Tag Archives: toshi

Kinkai wakashū 655

On the conception of felicitation.

ひめしまの小松がうれにゐるたづは千とせふれども年おいずけり

himeshima no
komatsu ga ure ni
iru tazu wa
chitose furedomo
toshi oizukeri
Among Himeshima’s[i]
Pine seedling shoots
Rest cranes:
A thousand year may pass, yet
They’ll not age through the years.[ii]

655


[i] Himeshima 姫島 (‘Princess Isle’) was a small island which is believed to have lain in the mouth of the Yodo River where it entered the inland sea south of modern Osaka. Due to changes in topography and the river’s course since ancient times, however, its exact location is now unknown.

[ii] See: [One of] two poems composed to express his grief and sorrow by Kawabe no Miyahito when he saw the coffin of a young girl in the pine groves of Himeshima in Wadō 4 [711]. 妹之名者 千代尓将流 姫嶋之 子松之末尓 蘿生万代尓 imo ga na wa / chiyo ni nagaremu / himeshima no / komatsu ga ure ni / kokemusu made ni ‘This maiden’s name / Will drift down a thousand ages / Until Himeshima’s / Pine seedling shoots are / Choked with hanging moss.’ (Man’yōshū II: 228)

Dairi uta’awase – Tenryaku ku-nen 02

Round Two

Left

しらつゆのこのはをわきておくやまのふかきもみぢはいろもうつらじ

shiratsuyu no
ko no ha o wakite
okuyama no
fukaki momiji wa
iro mo utsuraji
Silver dewfall
Marks out the leaves upon the trees;
In the mountains’ heart,
Deep scarlet the autumn leaves
Hues, too, will never fade away.

3[i]

Right (Win)

くれなゐのやしほのいろはもみぢばに秋くははれるとしにざりける

kurenai no
yashio no iro wa
momijiba ni
aki kuwawareru
toshi ni zarikeru
With vermillion
Dippings eight, hue is laid
Upon the scarlet leaves with
Autumn added
To the year!

4[ii]


[i] This poem is included in Gyokuyōshū (V: 794/795) with the headnote, ‘For the scarlet leaves match during the reign of the Tenryaku emperor’.

[ii] This poem is included in Gyokuyōshū (V: 795/796) with the headnote, ‘For the scarlet leaves match during the reign of the Tenryaku emperor’. It is also included in Mandaishū (V: 1223) with the headnote, ‘A poem from the autumn leaves match held at the palace in the intercalary Ninth Month, Tenryaku 9’ and in Kiyotada-shū (38), with the headnote ‘From an autumn leaves match at the palace, in a year when there were two ninth months’.

Kinkai wakashū 636

Snow at a shrine.

年つもるこしの白山しらずともかしらの雪をあはれとはみよ

toshi tsumoru
koshi no shirayama
shirazu tomo
kashira no yuki o
aware to wa miyo
How years has it drifted upon
The mountains white at Shirayama in Koshi
I know not, but
The snow above my brow,
O, behold with pity![i]

636


[i] See: Composed at Hiroshi Marōdo Shrine, recalling a visit to Shirayama, when he was Governnor of Kaga. としふともこしの白山わすれずはかしらのゆきをあはれともみよ toshi futomo / koshi no shirayama / wasurezu wa / kashira no yuki o / aware tomo miyo ‘The years have passed, yet / The mountains white at Shirayama in Koshi / Never will I forget! So, / The snow above my brow, / O, behold with pity!’ Master of the Left Capital Office Akisuke (Shinkokinshū XIX: 1912)

SKKS XIX: 1912

Composed at Hiroshi Marōdo Shrine, recalling a visit to Shirayama, when he was Governnor of Kaga.

としふともこしの白山わすれずはかしらのゆきをあはれともみよ

toshi futomo
koshi no shirayama
wasurezu wa
kashira no yuki o
aware tomo miyo
The years have passed, yet
The mountains white at Shirayama in Koshi
Never will I forget!
So, The snow above my brow,
O, behold with pity!

