Tag Archives: tabigoromo

Sumiyoshi-sha uta’awase kaō ni-nen 40

Round Fifteen

Left

みちしばのつゆわけきつるたびごろもしぐるるよははほしぞわづらふ

michishiba no
tsuyu wakekitsuru
tabigoromo
shigururu yowa wa
hoshi zo wazurau
Through the roadside grasses
Dew have I come forging—
My traveller’s garb
In a midnight shower
I’d dry—what trouble ‘tis, indeed!

Hyōenokami
79

Right (Win)

しぐれするおとにいくたびねざめしてくさのまくらにあかしかぬらむ

shiguresuru
oto ni iku tabi
nezameshite
kusa no makura ni
akashikanuramu
The showers’
Sound, so many times
Has wakened me, so
On my grassy pillow
It seems the dawn can never come!

Michichika
80

The Left’s ‘roadside grasses’ have nothing remarkable about them and, what’s more, fail to link to anything. The Right has a charming conception of feeling the dawn will never come to a grassy pillow, but as in the poem ‘On a winter’s night / How many times / Have I awakened, / Deep in thought, my dwelling’s / Door-crack letting in the light?’, it is more charming to refer to the difficulty of greeting the dawn at the end of a winter’s night. This poem has the speaker being woken countless times by the sound of a shower and seems to convey the feeling of dozing on a dew-drenched pillow, doesn’t it. With that being said, the Right does appear to have some genuine emotion behind it. I would say it wins.

Sumiyoshi-sha uta’awase kaō ni-nen 34

Round Nine

Left (Win)

うらさむくしぐるるよはのたびごろもきしのはにふにいたくにほひぬ

ura samuku
shigururu yowa no
tabigoromo
kishi no hanyū ni
itaku nioinu
The bay is cold with
Midnight showers, as
My traveller’s robe
With the shore’s ochre clay
Is deeply stained.

Taifu
67

Right

おもへただみやこのうちのねざめだにしぐるるそらはあはれならずや

omoe tada
miyako no uchi no
nezame dani
shigururu sora wa
aware narazu ya
Simply think of me, when
Within the capital
You start from sleep—
A showery sky is
Sad, isn’t it?

Sadanaga
68

While configuration of the Left’s poem, saying ‘With the shore’s ochre clay / Is deeply stained’ feels crude, it does appear to be in the style of the Myriad Leaves. As for the Right’s poem, its conception is good, but starting, ‘Simply think of me’ begs the question of who this is said to. Such diction is used in poetry exchanges or love poems, in particular. The Left’s poem is most likely superior.

Sumiyoshi-sha uta’awase kaō ni-nen 33

Round Eight

Left

しぐれもるかりいほにぬれてほすころもながゐのあまはとりやたがへむ

shigure moru
kari’io ni nurete
hosu koromo
nagai no ama wa
tori ya tagaemu
Drenched by showers,
In my crude hut my soaked
Robe I dry—
Might a fisherman from Nagai
Take it by mistake?

Koretsuna
65

Right (Win)

ひとりねのあはれひまなきたびごろもしぐれはれてもそではぬれけり

hitorine no
aware himanaki
tabigoromo
shigure haretemo
sode wa nurekeri
Sleeping solo with
No break from my sorrow,
My traveller’s robe,
Even should the showers clear,
Would have soaking sleeves…

Suesada
66

The configuration of the Left is extremely charming, but I do wonder about starting with a sorrowful journey in the showers and then taking a robe by mistake! The conception of the Right, starting with endless sorrow and then saying, ‘even should the showers clear’, seems pleasant. It seems that the Right wins.

Sumiyoshi-sha uta’awase kaō ni-nen 27

Round Two

Left (Win)

ならしばのたびのいほりにおとづれてしぐれもいまぞやまめぐりする

narashiba no
tabi no iori ni
otozurete
shigure mo ima zo
yama megurisuru
Oak boughs make
My traveller’s hut, where
I am visited by the sound of
Showers—they, too, now
Are on pilgrimage through the mountains.[1]

Shōkaku
53

Right

たびごろもうらがなしかるあさぢふによはのしぐれよいかにせよとぞ

tabigoromo
uraganashikaru
asajū ni
yowa no shigure yo
ika ni seyo to zo
In my traveller’s garb and
Sad at heart among
The clumps of cogon grass,
O, midnight shower,
Tell me, what I am I to do?[2]

Jakuchō
54

While both Left and Right sound pleasant, I make the Left the winner, because it sounds slightly more moving at present, with a traveller’s hut being visited by showers.


[1]Alluding to: Composed when caught in a shower, while making a pilgrimage to one hundred temples in Higashiyama.  もろともに山めぐりするしぐれかなふるにかひなき身とはしらずや morotomo ni / yamamegurisuru / shigure kana / furu ni kainaki / mi to wa shirazu ya  ‘Together with me / On my mountain pilgrimage are / The showers! / ‘Tis pointless to fall / On my sorry self, don’t you know!’ Master of the Left Capital Office Michimasa (SKS IV: 149)

[2] Alluding to: 旅ごろもうらがなしさにあかしかね草の枕は夢もむすばず tabigoromo / uraganashisa ni / akashikane / kusa no makura wa / yume mo musubazu  ‘In my traveller’s garb / My heart-sickness / I cannot lift, for / My grassy pillow / Brings no dreams, at all…’ Hikaru Genji (Genji monogatari 223)