雨ふれど猶もえわたる早蕨や春のやくののしるしなるらん
| ame furedo nao moewataru sawarabi ya haruno yakuno no shirushi naruran | The rain has fallen, yet Still smouldering into bud Is fresh bracken that The plains in spring are burnt A sign, perhaps? |
[Minamoto no] Morotoki 師時
Tag Archives: springtime
Horikawa hyakushu 133
Horikawa hyakushu 131
Horikawa hyakushu 129
Mandaishū I: 173
Kinkai wakashū 594
When there was a heavy spring shower falling, on the way back after I had made a pilgrimage to the two places.[i]
春雨にうちそほちつつあし曳の山ぢゆくらむ山人やたれ
| harusame ni uchisōchitsutsu ashihiki no yamaji yukuramu yamabito ya tare | By rains in springtime, I am ever drenched, upon Leg-wearing Mountain trails I may have gone, but Who might the immortal be?[ii] |
594
[i] ‘Two places’ (nisho 二所) was an abbreviation for ‘manifested deities of two shrines’ (nisho gongen 二所権現) which, in turn, was a reference to Hakone-gongen 箱根権現 and Izu-gongen 伊豆権現, the kami of Hakone shrine and Izuyama Shrine, manifesting as Buddhist deities. Both of these deities were venerated by Minamoto no Yoritomo 源頼朝 (1147-1199), the founder of the Kamakura shogunate, and his wife, Hōjō Masako 北条政子 (1157-1225) and after Yoritomo’s death, shogun’s continued to make an annual pilgrimage to both shrines.
[ii] See: A single poem presented in reply by Prince Toneri. 安之比奇能 山尓由伎家牟 夜麻妣等能 情母之良受 山人夜多礼 ashihiki no / yama ni yukikemu / yamabito no / kokoro mo shirazu / yamabito ya tare ‘To the leg-wearying / Mountains seeming to have gone / An immortal’s / Heart I cannot know, but / Who might that immortal be?’ (Man’yōshū XX: 4294)
SKKS I: 14
For a folding screen, during the reign of the Engi Emperor.
ゆきて見ぬ人もしのべと春の野のかたみにつめるわかななりけり
| yukite minu hito mo shinobe to haru no no no katami ni tsumeru wakana narikeri | They have not gone to see, yet Those folk, too, I would have recall The plains in springtime with The keepsake of these plucked Fresh herbs. |
Ki no Tsurayuki
Yōzei’in miko futari uta’awase 10
Tsurayuki uta’awase 06
Love
Left
恋といへばまづいでたちて春も皆ゆくらむ方も知らずもあるかな
| koi to ieba mazu idetachite haru mo mina yukuramu kata mo shirazu mo aru kana | This thing called love Has gone before, and The spring, too, no one It’s destination Knows at all! |
11
Right
年毎に花におくるるみにしあれば恋ひせぬ春のなきぞわびしき
| toshi goto ni hana ni okururu mi ni shi areba koisenu haru no naki zo wabishiki | Every single year Missing the blossom Is my sorry self, A springtime with no one to love Is there not, but still sad and lonely am I! |
12
Eien narabō uta’awase 05
Round Five
Left (Win)
さくらやまはなのさかりに風ふけばこずゑをこして白波ぞたつ
| sakurayama hana no sakari ni kaze fukeba kozue o koshite shiranami zo tatsu | On the mount of Cherries So fine is the blossom that When the wind does blow, Passing o’er the treetops, Whitecaps arise! |
Controller’s Graduate
9
Right
この春ははなにこころのあくがれてこのもとにてもくらしつるかな
| kono haru wa hana ni kokoro no akugarete ko no moto nite mo kurashitsuru kana | This springtime By the blossoms my heart Is captivated, and Beneath the trees Does dwell! |
Kerin’in Graduate
10
Both Left and Right, in terms of diction, tone and style are superb with no faults at all. Thus, this is a tie.
The final section of the Left’s poem lacks fluency, yet it has conception. As for the Right’s poem, in order for one’s heart to be captivated by the blossom on every single treetop, one would need to be walking around. If one is resting peacefully beneath the trees, then one should say that one’s heart is captured. This section sounds erroneous, so the Left should win.