Master of the Left Capital Office Akisuke

Nishinomiya uta’awase 10

Round Ten

Left

秋はぎの下葉の露にあらねども消えぬばかりぞ人は恋しき

akihagi no
shitaba no tsuyu ni
aranedomo
kienu bakari zo
hito wa koishiki
Upon the autumn bush clover’s
Underleaves a dewdrop
I am not, yet
Simply will I fade away
So much do I love him!

Taiyu no Suke
19

Right

わすられて年ふる里の浅茅生に誰がためしける萩の錦ぞ

wasurarete
toshi furu sato no
asajū ni
ta ga tame shikeru
hagi no nishiki zo
All forgotten
Through the passing years, at my home
Among the tangled mugwort,
For whose sake is spread
The bush clover’s brocade?

The Daughter of His Excellency, the Head

20

I feel that the poem of the Left is conspicuously poetic, saying ‘Simply will I fade away / So much do I love him!’ while the poem of the Right’s ‘Through the passing years, at my home / Among the tangled mugwort, / For whose sake is spread / The bush clover’s brocade?’ makes me want to ask the bush clover the same question! The pull my heart in more than one direction, so here, too, I feel it’s not possible to decide on a winner or loser.

Kinkai wakashū 538

Love and Tanabata.

七夕にあらぬわが身のなぞもかく年に稀なる人を待つらん

tanabata ni
aranu wa ga mi no
nazo mo kaku
toshi ni marenaru
hito o matsuran
The Weaver Maid
My sorry self is not, but[1]
Why is it that,
Rarely, but once a year,
That man’s visit I seem to await?

538


[1] An allusive variation on: Topic unknown. 篝火にあらぬわが身のなぞもかく涙の河にうきてもゆらむ kagaribi ni / aranu wa ga mi no / nazo mo kaku / namida no kawa ni / ukite moyuramu ‘A fisher’s torch / I’m not, so why does my sorry self / Yet / Upon a river of tears, / Burning, seem to drift along?’ Anonymous (KKS XI: 529)

Eien narabō uta’awase 26

Round Five

Left (Tie)

うちきらしあまぎるそらと見しほどにやがてつもれる雪の白山

uchikirashi
amagiru sora to
mishi hodo ni
yagate tsumoreru
yuki no shirayama
Suddenly concealed
By mist, the skies
I glimpsed and
In a moment drifted
Snow covered Shira Mountain with white.

Controller’s Graduate
51

Right

としをへてふし見の山にふるゆきはとこめづらにもおもしろきかな

toshi o hete
fushimi no yama ni
furu yuki wa
tokomezura ni mo
omoshiroki kana
Through all the passing years
Upon Fushimi Mountain
The falling snow
Feels ever fresh
And full of charm!

Kerin’in Graduate

52

The poem of the Left’s ‘Suddenly concealed / By mist, the skies’ is a clear case of repeating the same meaning. In addition, ‘snow covered Shira Mountain’ is one which is snow-capped regardless of whether it’s summer or winter. It’s not a mountain where one would be startled at seeing it ‘suddenly concealed’. The poem of the Right says that ‘through all the passing years the estate at Fushimi…feels ever fresh’, which seems as if this poem is specifying a period when this applies. It’s certainly a bit of a reach to say that this would be charming, but it’s not incongruous. Thus, I make this a tie.

I am unable to grasp the sense of the Left poem’s ‘suddenly concealed’. If it had been ‘concealed with falling’ then that would be better. In addition, I don’t understand the final ‘snow covered Shira Mountain’ either. I would have preferred it if the order had been ‘Shira Mountain’s snow’, but putting the ‘snow’ first seems to lack fluency and so, regretfully I would change this.

The Right’s ‘Fushimi Mountain’ is difficult to understand. It seems that ‘estate’ is a more standard composition, and ‘mountain’ is a novel usage. Having ‘Fushimi’ ‘feel fresh’ is evidence of thought, but even so, ‘mountain’ is vague.