Tag Archives: wagami

Nishinomiya uta’awase 09

Round Nine

Left

忍びねを我が袖のみと思ひしを劣らざりけり萩の下露

shinobine o
wa ga sode nomi to
omoishi o
otorazarikeri
hagi no shitazuyu
Secretly
Upon my sleeves, alone,
I thought, but
‘Twas not lesser than
The dewfall ‘neath the bush clover.

Minor Captain Kin’nori, Fourth Rank
17

Right

色かはる萩の下葉の露けさは我が身のうへと成りにけるかな

iro kawaru
hagi no shitaba no
tsuyukesa wa
wa ga mi no ue to
narinikeru kana
A change of hue
To the bush clover’s underleaves
Drenched with dew—
Upon my sorry self
Has it befallen, too!

Tadasue, Senior Assistant Minister of the Sovereign’s Household
18

The image of the droplets of secretly wept upon the poet’s sleeves not being less than those of the dewdrops beneath the bush clover appears extremely charming and moving. In addition, the pain expressed by one’s sorry self being as dew-drenched as the bush clover’s underleaves—this has left my own sleeves, both left and right, seeming as soaked with dewdrops from the bush clover.

Nishinomiya uta’awase 01

On the 29th day of the Eighth Month, Taiji 3,[i] Head of the Department of Shinto, His Excellency Akinaka gave a lecture before the Hirota Shrine, and various people from among his friends and relative met together in the same place.

Judge   Mototoshi, Former Assistant Captain in the Palace Guards, Left Division.

Personal Grievances and the Moon

Round One

Left     

難波江のあしまにやどる月みれば我が身ひとつも沈まざりけり

naniwae no
ashima ni yadoru
tsuki mireba
wa ga mi hitotsu mo
shizumazarikeri
When, at the inlet at Naniwa
Between the reeds a’lodging
The moon I see,
My sorry self, alone,
Is sunk in sadness, am I not?

Lord Akisuke, Former Governor of Mimasaka
1

Right

かがみ川影見る月にそこ澄みて沈むみくづのはづかしきかな

kagamigawa
kage miru tsuki ni
soko sumite
shizumu mikuzu no
hazukashiki kana
In the mirror of Kagami River,
The shape, I see, of the moon
Clear down to the bed of
Sunken flotsam—
How terrible that I am so!

His Excellency Akinaka, Head of the Department of Shintō
2

While both Left and Right show awareness of the conventions, I find it difficult to be beguiled more by coming to the realisation that ‘My sorry self, alone, / Is sunk in sadness, am I not’ on seeing the moon lodging between the reeds, than I am by the conception of the one who seems to have seen the moon over Mount Obasute[1], so I could say that it has a bit of conception about it at present.


[1] Topic unknown. わが心なぐさめかねつさらしなやをばすて山にてる月を見て wa ga kokoro / nagusamekanetsu / sarashina ya / obasuteyama ni / teru tsuki o mite ‘My heart / Cannot be consoled— / In Sarashina / Above Mount Obasute / On seeing the shining moon…’ Anonymous (KKS XVII: 878)


[i] 25 September 1128

Kinkai wakashū 538

Love and Tanabata.

七夕にあらぬわが身のなぞもかく年に稀なる人を待つらん

tanabata ni
aranu wa ga mi no
nazo mo kaku
toshi ni marenaru
hito o matsuran
The Weaver Maid
My sorry self is not, but[1]
Why is it that,
Rarely, but once a year,
That man’s visit I seem to await?

538


[1] An allusive variation on: Topic unknown. 篝火にあらぬわが身のなぞもかく涙の河にうきてもゆらむ kagaribi ni / aranu wa ga mi no / nazo mo kaku / namida no kawa ni / ukite moyuramu ‘A fisher’s torch / I’m not, so why does my sorry self / Yet / Upon a river of tears, / Burning, seem to drift along?’ Anonymous (KKS XI: 529)

Yōzei’in miko futari uta’awase 11

Partings at Dawn

Left

ひとしれぬわがみとおもへばあかつきのとりとともにやなきてかへらん

hito shirenu
wa ga mi to omoeba
akatsuki no
tori to tomo ni ya
nakite kaeran
No one knew
Of my sorry state, I thought, so
With the dawn
Birds’ chorus should I,
Sobbing, make my way home?

20

Right

ひとしれずあかでわかるるあかつきにうちなきそふるをしのこゑかな

hito shirezu
akade wakaruru
akatsuki ni
uchinaki souru
oshi no koe kana
No one knows
How unsatisfied I am to part
With the dawn
Sobs overlaying
The cries of the mandarin ducks!

21

Sumiyoshi-sha uta’awase kaō ni-nen 63

Round Thirteen

Left (Tie)

われもいかでよにながらへてすみよしのまつのちとせのゆくすゑもみむ

ware mo ikade
yo ni nagaraete
sumiyoshi no
matsu no chitose no
yukusue mo mimu
Somehow, I, too,
Would endure in this world, that
Sumiyoshi’s
Pine’s thousand years
End I would see!

