Tag Archives: tsuma

Love X: 4

Left (Tie)
舟のうちにさしも浮きたる契までうらやむ程のえにこそ有けれ

fune no uchi ni
sashimo ukitaru
chigiri made
urayamu hodo no
e ni koso arikere
Within a boat
Such a brief
Bond is formed; yet
Do I envy it,
I really do!

Lord Ari’ie
1147

Right
その人と分きて待つらん妻よりもあはれは深き浪の上哉

sono hito to
wakite matsuran
tsuma yori mo
aware wa fukaki
nami no ue kana
There is her, and
My waiting
Wife:
Far fonder am I
Upon the waves!

Nobusada
1148

Left and Right state: neither has any fault.

In judgement: the configuration and diction of both poems sounds pleasant. I must make this a tie.

Love IX: 22

Left (Tie)
恋そめし思ひの妻の色ぞそれ見にしむ春の花の衣手

koisomeshi
omoi no tsuma no
iro zo sore
mi ni shimu haru no
hana no koromode
The first flush of love’s
Scarlet passion for her:
A hue that
Stains the flesh, as spring’s
Blossoms do the sleeves…

Lord Sada’ie
1123

Right
飽かざりしそのうつり香は唐衣恋をすすむる妻にぞ有りける

akazarishi
sono utsurika wa
karakoromo
koi o susumuru
tsuma ni zo arikeru
I cannot get enough of
Her scent transferred to
My Cathay robe:
Love for her begins
With a skirt!

The Supernumerary Master of the Empress’ Household Office
1124

The Right state: both the conception and diction of the Left’s poem are unclear. The Left state: the Right’s poem, in addition to being commonplace, has ‘begins’ (susumuru) which is unimpressive.

In judgement: in the Left’s poem, while ‘blossoms do the sleeves’ (hana no koromode) is evocative, ‘a hue that’ (iro zo sore) is certainly extremely difficult to understand. In the Right’s poem, both ‘Cathay robe’ (karakoromo) and ‘with a skirt’ (tsuma ni zo arikeru) seem elegant, but I wonder about the impression of ‘her scent transferred’ (sono utsurika) and ‘begins’. It is unclear which poem is superior or inferior, so the round should tie.

Love VIII: 18

Left (Win)
鴨のゐる入江の浪を心にて胸と袖とにさはぐ戀かな

kamo no iru
irie no nami o
kokoro nite
mune to sode to ni
sawagu koi kana
Ducks flock on
The inlet’s waves
Within my heart, so
My breast and sleeves both
Are raucous with love!

Lord Sada’ie
1055

Right
佐保川の霧のまよひの程だにも妻もとむとて千鳥鳴夜を

saogawa no
kiri no mayoi no
hodo dani mo
tsuma motomu tote
chidori naku yo o
To the vernal river:
The mist brings confusion
And in its midst,
Seeking a mate,
A plover cries at night…

Jakuren
1056

The Gentlemen of the Right state: we wonder about the appropriateness of ‘my breast and sleeves both are raucous’ (mune to sode to ni sawagu)? The Left, in appeal, state: there is ‘the river-mouths of my sleeves’ (sode no minato) and ‘when I think, upon my breast’ (omoeba mune ni) so linking ‘breast’ and ‘sleeve’ is entirely uncontroversial. The Gentlemen of the Left state: we find no faults to mention in the Right’s poem.

In judgement: I understand the views of the Left’s poem held by both teams. It has also been said that the Right’s poem lacks faults. However, in ‘seeking a mate, a plover cries at night’ (tsuma motomu tote chidori naku yo o) only the two words ‘at night’ (yo o) have any conception of love. The remainder of the poem is simply about plovers, so there is little of love about it. ‘Breast and sleeves both’ (mune to sode to) should win.

MYS II: 153

A poem by Her Majesty, the Dowager Empress.

鯨魚取り 近江の海を 沖放けて 漕ぎ来る船 辺付きて 漕ぎ来る船 沖つ櫂 いたくな撥ねそ 辺つ櫂 いたくな撥ねそ 若草の 夫の 思ふ鳥立つ

isana tori
opomi no umi wo
oki sakete
kogikitaru pune
pe tu kite
kogikuru pune
oki tu kai
itaku na pane so
pe tu kai
itaku na pane so
wakakusa no
tuma no
omopu tori tatu
In the whale-hunting
Sea of Ōmi
From far off in the offing
Boats come rowing;
Nearing the shore,
Boats come rowing;
Off in the offing, oars
Beat not so hard!
By the shore, oars
Beat not so hard!
A fresh blade of grass –
My husband’s
Beloved birds you’ll start to flight!

Yamato Hime no Ōkimi
倭皇后

SZS IV: 249

Topic unknown.

宮城野の萩や雄鹿の妻ならん花咲きしより声の色なる

miyagino no
Fagi ya wosika no
tuma naran
Fana sakisi yori
kowe no iro naru
On Miyagi plain
Has the bush clover the stag’s
Bride become?
For since the blossom bloomed
His cry takes on its passionate hue.

Fujiwara no Mototoshi
藤原基俊