s poem. The Left state: as are we the Right’s poem.

In judgement: the Left’s poem would seem to be an improved example of a poem in the style of the previous round. That being said, the waves wouldn’t not come, would they? And, what is the point in addressing them so? The Right’s poem has an extremely flippant final section. The poems are comparable and should tie.

Love VI: 28

Left.
限りなき下の思ひの行衛とて燃えん煙のはてや見るべき

kagirinaki
shita no omoi no
yukue tote
moen kemuri no
hate ya mirubeki
Without limit is
My secret love:
Does it lead to
Burning smoke
For her in the end to see?

Lord Sada’ie.
955

Right (Win).
藻塩燒く浦の煙を風に見てなびかぬ人の心をぞ思ふ

moshio yaku
ura no kemuri o
kaze ni mite
nabikanu hito no
kokoro o zo omou
Seaweed salt burning
On the shore, smoke
Sighted in the wind;
No trails from her
Heart to me, alas…

Nobusada.
956

The Right state: the Left’s poem lacks smoke. The Left state: saying ‘sighted in the wind’ (kaze ni mite) sounds poor.

In judgement: the poem of the Right, which the Gentlemen of the Left have said ‘sounds poor’, has as its central section ‘sighted in the wind’, which I feel sounds extremely pleasant. The final section also sounds good. Thus, the Right wins.

SIS XVII: 1088

On the 21st day of the Fifth Month Tenroku 4 [973], former emperor En’yū, who was then the sovereign, visited the Princess of the First Order [Shishi 資子] and, following a loss at a game with go counters, on the 7th day of the Seventh Month, the Princess had a fan wrapped in thin cloth and presented to the imperial pantry.

天の川河辺涼しき七夕に扇の風を猶やかさまし

ama no kaFa
kaFabe suzusiki
tanabata ni
aFugi no kaze wo
naFo ya kasamasi
On the River of Heaven’s
Shore, cool
In early autumn
Is this fan’s breeze:
I wonder, should I lend it you more?

Nakatsukasa

This poem is also Wakan rōeishū  201.