Tag Archives: toshi

Mimosugawa uta’awase 11

Round Eleven

Left

立ちかはる春をしれともみせがほに年をへだつる霞なりけり

tachikawaru
haru o shire tomo
misegao ni
toshi o hedatsuru
kasumi narikeri
‘The turn to
Spring I would you know!’
Reveals,
Standing at the year’s edge,
The haze.

21

Right (Win)

岩まとぢし氷もいまはとけ初めて苔の下水道もとむなり

iwama tojishi
kōri mo ima wa
tokehajimete
koke no shitamizu
michi motomu nari
Cracks between the crags sealed
By ice, now
Beginning to melt, and
The water ‘neath the moss
Seeks to find its way.

22

The poem of the Left appears to have suitable configuration and diction, but even though the expression ‘reveals’ is something which one and all, and even I, compose with, I still feel that it is a word which is better avoided in a poetry match. Victory should be awarded according to a poem’s style. The poem of the Right has charming conception and diction. I should say it wins.

Sankashū I: 19

Fresh herbs

かすがのはとしのうちにはゆきつみてはるはわかなのおふるなりけり

kasugano wa
toshi no uchi ni wa
yuki tsumite
haru wa wakana no
ouru narikeri
Kasuga Plain
Within the year past
Garnered snow, where
In springtime fresh herbs
Grow up.[i]

19


[i] See: Composed for a painting on a folding screen, showing the picking of fresh herbs on a plain where the snow had fallen. かすが野の雪のむらぎえかきわけて誰がためつめるわかななるらん kasugano no / yuki no muragie / kakiwakete / ta ga tame tsumeru / wakana naruran ‘Across Kasuga Plain, / Spotted with snowmelt, / They push their way; / For who might he be garnering / Those fresh herbs?’ Minamoto no Toshiyori (Sanboku kikashū I: 28)

Sankashū I: 6

When the New Year’s Day was the Day of the Rat.[i]

ねのびしてたてたる松にうゑそへんちよかさぬべきとしのしるしに

ne no bi shite
tatetaru matsu ni
uesoen
chiyo kasanubeki
toshi no shirushi ni
‘Tis the Day of the Rat, so
Standing, pines
Let us plant,
That a thousand ages will mount up
As a sign this year![ii]

[i] On the first Day of the Rat of the year, aristocrats would go out and gather a range of medicinal plants to brew a tonic to ward off ill health in the coming year. Among these were pine seedlings, which were displayed as symbols of longevity.

[ii] See: For the Day of the Rat celebrations at the palace in Eihō 4 [1084]. ねのびする野べのこまつをうつしうゑて年のをながく君ぞ引くべき ne no bi suru / nobe no komatsu o / utsushi’uete / toshi no o nagaku / kimi zo hikubeki ‘For the Day of the Rat / Pine seedlings from the plains / We transplant, that / The long thread of their years / Will draw our Lord with them!’ Supernumerary Middle Counsellor Michitoshi (Shinkokinshū VII: 729)

SKKS VII: 729

For the Day of the Rat celebrations at the palace in Eihō 4 [1084].

ねのびする野べのこまつをうつしうゑて年のをながく君ぞ引くべき

ne no bi suru
nobe no komatsu o
utsushi’uete
toshi no o nagaku
kimi zo hikubeki
For the Day of the Rat
Pine seedlings from the plains
We transplant, that
The long thread of their years
Will draw our Lord with them!

Supernumerary Middle Counsellor Michitoshi

Reikeiden no nyōgo uta’awase 06

Fresh Herbs

Left (Tie)

みわたせばひらのたかねにゆききえてわかなつむべくのはなりにけり

miwataseba
hira no takane ni
yuki kiete
wakana tsumubeku
no wa narinikeri
When I gaze across
To the high peak of Hira,
The snow has vanished, and
I might pick fresh herbs
From the meadow it has become.

Kanemori
11[i]

Right

はるの野のわかなはきみがためにこそおほくのとしをつまむとはおもへ

haru no no no
wakana wa kimi ga
tame ni koso
ōku no toshi o
tsumamu to wa omoe
In the springtime meadows
Fresh herbs, for my Lord’s
Sake, indeed,
In many a year
Will I pick, I feel!

12

The Right’s poem was inferior, but tied as it contained an element of Felicitation.


[i] This poem is included in Shoku gosenshū (I: 34), attributed to Kanemori, with the headnote ‘A poem from the Poetry Match held by the Reikeiden Junior Consort’.

Dairi uta’awase – Tentoku yo nen 06

Round Six

Left (Tie)

さくらばな風にしちらぬものならばおもふことなき春にぞあらまし

sakurabana
kaze ni shi chiranu
mono naraba
omou koto naki
haru ni zo aramashi
Did the cherry blossom
With the breeze not scatter
Then,
There would be no gloomy thoughts
In springtime, surely!

Yoshinobu
12[i]

Right

さくらばないろみるほどによをしへば歳のゆくをもしらでやみなん

sakurabana
iro miru hodo ni
yo o shi heba
toshi no yuku o mo
shirade yaminan
While upon the cherry blossoms’
Hues I gaze,
Passing through this world,
That the years go by
I feel not, no, not at all![ii]

Kanemori
13

Both Left and Right are well presented. Thus, they tie.


[i] This poem was included in Shikashū (I: 36).

[ii] Kanemori’s poem here can be viewed as a response to the emotions expressed by Ono no Komachi in her famous composition: Topic unknown. 花の色はうつりにけりないたづらにわが身世にふるながめせしまに hana no iro wa / utsurinikeri na / itazura ni / wa ga mi yo ni furu / nagameseshi ma ni ‘The colour of this flower / Has already faded away, / While in idle thoughts / My life goes by, / As I watch the long rains fall.’ (Kokinshū II: 113) (Hagitani and Taniyama 1965, 81)

Dairi uta’awase – Tentoku yo nen 04

Round Four

Willows

Left

あらたまのとしをつむらんあをやぎのいとはいづれの春かたゆべき

aratama no
toshi o tsumuran
aoyagi no
ito wa izure no
haru ka tayubeki
New jewels,
The years seem to spin out
Green willow
Threads: when might
The spring be that they snap?

Mochiki
8[i]

Right (Win) 

さほひめのいとそめかくるあをやぎをふきなみだりそ春の山風

saohime no
ito somekakuru
aoyagi o
fuki na midari so
haru no yamakaze
Princess Sao
Has dyed the dangling threads of
Green willow—
O, don’t blow them into tangles,
Spring breeze from the mountains!

Kanemori
9

While the Right’s poem was being recited, the gentlemen of the Left stated, ‘The current willow poem was already recited out of sequence, and yet they desire to recite it again. It seems they have forgotten basic procedure!’ This minor official replied, ‘His Majesty’s ruling has already been granted on this matter following the Left’s request when the poems on bush warblers were recited, so this objection cannot be raised again.’

In the Left’s poem ‘New jewels, / The years seem to spin out / Green willow’ lacks sense. While the Right’s poem has nothing worth mentioning about it, it does not appear to have any faults, and thus it wins.


[i] A variant on this poem is included in Goshūishū (I: 74), as well as in some texts of this match: Composed on willows for the Palace Poetry Match held in Tentoku 4. あらたまのとしをへつつもあをやぎのいとはいづれのはるかたゆべき aratama no / toshi o hetsutsu mo / aoyagi no / ito wa izure no / haru ka tayubeki ‘New jewels, / The years pass ever by with / Green willow / Threads: when might / The spring be that they snap?’ Given Saneyori’s judgement, however, I am following Hagitani and Taniyama (1965, 80) in prioritising this version.