Tag Archives: Tama

Saishō chūjō kuninobu no ie no uta’awase 14

Left (Win).
夜とともに玉散る床の菅枕見せばや人に夜半の景色を

yo to tomo ni
tama tiru toko no
sugamakura
miseba ya Fito ni
yowa no kesiki wo
Together with the night
Gemlets scatter on my bed’s
Sedge-filled pillow;
Should I show her
This midnight sight?

The Master 大夫
[Minamoto no Toshiyori 源俊頼]
27

Right.
波のよる岩根に立てる磯馴れ松また寝もいらで恋ひあかしつる

nami no yoru
iFane ni tateru
sonare matu
mata ne mo irade
koFi akasituru
The waves roll in
To the cliffs where stands
A hardy pine upon the rocks;
Once more sleepless
From love do I greet the dawn.

The Assistant Master 佐
[Fujiwara no Mototoshi 藤原基俊]
28

Love V: 25

Left (Win).
枕にも跡にも露の玉散りてひとり起きゐる小夜の中山

makura ni mo
ato ni mo tsuyu no
tama chirite
hitori oki’iru
sayo no naka yama
Upon my pillow and
My foot prints both, dew
Drops have fallen
Awakening alone in
Sayo-no-Nakayama.

A Servant Girl
889

Right.
草枕ひとりあかしの浦風にいとゞ涙ぞ落ちまさりける

kusamakura
hitori akashi no
ura kaze ni
itodo namida zo
ochimasarikeru
Pillowed on the grass,
Alone at dawn in Akashi,
The breeze from the bay
Makes even more tears
Fall.

Lord Tsune’ie.
890

The Right state they have no criticisms of the Left’s poem. The Left merely say that the Right’s poem is ‘old-fashioned’.

Shunzei’s judgement: The Left’s ‘dew drops’ (tsuyu no tama) falling so widely at Sayo-no-Nakayama one can surmise to be deeply expressive of the concept of travel. The Right’s Akashi Bay is a place strongly associated with the sad sound of the wind and the waves, but the final ‘makes even more fall’ (ochimasarikeru) is insufficient. Thus, the Left should win.