In the same reign, when His Majesty’s Gentlemen were drawing topic by lot and presenting poems, he drew ‘fishing boats’ and composed this.
いはおろすかたこそなけれいせの海のしほせにかかるあまのつり舟
| iFa orosu kata koso nakere ise no umi no siFose ni kakaru ama no turibune | To drop their stones Is there no place at all, At the sea off Ise Caught by the rushing tides are The seafolk’s fishing boats… |
Supernumerary Middle Counsellor Toshitada
Composed on plovers.
沖つ潮指出の磯の浜千鳥風寒からし夜半に友呼ぶ
| oki tsu shio sashide no iso no hama chidori kaze samukarashi yowa ni tomo yobu | From the offing the tides Strike the shore at Sashide; On the beach plovers, Chilled by the wind Call for their mates at midnight. |
Supernumerary Middle Counsellor [Fujiwara no] Nagakata (1139-1191)
藤原長方
Left (Tie).
雲井まで續きて見ゆわたつ海の行衛知られぬ物思かな
| kumoi made tsuzukite miyu wata tsu umi no yukue shirarenu mono’omoi kana |
Beyond the clouds My gaze goes on and on; The endless sea: What lies beyond is unknown As my gloomy thoughts… |
Lord Suetsune.
979
Right.
伊勢の海の潮瀬にさはぐさざれ石の砕けて物を思ふ比かな
| ise no umi no shiose ni sawagu sazare’ishi no kudakete mono o omou koro kana |
The sea at Ise: Raging rapids with the tides, Where pebbles Shatter, gloom Filling my thoughts these days… |
Ietaka.
980
The Right state: the Left’s poem is clichéd. The Left state: the Right’s poem is that of Shigeyuki.
In judgement: the Left’s poem is clichéd, but in addition to this uses ‘goes on and on’ (tsuzukite), which is not something one should say. The Right’s poem is, indeed, overly close to Shigeyuki’s, so both Left and Right poem are deficient and lacking in any element allowing a win.