Tag Archives: today

Sen’yōden no nyōgo nadeshiko awase 04

This is a poem which was written on a poetry slip and attached to the diorama when it was presented to the young prince,[i] on the day following the match.

なでしこのはなさきそむる夏の野にけふひぐらしのこゑかきこゆる

nadeshiko no
hana sakisomuru
natsu no no ni
kyō higurashi no
koe ka kikoyuru
The pinks
In bloom have begun to be
On the summer plains
From today the sunset crickets’
Cries do I hear?

7[ii]

In reply from His Highness, the prince.[iii]

ひぐらしのなくもことわりなでしこのかひあるなつの野べとみゆれば

higurashi no
naku mo kotowari
nadeshiko no
kai aru natsu no
nobe to miyureba
That the sunset crickets
Should cry makes sense, for
The pinks bring
A point to the summer
Meadows, or so it seems to me…

8

A further reply from within the Hall of Cool Purity.

みやぎのにけふさきそむるなでしこはならはぬいろに人やみるらむ

miyagino ni
kyō sakisomuru
nadeshiko wa
narawanu iro ni
hito ya miruramu
On Miyagi Plain
Today has begun to bloom
A pink—
Its extraordinary hue
I wonder, will folk see?

9[iv]


[i] A reference to Imperial Prince Norihira  憲平, the future Emperor Reizei 冷泉 (950-1011; r. 967-969).

[ii] Anonymous (Fubokushō IX: 3461); (Nakatsukasa-shū 120)

[iii] Given that Norihira would have been only six years old when this match was held, it is most likely that this reply was penned in his stead by his mother, Fujiwara no Yasuko (Anshi) 藤原安子 (927-964).

[iv] This poem is included in Fubokushō (IX: 3469) attributed to the ‘Seiryōden Junior Consort’ (Seiryōden nyōgo 清涼殿女御), with the headnote ‘Poetry Match held by Junior Consort Yoshiko (Hōshi) in the Fifth Month, Tenryaku 10’. It is now generally believed that the Fubokushō attribution is erroneous, and this was, instead, composed by Emperor Murakami.

Sen’yōden no nyōgo nadeshiko awase 02

Left

あしひきのやまとなでしこいろふかきけふやこふてふひとをまたまし

ashihiki no
yamato nadeshiko
iro fukaki
kyō ya kou chō
hito o matamashi
Leg-wearying the
Mountains of Yamato, the pinks’
Hues so deep, that
I wonder for today and one to love them
Have they awaited?

Nakatsukasa
3[i]

Right (Tie)

みなそこにかげさへにほふなでしこはなみのはなをやいろにそむらむ

minasoko ni
kage sae niou
nadeshiko ha
nami no hana o ya
iro ni somuramu
The very riverbed
With their shapes does glow—
Do the pinks
Even the spray from off the waves
Dye with their hues, I wonder?

4[ii]


[i] A similar poem to this is included in Nakatsukasa’s personal collection, Nakatsukasa-shū (118): かきほなるやまとなでしこいろふかきけふやこふこふ人をまたまし kakio naru / yamato nadeshiko / iro fukaki / kyō ya kou / hito o matamashi ‘By the lattice fence / The Yamato pinks’ / Hues are so deep, that / I wonder for today and one to love them / Have they awaited?’

[ii] Some texts of this match have an alternate wording for this poem: みなそこにかげさへみゆるなでしこのなみのはなをやいろにそむらむ minasoko ni / kage sae miyuru / nadeshiko no / nami no hana o ya / iro ni somuramu ‘Upon the very riverbed / Their shapes do appear— / Do the pinks / Even the spray from off the waves / Dye with their hues, I wonder?’

SIS II: 81

When former Emperor Reizei was Crown Prince and he instructed him to present a hundred poem sequence.

花の色にそめしたもとのをしければ衣かへうきけふにもあるかな

Fana no iro ni
somesi tamoto no
wosikereba
koromo kaFe’uki
keFu ni mo aru kana
With the blossoms’ hues
A’dyed, these sleeves
Fill me with regret, so
I am loath to change my garb,
Indeed, today!

Minamoto no Shigeyuki 源重之

Dairi uta’awase – Tentoku yo-nen 11

Round Eleven

The Beginning of Summer[1]

Left (Tie)

なくこゑはまだきかねどもせみのはのうすきころもをたちぞきてける

naku koe wa
mada kikanedomo
semi no ha no
usuki koromo wa
tachi zo kitekeru
Their buzzing song
Is not yet to be heard, yet
Cicada wing
Light clothing
Has been cut to wear today.

Yoshinobu

22[2]

Right

夏ごろもたちいづるけふは花ざくらかたみのいろもぬぎやかふらん

natsugoromo
tachi’izuru kyō wa
hanazakura
katami no iro mo
nugi ya kauran
Summer garb:
Cut out from today, departing
The blossom of the cherries’
Hues—a keepsake—, too,
Will I put off and change?

Nakatsukasa

23

The Left’s poem gives the impression of the beginning of summer, but the Right’s ‘Sewn from today, departing’ suggests that it is the year that is doing so. In addition, it seems to use ‘put off and change’, and so sounds as if time has passed more swiftly than in the Left’s poem. Thus, because the poems’ quality is about the same, I make this a tie.


[1] Shuka 首夏. This Sinitic expression was also used to refer to the the Fourth Month.

[2] This poem was included in Shūishū (II: 79).

Kinkai wakashū 702

When returning from a pilgrimage to the twin shrines, there was a river called the Maekawa running before my beachside lodging.[i] Rain had been falling, so the waters were extremely high—I composed this when we crossed the river at sunset.

浜べなるまへの川せを行く水のはやくもけふのくれにけるかな

hamabe naru
mae no kawase o
yuku mizu no
hayaku mo kyō no
kurenikeru kana
On the beachside
The Mae’s river rapids’
Waters flow
As fast as today
Draws into evening.

702


[i] This lodging was at what is now Sakawa 酒匂 within the bounds of Odawara 小田原 on the coast of Sagami Bay (Higuchi 2016, 181)

Yōzei’in ichi no miko himegimi uta’awase 14

Original

ちらねどもかねてぞをしきもみぢばはけふをかぎりのいろとみつれば

chiranedomo
kanete zo oshiki
momijiba wa
kyō o kagiri no
iro to mitsureba
They have yet to scatter, but
Already, I regret
The scarlet leaves, for
Today is the utmost
Extent of their hues…

39

Left (Win)

あきふかきやまのもみぢもあるものをいまはのいろとおもはざらなむ

aki fukaki
yama no momiji mo
aru mono o
ima wa no iro to
omowazaranamu
Though in the depths of autumn
The mountains’ scarlet leaves
Are fair,
On their hues now
I would not have you dwell…

40

Right

かぎりなきいろはためしにをしけれどえだにもみぢはとまりげもなし

kagiri naki
iro wa tameshi ni
oshikeredo
eda ni momiji wa
tomarige mo nashi
Limitlessly fair
Hues have there been before, and
Regrets, yet
The scarlet leaves upon the boughs
Show no signs of lingering…

41