Masahira
125

Right

たとへけむなみはわがみにあらはれぬこぎゆくふねのあとはほかかは

tatoekemu
nami wa wagami ni
arawarenu
kogiyuku fune no
ato wa hoka ka wa
Might I compare
The waves, which on my sorry self
Have made their mark, with
A boat rowing out, leaving
A wake, or if not that then what? [1]

Chikashige
126

The Left seems to be imagining something very unrealistic. The Right has the poem ‘To what should I compare it? / Just as dawn is breaking’ in mind, and appears to have the charming conception of sorrowing over the face of Grand Duke Jiang appearing in the waves on the Wei River, but ‘if not that then what?’ sounds a bit overblown. With that being said, the Left feels like a plea for good fortune, and the Right evokes impermanence. The matters are only distantly connected, and thus in terms of faults and merits they are equal.


[1] An allusive variation on: Topic unknown. 世の中をなににたとへむあさぼらけこぎゆく舟のあとのしら浪 yo no naka o / nani ni tatoemu / asaborake / kogiyuku fune no / ato no shiranami ‘This mundane world: / To what should I compare it? / Just as dawn is breaking, / A boat rows out / Whitecaps in its wake.’ Novice Mansei (SIS XX: 1327)

Sumiyoshi-sha uta’awase kaō ni-nen 58

Round Eight

Left

よのなかをうみわたりつつとしへぬることはつもりのかみやたすけむ

yo no naka o
umiwataritsutsu
toshi henuru
koto wa tsumori no
kami ya tasukemu
In this mundane world,
An endless sea of suffering,
Have my years gone by;
Might Tsumori’s
Deity save me, I wonder?

Dharma Master Shun’e
115

Right (Win)

いへのかぜわがみのうへにすずしかれかみのしるしをあふぐとならば

ie no kaze
wa ga mi no ue ni
suzushikare
kami no shirushi o
augu to naraba
My house’s breeze of fortune
To my sorry self
I would bring cool, if
For a sign from the God
I were to seek…

Lord Sanekuni
116

The Left’s conception is charming, beginning with ‘An endless sea of suffering’ and following this with ‘Might Tsumori’s / Deity save me, I wonder?’, but ‘endless sea of suffering’ does not sound like acceptable diction. The Right’s conception of ‘For a sign from the God / I were to seek’ sounds charming, so I make it the winner.

KYS IX: 518

Composed when viewing the blossom at the Enshūji and recalling former Emperor Gosanjō.

うゑおきしきみもなきよにとしへたる花は我が身のここちこそすれ

ueokishi
kimi mo naki yo ni
toshi hetaru
hana wa wa ga mi no
kokochi koso sure
You planted them here,
My Lord, though gone from this world,
These many years past—
The flowers and my sorry self
Both feel the same…

The Third Prince
三の宮

Sumiyoshi-sha uta’awase kaō ni-nen 52

Round Two

Left (Tie)

すみよしときこゆるさとにいとはずはおきどころなきみをやどさばや

sumiyoshi to
kikoyuru sato ni
itowazu wa
okidokoro naki
mi o yadosaba ya
A pleasant place to live is Sumiyoshi’s
Estate, or so I’ve heard, but
If it provide no comfort, then
My restless
Self might it attract…

Lord Kinshige
103

Right

すぎていにしあきにおくれてしもがるるきくやわがみのたぐひなるらむ

sugite inishi
aki ni okurete
shimogaruru
kiku ya wa ga mi no
tagui naruramu
Past and gone is
Autumn, but lingering,
Frost-burned
Chrysanthemums—is my sorry self
Just like them, I wonder?

Enjitsu
104

Neither the poem of the Left, nor of the Right, sound as if they have any particular faults. Nevertheless, in the case of such poems the assessment varies depending upon the speaker. While the poem of the Left is, indeed, pitiful, it also sounds a bit crude. It would be elegant, I think, if it were a woman’s poem. As for the Right’s poem, if we take it as an expression of grief over orphanhood, then in the final analysis it’s charming as it matches the conception of a scion of a noble house picturing himself as the monarch of the flowers. Then again, we do have the poem by the Enkyū Third Prince:

うゑおきしきみもなきよにとしへたる花は我が身のここちこそすれ

ueokishi
kimi mo naki yo ni
toshi hetaru
hana wa wa ga mi no
kokochi koso sure
You planted them here,
My Lord, though gone from this world,
These many years past—
The flowers and my sorry self
Both feel the same…[1]

This would seem to be in the same vein. Given that the speaker of both poems is unclear, for the moment, these tie.


[1] Composed when viewing the blossom at the Enshūji and recalling former Emperor Gosanjō (KYS IX: 518).