Tag Archives: tori

MYS II: 153

A poem by Her Majesty, the Dowager Empress.

鯨魚取り 近江の海を 沖放けて 漕ぎ来る船 辺付きて 漕ぎ来る船 沖つ櫂 いたくな撥ねそ 辺つ櫂 いたくな撥ねそ 若草の 夫の 思ふ鳥立つ

isana tori
opomi no umi wo
oki sakete
kogikitaru pune
pe tu kite
kogikuru pune
oki tu kai
itaku na pane so
pe tu kai
itaku na pane so
wakakusa no
tuma no
omopu tori tatu
In the whale-hunting
Sea of Ōmi
From far off in the offing
Boats come rowing;
Nearing the shore,
Boats come rowing;
Off in the offing, oars
Beat not so hard!
By the shore, oars
Beat not so hard!
A fresh blade of grass –
My husband’s
Beloved birds you’ll start to flight!

Yamato Hime no Ōkimi
倭皇后

Love VII: 21

Left.
夜を重ね心の関のかたきかなわが音は鳥の空音ならねば

yo o kasane
kokoro no seki no
kataki kana
wa ga ne wa tori no
sorane naraneba
Night upon night
The barriers upon your heart
Stand firm, indeed!
For the sounds I make are no cock’s
False crow!

Lord Ari’ie
1001

Right (Win).
人知れぬうらみにあまる浪の上を抑ふる袖や須磨の関守

hito shirenu
urami ni amaru
nami no ue o
osauru sode ya
suma no sekimori
She cannot know
The prospect of my despair;
Dashed upon the waves
Are my sleeves
Barrier Wardens at Suma?

Jakuren
1002

The Right state: why specifically refer to a ‘false crow’ (sorane)? This makes it sound as if the barrier would not be opened for a real bird’s cry. In response, the Left: as there is the precedent of a barrier being opened in response to a false crow, the poem draws upon this to refer to ‘the sounds I make’ (wa ga ne) – we fail to see why this is problematic. The Left state: we find no faults in need of identification in the Right’s poem.

In judgement: it seems difficult to distinguish between ‘the sounds I make’ and the ‘false crow’ in the Left’s poem, and the Right’s ‘dashed upon the waves are my sleeves’ (osauru sode) is pleasant. Thus, the Right wins.