Tag Archives: sora

Ietaka-kyō hyakuban jika’awase 1

Left. Spring
あら玉の年もかはらぬふるさとの雪のうちにも春はきにけり

aratama no
toshi mo kawaranu
furusato no
yuki no uchi ni mo
haru wa kinikeri
To the fresh jeweled
Year the change has yet to come, yet
Around my familiar home
Even within the snows
The spring is here!

1
Ninnaji gojūshu, Kenkyū 1 [1190]

Right
冬ながら花ちる空のかすめるは雲のこなたに春やきつらむ

fuyu nagara
hana chiru sora no
kasumeru wa
kumo no konata ni
haru ya kitsuramu
It’s winter now, yet
Are the blossom-scattering skies
Hazed
Beneath the clouds by
The arrival of spring, perhaps?

2

Love VIII: 15

Left (Win)
鳥の音は戀しき人の何なれや逢夜はいとひ逢はぬ夜は待つ

tori no ne wa
koishiki hito no
nani nare ya
auyo wa itoi
awanu yo wa matsu
The cock’s crow:
For my darling,
What might it mean?
Hated on nights we meet, and
Longed for when we do not…

Lord Kanemune
1049

Right
いかにして空とる程もはし鷹のしばしもこひに身を休むらん

ika ni shite
sora toru hodo mo
hashitaka no
shibashi mo koi ni
mi o yasumuran
Why, when
Hunting in the skies, does
The sparrowhawk
Briefly in the trees
Take his ease?

Ietaka
1050

The Gentlemen of the Right state: ‘What might it mean?’ (nani nare ya) fails to match. Ending ‘longed for’ (matsu) is overly definite. The Gentlemen of the Left state: what has hunting in the skies got to do with love?

In judgement: it has been said that ‘cock’s crow’ (tori no ne) and ‘what might it mean’ fail to match. Then there is also ‘definite’ (futsugiri). These are nothing but expressions which I do not know and find difficult to understand. ‘The sparrowhawk hunting in the skies’ (hashitaka no sora toru hodo) and ‘take his ease in the trees’ (koi ni yasumuran) both have only a faint conception of love, and I wonder about alluding to hawking. The Left failing to match, too, may be a term used in coursing for deer. Well, even if the deer do not match, as it has the conception of love, the Left should win.

Love VIII: 13

Left
時しもあれ空飛ぶ鳥の一聲も思ふ方より來てや鳴らん

toki shi mo are
sora tobu tori no
hitogoe mo
omou kata yori
kite ya naruran
Now, when I am wondering,
A bird, soaring through the skies,
Gives a single call;
From whence I love
Does it come, I wonder?

A Servant Girl
1045

Right (Win)
天の戸を明けぬと告ぐる鳥の音も獨寢る夜はさもあらばあれ

ama no to o
akenu to tsuguru
tori no ne mo
hitori neru yo wa
sa mo araba are
“The gates of Heaven
Are open!” announces
A cock’s crow, though
On a night spent sleeping alone,
It matters not at all…

The Supernumerary Master of the Empress Household Office
1046

The Right state: what gives rise to the idea in the Left’s poem? The Gentlemen of the Left state: there are no faults we can find.

In judgement: what sort of bird is it that ‘soaring through the skies gives a single call’ (sora tobu tori no hitogoe)? I wonder if there is a suitable source for this? That being said, I doubt the Gentlemen of the Right’s point is pertinent. It has been stated that the Right’s poem lacks any faults. It must win.

Saishō chūjō kuninobu no ie no uta’awase 13

Left (Win).
思ひあまりながむる空の掻き曇り月さへ我を厭ひつるかな

omoFi’amari
nagamuru sora no
kakikumori
tuki saFe ware wo
itoFituru kana
Filled full with love
The sky on which I turn my gaze
Is drowned in darkness;
Even the moon from me
Does shy!

The Consultant Middle Captain 宰相中将
[Minamoto no Kuninobu 源国信]
25

Right.
嵐吹く夜寒の里の寝覚めにはいとど人こそ恋ひしかりけれ

arasi Fuku
yo samu no sato no
nezame ni Fa
itodo Fito koso
koFisikarikere
Stom winds rage
Round my night-chilled home;
Starting from sleep
How much more do
I love her now…

The Minister of Justice 刑部卿
[Minamoto no Akinaka 源顕仲]
26

Eikyū hyakushu 497

Clouds

吹く風に漂ふ空の浮き雲をいつまでよそのものとかは見む

fuku kaze ni
tadayou sora no
ukigumo o
itsu made yoso no
mono to ka wa mimu
With the gusting breeze
Fluttering through the skies go
Drifting clouds;
For how long will such distant
Things I see?

Higo, from the Residence of the Kyōgoku Regent
京極関白家肥後