On the beginning of summer.
夏ごろもたつたのやまのほととぎすいつしかなかん声をきかばや
natsugoromo tatsuta no yama no hototogisu itsu shika nakan koe o kikaba ya | As a summer robe On Tatsuta Mountain, O, cuckoo, I would have you swiftly sing, For your song I long to hear… |
Round Three
Left (Win)
春の夜のあくる霞の立田山これや神代の衣なるらん
haru no yo no akuru kasumi no tatsutayama kore ya kamiyo no koromo naruran | At a spring night’s Dawn the haze around Tatsuta Mountain— Is this how in the age of gods Raiment might have been? |
Supernumerary Major Counsellor Moto’ie
5
Right
朝霞雲居をかけて見わたせばいたりいたらぬ山の端もなし
asagasumi kumoi o kakete miwataseba itari itaranu yama no ha mo nashi | When, upon the morning haze Draping from the clouds, I turn my gaze, it Spread out, and fails to reach, Not a single mountain’s edge. |
Nobunari, Senior Third Rank
6
Both Left and Right are difficult to tell apart, yet the Left’s ‘clothing of the Age of Gods’ would seem to be superior.
Composed as a spring poem, when he presented poems to the Poetry Office.
葛城やたかまの桜さきにけりたつたのおくにかかる白雲
kazuragi ya takama no sakura sakinikeri tatsuta no oku ni kakaru shirakumo | In Kazuragi, On Takama peak the cherry Has bloomed! To the heart of Tatsuta Cling clouds of white…[1] |
Jakuren
[1] An allusive variation on KKS I: 59 and Wakan rōeishū II: 409/SKKS XI: 990.
Left (Tie)
しぐれつつ草ばもなべてもみづともときはの山にあきはとまれり
shiguretsutsu kusaba mo nabete momizu to mo tokiwa no yama ni aki wa tomareri | Ever falls the drizzling rain, and Both leaves and grasses, all, Take on autumn hues, yet Within the evergreen mountains Autumn has halted. |
9
Right
をしめども秋はとまらぬ竜田山もみぢを幣とそらにたむけん
oshimedomo aki wa tomaranu tatsutayama momiji o nusa to sora ni tamuken | How I regret it, yet Autumn does not linger upon Tatsuta Mountain: Its autumn leaves as a garland To the skies it seems to offer. |
10
たつたやまあきをみなへしすぐさねばおくるぬさこそもみぢなりけれ
tatsutayama aki o mina heshi sugusaneba okuru nusa koso momiji narikere | On Tatsuta Mountain Autumn for all has Not yet passed by, so Proffered are garlands of Scarlet leaves. |
Motoyori
33
あきぎりをみなへしなびくふくかぜをこのひともとにはなはちるらし
akigiri o mina heshi nabiku fuku kaze o kono hitomoto ni hana wa chirurashi | The autumn mists Have borne down on all With the gusting wind A single stalk of Blooms seems to scatter… |
Yoshikaze
34
Composed when it was said that a poetry competition was to be held at the residence of the Ninna Middle Captain Lady of the Bedchamber.
花のちることやわびしき春霞たつたの山のうぐひすのこゑ
Fana no tiru koto ya wabisiki Farugasumi tatuta no yama no uguFisu no kowe | The falling of the flowers Is sad, indeed; In the spring haze On Tatsuta Mountain A warbler cries… |
Fujiwara no Chikage
藤原後蔭
1[1]
Composed when it was said that a poetry competition was to be held at the residence of the Ninna Middle Captain Lady of the Bedchamber.
惜しと思ふ心は糸に縒られなむ散る花ごとに貫きてとどめむ
osi to omoFu kokoro Fa ito ni yorarenamu tiru Fana goto ni nukite todomemu | A regretful Heart with threads Does seem to be entangled; Every single scattered bloom Will I thread on them to keep. |
Sosei
素性
2[2]
[1]This poem is included in Kokinshū (II: 108).
[2]This poem is included in Kokinshū (II: 114) and also in Sosei-shū 素性集 (16), where in some versions the headnote reads ‘[Composed] on the profusion of blossom when it was decided there would be poetry match at the residence of the Ninnaji Middle Captain Lady of the Bedchamber’.